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PENINGKATAN KOMPETENSI MENULIS CERITA PENDEK MELALUI TEKNIK TRANSFORMASI TEKS PUISI DAN CO-CREATIVE WRITING Hartono Hartono; Suroso Suroso; Dwi Budiyanto
LITERA Vol 20, No 1: LITERA MARET 2021
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v20i1.35224

Abstract

Menulis kreatif merupakan keterampilan yang dapat berkontribusi bagi pengembangan kemampuan berbahasa. Penelitian ini bertujuan untuk meningkatkan kompetensi mahasiswa dalam menulis cerita pendek melalui teknik transformasi teks puisi dan co-creative writing. Penelitian ini melibatkan 18 orang mahasiswa Jurusan Pendidikan Bahasa dan Sastra Indonesia Fakultas Bahasa dan Seni Universitas Negeri Yogyakarta sebagai subjek penelitian dan seorang dosen pengampu mata kuliah Menulis Sastra sebagai kolaborator peneliti. Jenis penelitian ini merupakan penelitian tindakan kelas dengan menerapkan dua siklus dengan lima kali pertemuan selama pengambilan data penelitian. Pengumpulan data dilakukan melalui teknik observasi, wawancara, dan penyebaran kuisioner untuk kemudian dilakukan kondensasi data, penyajian data, dan penarikan kesimpulan dari data kualitatif yang diperoleh. Kemampuan mahasiswa dalam menulis cerita pendek diperoleh melalui tes menulis cerita pendek yang kemudian dianalisis secara deskriptif kuantitatif. Berdasarkan analisis, diperoleh kesimpulan sebagai berikut. Pertama, penerapan teknik transformasi teks puisi dan co-creative writing dapat meningkatkan efikasi diri mahasiswa, mengembangkan kesadaran kolaborasi dalam menulis cerita pendek, dan membangun suasana perkuliahan menulis sastra yang aktif dan dinamis. Kedua, peningkatan skor rerata setiap aspek kompetensi menulis cerita pendek dari siklus ke siklus memperlihatkan bahwa penerapan teknik transformasi teks puisi dan co-creative writing dapat meningkatkan kompetensi menulis cerita pendek di kalangan mahasiswa. Teknik ini terutama sangat membantu dalam mengembangkan kemampuan untuk menggali ide dan imajinasi penulisan cerita pendek. Mahasiswa menjadi terlatih untuk melakukan ekspansi cerita, modifikasi dan variasi, atau konversi cerita.Kata kunci: menulis kreatif, transformasi teks puisi, efikasi diri, menulis kolaboratifINCREASING COMPETENCE OF SHORT STORIES WRITING THROUGH POETRY TEXT TRANSFORMATION AND CO-CREATIVE WRITING TECHNIQUESAbstract Creative writing is a skill that is expected to contribute to the development of language skills. This study aimed to improve students' competence in writing short stories through poetry texts transformation and co-creative writing techniques. The study involved 18 students of the Department of Language and Literature Education, Faculty of Language and Arts, Yogyakarta State University as research subjects and a lecturer who teaches Literature as a research collaborator. The study was a classroom action research by applying two cycles with five meetings during the research data collection. Data collection was carried out through observation, interviews, and filling out questionnaires followed by data condensation, data display, and drawing conclusions from the qualitative data obtained. Students' ability in writing short stories was obtained through a short story writing test which was then analyzed using descriptive quantitative analysis. The following research results were obtained. First, the application of poetry texts transformation and co-creative writing techniques increased student self-efficacy, developed collaborative awareness in writing short stories, and built an active and dynamic literary writing lecture atmosphere. Second, the increase in the mean score of each aspect of competency in writing short stories from cycle to cycle showed that the application of the poetry texts transformation and co-creative writing techniques improved the competence of writing short stories among students. This technique was especially helpful in developing the ability to explore ideas and imagination in writing short stories. Students became trained to do story expansion, modification, and variation, or story conversion.Keywords: creative writing, poetry texts transformation, self-efficacy, collaborative writing
POLA PIKIR DALAM NOVEL INDONESIA MODERN suroso -
LITERA Vol 3, No 1: LITERA JANUARI 2004
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v3i1.6774

Abstract

KEPRIYAYIAN TOKOH DALAM NOVEL WARNA LOKAL JAWA DAN SUMBANGANNYA DALAM PENGEMBANGAN KARAKTER BANGSA Suroso Suroso
LITERA Vol 10, No 2: LITERA OKTOBER 2011
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v10i2.1162

Abstract

This study aims to describe the upper class characteristics of the characters in novels with the Javanese local color to develop the nation’s character. It employed content analysis using the descriptive-analytic technique. The data sources were novels with the Javanese local color representing certain eras. The findings are as follows. First, people belong to the upper class because of inheritance and hard work. Second, there are two categories of upper class people, i.e. traditional ones with Dutch education and Islamic religion and new ones with university education and professional and structural positions. Third, they have good characters. Fourth, the characters of Javanese upper class people can serve as a basis to build and develop the nation’s character. Fifth, the character development can be carried out in the family by emphasizing religious attitudes and through humanity knowledge development emphasizing interpersonal, emotional, and spiritual aspects.
Leksikon Nama Binatang Dalam Peribahasa Indonesia dan Relevansinya Bagi Pengetahuan Kosakata Pemelajar BIPA A1 Sudaryanto Sudaryanto; Suroso Suroso; Nurhadi Nurhadi
Kode : Jurnal Bahasa Vol 10, No 2 (2021): Kode: Edisi Juni 2021
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (461.649 KB) | DOI: 10.24114/kjb.v10i2.25985

Abstract

Indonesia memiliki kekayaan berupa bahasa dan sastra Indonesia yang berharga nilainya, salah satunya adalah peribahasa Indonesia. Peribahasa Indonesia merupakan ungkapan atau kalimat ringkas padat berisi perbandingan, perumpamaan, nasihat, prinsip hidup atau aturan tingkah laku masyarakat Indonesia. Tujuan dari penelitian ini adalah mendeskripsikan leksikon atau kosakata nama binatang dalam peribahasa Indonesia dan relevansinya bagi pengetahuan kosakata pemelajar bahasa Indonesia bagi penutur asing (BIPA) tingkat A1 atau prapemula. Penelitian ini menggunakan pendekatan kualitatif dengan metode deskriptif. Data yang dianalisis dalam penelitian ini meliputi data kebahasaan (peribahasa) dalam Kamus Besar Bahasa Indonesia (KBBI) V dan buku ajar BIPA Sahabatku Indonesia Tingkat A1 terbitan Badan Bahasa pada tahun 2006. Hasil penelitian ini menunjukkan bahwa terdapat leksikon nama-nama binatang dalam peribahasa Indonesia, seperti kucing, anjing, kerbau, kambing, nyamuk, gajah, rusa, semut, kutu, dan kumbang. Dengan membaca peribahasa Indonesia yang di dalamnya terdapat nama binatang, pemelajar BIPA tingkat A1 dapat memiliki dan menambah pengetahuan kompetensi bahasa berupa kosakata yang berhubungan dengan nama binatang.Kata Kunci: leksikon, nama binatang, peribahasa Indonesia, kosakata, pemelajar BIPA
Bentuk dan karakteristik Fiksimini di platform sosial media Twitter dan Instagram Dwi Budiyanto; Hartono Hartono; Suroso Suroso
LITERA Vol 21, No 2: LITERA (JULY 2022)
Publisher : Faculty of Languages, Arts, and Culture Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v21i2.43349

Abstract

Fiksimini merupakan genre yang sedang marak dan berkembang di platform sosial media. Kehadirannya diminati anak-anak muda pengguna sosial media sekaligus mulai dimanfaatkan dalam pengajaran bahasa berbasis sastra. Penelitian ini bertujuan untuk mendeskripsikan bentuk-bentuk fiksimini di platform linimasa Twitter dan Instagram. Data penelitian diperoleh dari akun Twitter @fiksimini (79 buah) dan akun Instagram @instafiksi (40 buah) yang terbit sepanjang Februari-Desember 2019. Data selanjutnya dianalisis secara kualitatif. Hasil penelitian sebagai berikut. Pertama, bentuk fiksimini sangat ditentukan oleh platform linimasa yang digunakan sebagai ruang berkarya. Karakteristik khas tersebut adalah daya tampung teks dan dominasi aspek visual media. Kedua, secara spesifik karakteristik fiksimini adalah (1) Fiksimini mengalami penyingkatan isi (condensation), bahkan hiperkondensasi pada fiksimini di Twitter; (2) Fiksimini mengalami pemadatan (compression) pada unsur-unsur pembangun ceritanya, bahkan fiksimini di Twitter cenderung mengalami hiper-kompresi (hyper-compression); (3) Fiksimini diawali dengan kalimat aktif yang pendek, konflik yang tersamar (implisit), dan menampilkan alur cerita yang dipelintir (plot twist) untuk menciptakan efek kejut dalam diri pembaca; (4) Fiksimini, terutama di Instagram, sangat mengedepankan aspek visual; dan (5) Tema fiksimini sangat beragam, terbuka, dan luas. Keragaman topik fiksimini di Instagram memperlihatkan kecenderungan pengarang untuk menyesuaikan diri dengan target pembaca (target readers).Kata kunci: fiksimini, instafiksi, flashfiction, sastra siberThe forms and characteristics of mini fictions on Twitter and InstagramAbstractFlash fiction is a genre that is increasingly prevalent on social media platforms. These mini fiction have attracted the interest of young people who use social media, as well as being used in literature-based language teaching. This study aims to describe flash fiction forms on the Twitter and Instagram timeline platforms. The research data was obtained from the Twitter account @fiksimini (79 pieces) and Instagram account @instafiksi (40 pieces) which were published during February-December 2019. The data were then analyzed qualitatively. Based on the data analysis, the following results were obtained. First, the form of flash fiction is largely determined by the timeline platform that is used as a workspace. The distinctive characteristics of this flash fiction’s form are the capacity of the text and the dominance of the visual aspects of the media. Second, flash fiction has specific characteristics as follows (1) Flash fiction experiences condensation, and especially on Twitter, this condensation is even stronger (hyper-condensation); (2) Flash fiction experiences compaction (compression) of the building blocks of its story, and on Twitter, flash fiction tends to experience hyper-compression; (3) flash fiction begins with a short active sentence, disguised or implicit conflict, and presents a twisted storyline to create a shocking effect for the reader;(4) Flash fiction, especially on Instagram, puts great emphasis on the visual aspect; and (5) The themes of flash fiction are divergent, open and broad. The variety of flash fiction's topics on Instagram shows the author's tendency to adjust to the target audience.Keywords: fiksimini, instafiction, flash fiction, cyber literature
Combining instruction and immersion to improve pronunciation: The case of Chinese students learning bahasa Indonesia Suroso Suroso; Emi Nursanti; Nan Wang
LITERA Vol 22, No 1: LITERA (MARCH 2023)
Publisher : Faculty of Languages, Arts, and Culture Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v22i1.52995

Abstract

In pronunciation classes, most teachers over-emphasize the accuracy part and ignore the fluency aspects (Elliot, 1995; Yoshida, 2016). To enhance both accuracy and fluency for Chinese students’ pronunciation in Bahasa Indonesia (BI), this study investigates the effects of combining instruction and immersion. This was classroom action research conducted for one semester at Qujing Normal University (QJNU), Yunnan Sheng, China. Audiolingual Method (ALM) with drilling technique was the instruction procedure while the outdoor project was the technique in the immersion. The research subjects were nine first-semester students in the Indonesian Language Department of QJNU. Their score improvements from the pre- to post-assessments indicate that combining these two methods is effective in enhancing students’ pronunciation in BI. The instruction conducted through explicit phonetic teaching and drilling is appropriate for habituating them with accurate pronunciation. Meanwhile, the fun and enjoyable immersion in contextual settings boosts their fluency and gives them opportunities to explore and practice using the words they have learned in real contexts. Along with pronunciation improvement, enhancement in students’ learning attitude and engagement in the learning activities are the other benefits that may contribute to their success in gaining full fluency in the second language. Keywords: drilling, immersion, pronunciation, Chinese students, BIPA 
Relevance of Six Directions Worship Philosophy in Sigalovada Sutta to Indonesian Character Education Jarmini Jarmini; Suroso Suroso; Eka Putu Agy Wijayanto
Jurnal Pendidikan, Sains Sosial, dan Agama Vol. 10 No. 2 (2024): Jurnal Pendidikan, Sains Sosial, dan Agama
Publisher : STABN RADEN WIJAYA WONOGIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53565/pssa.v10i2.1420

Abstract

This article discusses the relevance of the philosophy of worshiping the six directions found in the Sigalovada Sutta to character education in Indonesia, focusing on the Buddhist perspective. The aim of this research is to explain how the concept of worshiping the six directions in the Sigalovada Sutta elucidates its relevance in shaping strong and responsible character. The research methodology employed is a literature review of relevant Buddhist texts, including the Sigalovada Sutta. The findings indicate that the philosophy of worshiping the six directions practiced by Sigala is not interpreted as worshiping the directions themselves, but as symbols of respect for parents (east), teachers (south), children or spouses (west), friends and siblings (north), workers/servants (below), and holy persons such as ascetics and spiritual teachers (above). The philosophy of worshiping the six directions in the Sigalovada Sutta is relevant to character education in Indonesia as it pertains to the values of character, namely: 1) religious, 2) honesty, 3) tolerance, 4) discipline, 5) hard work, 6) democratic, 7) appreciation of achievement, 8) patriotism, 9) communicative, 10) love of peace, 11) social concern, and 12) responsibility. Based on these research findings, this article seeks to contribute to the discourse on how religious philosophy can be practically applied in the context of modern education.