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Otaku Subculture Character in Japanese Poetry Anthology Otaku Senryu Indah Fitriani; Lina Meilinawati; N. Rinaju Purnomowulan
Humaniora Vol 28, No 2 (2016)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (374.025 KB) | DOI: 10.22146/jh.16400

Abstract

This paper focuses on one the subcultures existing in Japan, known as otaku. Subculture is a forum for youth community media and technology enthusiasts, like manga (Japanese comics), anime (Japanese cartoons), video games, computers, and the Internet. In the process, otaku who initially labeled negatively has contributed significantly to Japan as the most advanced industrialized country in Asia, not only in the field of culture, but also in the fields of science and economics. Using data from Japanese poem anthology (senryu) in Otaku Senryu(OS), this paper focuses on 1) distinctiveness of otaku character and; 2) factors supporting construction of otaku’s character. The method applies Riffaterre’s semiotic approach. The result obtained is that the otaku distinctiveness lies in their tendency to not be able to escape media and technology. Media and technology have transformed them into a difficult person in interacting and communicating directly with others as they have become introverted, obsessive, and also consumptive.
Refleksi Angan-Angan Kolektif Masyarakat Subang–Purwakarta dalam Cerita Rakyat Lina Meilinawati; Ani Rachmat; Nani Darmayanti
Arif: Jurnal Sastra dan Kearifan Lokal Vol 1 No 1 (2021): Arif: Jurnal Sastra dan Kearifan Lokal
Publisher : Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (373.312 KB) | DOI: 10.21009/Arif.011.10

Abstract

Artikel ini membicarakan pandangan dunia yang merupakan impian kolektif suatu masyarakat yang direpresentasikan dalam cerita rakyat. Penelitian menggali imajinasi kolektif melalui cerita rakyat yang berkembang di masyarakat. Penelitian ini bertujuan mengetahui nilai-nilai budaya yang tersimpan dalam cerita rakyat. Objek penelitian ini adalah cerita rakyat yang berkembang di masyarakat Kabupaten Purwakarta dan Kabupaten Subang, dua kabupaten yang berdekatan. Pada masyarakat Purwakarta hidup cerita rakyat Mbah Jawer yang dikaitkan dengan proyek Bendungan Jatiluhur. Di Kabupaten Subang terdapat 3 dongeng, yaitu “Ki Lapidin”, “Ki Asmadi”, dan “Ki Samidin”. Data diperoleh melalui wawancara dan sumber pustaka. Pemilihan objek didasarkan pada fakta perubahan sosial dengan dibangunnya Waduk Jatiluhur di Purwakarta. Analisis data menggunakan metode linguakultur, suatu pendekatan yang menghubungkan budaya dan bahasa. Dari penelitian ini terungkap bahwa untuk membenarkan rasa takut, dibuatlah mitos dan untuk menanamkan
LANDSCAPE AND THE SILENCE OF COLONIALISM NARRATIVE IN THE FIRST SUNDANESE NOVEL (1914) Asep Yusup Hudayat; Lina Meilinawati; Teddi Muhtadin
Prosiding Seminar Nasional dan Internasional HISKI 2020: 29TH INTERNATIONAL CONFERENCE ON LITERATURE AND HISKI 36TH ANNIVERSARY IN GORONTALO 2020 (Lite
Publisher : Himpunan Sarjana-Kesusastraan Indonesia (HISKI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37905/psni.v0i0.56

Abstract

The landscape (nature and domestic space) in the first Sundanese novel (1914) Baruang ka nu Ngarora” Poison for the Youth”, which was published during the colonial period of the Dutch East Indies, can be interpreted as ambiguous, which has the potential to show a palimpsest. The reasons are (1) the landscape (especially nature) in the novel has an atmosphere of silence, (2) the atmosphere cannot be interpreted as peaceful, but how the problems surrounding the practice of colonialism are likely to be hidden, diverted, or even interpreted, and (3) the landscape has the potential as a layered text based on memory traces inherent in narratives about the changing natural landscapes and domestic space. Thus, this study aims to uncover the potential of landscapes as areas of hiding, diversifying, and suppressing the narratives of colonialism. The approach used for this purpose is postcolonial. From a postcolonial perspective, Loomba (2003: 92-93) states that literature is also an important means of taking, reversing, or opposing the dominant colonial means and ideologies. This study also uses the palimpsest concept to show the overlapping phenomenon of pre-colonial and colonial narratives in the natural landscape and domestic space, which indicates the hidden narrative of colonialism behind this background. The result of this research is the silence of the narrative of colonialism in the background of natural landscapes and domestic space which is constructed as hiding and transferring of colonialism narratives.