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All Journal HUMANIS Pustaka : Jurnal Ilmu-Ilmu Budaya
Made Jiwa Atmaja
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Arts Humanities

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Citra Pantai Bali dalam Antologi Puisi Impian Usai Karya Wayan Sunarta: Kajian Semiotik Eirenne Pridari Sinsya Dewi; Made Jiwa Atmaja; I G.A.A. Mas Triadnyani
Humanis Vol 19 No 1 (2017)
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (308.805 KB)

Abstract

Wayan Sunarta is a poet who productive in Bali. Corpulent Wayan Sunarta work who described the conditions the coast of Bali, one of his work describing the Bali’s beach is poetry. In an Anthology Impian Usai of Wayan Sunarta is much verse talk about the Bali’s beach. Verse selected by harmony with the theme research, the image of the Bali’s beach in poetry. The verse is, “Pesisir Jimbaran”, “Lovina”, “Kusamba”, “Pelabuhan Buleleng”, “Malam Pengantin di Pesisir Serangan”, “Catatan Reklamasi Pantai Serangan”, “Tanah Lot”, dan “Laut Bali”. This research using methods qualitative. The procedure the analysis used is as follows. First, collect and sort out about the Bali’s beach perspective. Secound, structural analysis rhymes in anthology Impian Usai of Wayan Sunarta. This research is only analyze the theme, meaning, diction, sound, allusion, and image. It is to support semiotic analysis. Third, analysis Bali’s beach image, use semiotic of Riffaterre theory. The analysis of anthology Impian Usai of Wayan Sunarta, can conclude that he is having two ways to described the condition of the Bali’s beach. First, using language figuratively metaphors and personification and use it to inflict impression romantic in described  the condition of Bali’s beach still wondersful and beautiful. Second, using meaning denotasi and language figuratively tropen and kakafoni to clarify criticisms of negative chage or the bad condition of Bali’s beach.
PROTAGONIS PEREMPUAN EMPAT NOVEL ARYANTI DALAM PEMBACAAN SUBALTERN POSKOLONIALISME Made Jiwa Atmaja
Journal Social and Humaniora Vol 17 No 1 (2017)
Publisher : Udayana University Press bekerjasama dengan Fakultas Ilmu Budaya Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (655.23 KB) | DOI: 10.24843/PJIIB.2017.v17.i01.p01

Abstract

This paper presents a research report female protagonist in the four novels Aryanti, namely Selembut Bunga , Hidup Perlu Akar, Dunia Tak Berhenti Berputar and Getaran-getaran . The fourth novel narrates the search for identity fourth female protagonist in an e?ort to explore the potential of feminism to be placed on equal footing not only the competencies that are gender, but also mondial. Mondialisasi process is mirrored by a series of events that describe the relationships between nations, across cultures and transnation. Behind the events that seem simple and everyday, in fact contained the views of the author are so serious in response to cultural globalization process is in progress and dealing with local culture (Java), and national levels. In cross-cultural, identity clearly a problem that should be redefined. Keywords: femenisme, post-colonial and subaltern third world
Co-Authors Eirenne Pridari Sinsya Dewi I Gusti Ayu Agung Mas Triadnyani