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All Journal Journal of Contemporary Indonesian Art EMARA : Indonesian Journal of Architecture ARTEKS : Jurnal Teknik Arsitektur Journal of Islamic Architecture Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya
Amos Setiadi
Universitas Atma Jaya Yogyakarta
Arts Humanities Civil Engineering, Building, Construction & Architecture Education

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Estetika Metafisika pada Seni Keris sebagai Media Pembelajaran Amos Setiadi; KI Ismara Kusumatatwa
Journal of Contemporary Indonesian Art Vol 7, No 2 (2021)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jocia.v7i2.5501

Abstract

Abstrak: Saat ini di wilayah Jawa, keris masih dianggap sebagai sesuatu yang disucikan, disucikan, jimat, sakti, dan sesuatu yang memiliki kekuatan luar biasa. Dengan cara ini, orang percaya bahwa keris dapat mempengaruhi karir, kesehatan, dan karakter peserta didik oleh guru (Sang Guru). Penjelasan bagaimana fenomena itu bisa terjadi dibahas dalam trans-kepribadian, pendidikan psikologi, metafisika, dan budaya. Orang menganggap perannya baik sebagai media pembelajaran yang cocok untuk pendidikan karakter di masa lalu dan sebagai bantuan warisan budaya luhung (Indah) yang diakui oleh UNESCO. Tulisan ini bertujuan untuk memandang dan menempatkan keris secara proporsional sebagaimana mestinya: sebagai kaca benggala penggunaan media pembelajaran modern dalam pendidikan karakter yang harus lebih baik. Tulisan ini kesimpulan dari observasi partisipan yang dilakukan dalam waktu yang cukup lama di lingkungan yang relevan; penjelasannya terutama didasarkan pada beberapa pengalaman peneliti setelah melewati meditasi yang diperpanjang.Nowadays, in the Java region, keris is still considered as something which is sacred, holy, amulets, magic, and something which has extraordinary power. This way, people believe that keris can influence career, health, and learner’s character by the teacher (Sang Guru). The explanation of how that phenomenon can happen is discussed under trans-personality, psychological education, metaphysics, and cultures. It regards its role both as a suitable learning medium for the character education in the past and as an aid luhung (Beautiful) culture heritage admitted by UNESCO. This paper aims to proportionally regard and place keris as it should be: as kaca benggala (mirror) of the use of modern learning media in character education, which has to be better. This paper is not a common-sense, but an inference of a participant observation conducted in a long enough time in a relevant environment; the explanation is mainly based on some experience of the researcher after passing through an extended meditation. Hopefully, our future generation can see the authentic keris, not only as a picture – the way they now see Javanese tiger – and they do not have to go to museums in neighboring countries.
Perkembangan morfologi kawasan Kota Lama Kupang Rudini A. R. B. Lamahoda; Amos Setiadi; Reginaldo Christophori Lake; Ricky Samara
EMARA: Indonesian Journal of Architecture Vol. 6 No. 2 (2020): December 2020 ~ February 2021
Publisher : Universitas Islam Negeri Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29080/eija.v6i2.1010

Abstract

Kupang is the capital of East Nusa Tenggara Province, located on the coast of Kupang Bay, northwest of Timor Island. The development of Kupang old city area began in the 15th century, starting as a city initiated by King Helong until the Dutch, Portuguese, and Chinese governments' intervention. It has a unique morphology of the city area to research. The purpose of this study is to identify the development of the Kupang Old City area over several periods and analyze any changes and comparisons related to the morphology of the Kupang Old City area. Exploratory, descriptive research with tissue analysis method is used in this study to read the history that occurred in Kupang old city area from the early period formed the 15th-century area until the 21st century.Furthermore, the historical reading method wasused to find changes and morphological comparisons of the Kupang Old City area from the 15th to the 21st century and explain how Kupang old city spaces began to grow and develop. This research concluded that the Kupang old city area began to develop because it has the foremost generator that is the entry of King Helong's power to make Kupang Old City a city on Timor Island. The findings of changes and comparisons of the morphological development of Kupang Old City area are due to the influx of Dutch, Portuguese, and ethnic Chinese,and there is a change after Indonesia's independence, namely the change in the status of Kupang old city area based on the evolving political aspects
Strategi implementasi konsep waterfront city kota Kupang Amos Setiadi
ARTEKS : Jurnal Teknik Arsitektur Vol 3 No 1 (2018): ARTEKS : Jurnal Teknik Arsitektur | Juli 2018 ~ Desember 2018
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (334.055 KB) | DOI: 10.30822/arteks.v3i1.49

Abstract

The vision of development of Kupang City is to develop is as the Centre of National Activities with sustainable waterfront city concept. It intends to solve problems resulting from the development of Kupang City seashore areas by orienting the development to establish seashore areas as the front gate of the city and avoiding construction of settlement building on riparian zones and seashore areas.bThe relevance of this vision is discussed using qualitative descriptive method based on data of the areas' profiles. The discussion concludes that Kupang City needs Detail Planning on Priority Areas' Spatial for riparian zones and seashore areas with development concept. © 2018 Amos Setiadi
STUDI AWAL ENERGI TERMAL PADA TOSAN AJI Amos Setiadi
Ornamen Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i1.4349

Abstract

The existence of thermal energy in Tosan Aji recorded with a measuring instrument with an image output (visual) is one learning medium that helps the sense of view. In a Tosan Aji made of iron and steel, metal materials and prestige materials are believed to be stored thermal energy suspected to be a store when creating and forging materials, and other techniques have not been revealed. In the process, heat transfer occurs, called heat transfer, which can be analyzed from engineering disciplines that learn how to generate heat, use heat, change heat, and move heat. Tosan Aji thermal measurements using FLIR Infrared Camera instrument is an infrared camera whose results show images/visualization of thermal gradations of objects caught by the camera. With the method of treatment in the absence of conduction, convection, radiation, and the thermal condition of space, Tosan Aji has a thermal condition of 31.3 to 34.0 degrees Celsius. Unlike other metal objects, sickle and lower crowbar. Thermal distribution on blades and blades in “warangka” is different.
THE TRANSFORMATION OF RESIDENTIAL SPATIAL AND FORM IN KAUMAN VILLAGE YOGYAKARTA Amos Setiadi; C. Dwi Astuti Depari
Journal of Islamic Architecture Vol 6, No 4 (2021): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v6i4.11665

Abstract

Kauman village becomes a symbol of the Javanese philosophy and the Islamic ideology on which the local society orient their faith. This research aims to find the residential transformation factors and form in Kauman village in Yogyakarta and the characteristic of each object to conserve Kauman village as a constituent element that defines Yogyakarta City's identity. This research method is qualitative – descriptive research using a synchronic approach to present synthetic results from each object and detailed object characteristics conducted in a certain period. All data are collected by doing observation and interviewing second parties. The discussion led to the residential spatial change as an adaptation form of Batik skipper's and Ketib's residence in Kauman village of Yogyakarta. It can be concluded that the identity of the residents as a part of a modern community is gradually more dominant than the desire to reveal their identity as a part of a traditional Javanese community. Nevertheless, Batik skipper's residences retain Javanese architecture and Indische architecture characteristics as a symbol of the social status of the Batik Skipper and Ketib; The space for religious activities is no longer available in Batik skipper's residence. On the contrary, it is available in Ketib's home, where the residents still retain the function of langgar, which is located in the highest privacy zone.
Co-Authors Catharina Dwi Astuti Depari, Catharina Dwi Astuti Ketut Ima Ismara Reginaldo Chistophori Lake Ricky Samara Rudini A. R. B. Lamahoda