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Eva Krisna
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Humanities Languange, Linguistic, Communication & Media

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KABA GOMBANG PATUANAN: AN ORAL LITERARY WORK OF MINANGKABAU PESISIR SELATAN REGENCY, WEST SUMATRA Eva Krisna; I Nyoman Kuta Ratna; I Wayan Cika; I Nyoman Weda Kusuma
e-Journal of Linguistics Vol. 3. Juli 2009 No. 2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (58.091 KB)

Abstract

Kaba Gombang Patuana (abbreviated to KGP) is a Minang literary genre whichis orally presented in the form of songs. Therefore, it is known as an intonational prose.As a piece of oral literary work, KGP needs a medium of presentation. The mediumneeded is in the form of a performance known as Pertunjukan Kak Oai (PKO), whichexists at Kenagarian Air Haji, Pesisir Selatan Regency, West Sumatra. Kaba GambangPatuanan tells about the socio cultural life of the community of Pesisir Selatan Regencyusing the local variety of Minangkabau language. The availability of the texts of KGP,the performance of PKO, and the collective community possessing such a literary workshows that the phenomenon of what is written and spoken about oral literary work isdifferent from the phenomenon of what is written and spoken about written literary work.Oral literary work cannot be approached from literary discipline only, but linguisticapproach and anthropological approach are also needed.The morphology of KGP is made up of stem of the story ‘batang curito’, branchof the story ‘dahan curito’ , and twig of the story ‘rantiang curito’. The batang curito(the stem of the story) is the text of GPP as a whole. The ‘Dahan Curito’ (the branch ofthe story) serves as the episodes of the story and the Ranting Curito serves as the parts ofthe episode. The functions performed by KGP are: (1) as a medium for conveying what isexpected from a king; (2) as a medium for conveying Minang tradition; (3) as a mediumfor conveying oceanic knowledge; (4) as a medium for conveying nation-lovingenthusiasm ‘chauvinism’ ; (5) as a medium for conveying henotheism towards ancestors.
PERANAN LAGU POPULAR MINANGKABAU SEBAGAI PENYUMBANG PENGEMBANGAN PARIWISATA DAERAH DI INDONESIA to the Local Tourism Development in Indonesia Eva Krisna
SALINGKA Vol 12, No 01 (2015): SALINGKA, EDISI JUNI 2015
Publisher : Balai Bahasa Sumatra Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (267.509 KB) | DOI: 10.26499/salingka.v12i01.35

Abstract

Tourism is one part of the creative industry that can be   developed in Indonesia as a choice of earning foreign exchange beside oil and natural gas. Indonesian tourism industry has bigopportunity and challenge compared to the world tourism. Tourism products is not just nature, but also culture, adventure, living environment, and culinary. Culinary becomes one of thetourism icons for every place in the world, such as: England with scones, Singapore has fishball noodles, and Malaysia with nasi kandar. Indonesia also has many kinds of culinaryicons in every regions, such as bakpia in /Ý$•Å¿ßO•—nî?;ßO•—ur in Jakarta, bika ambon in Medan, and balado chips in Padang. There was a unique way in promoting culinary in WestSumatera in the past. The people used to sing in selling the culinary product, its tradition was called bajojo. This bajojo tradition continued to be folk songs and then recorded  commercially. Bajojo culinary song is a part of literature, it belongs to spoken literature. The bajojo songs are existing through the industrial and technological recording and become the popular songs in West Sumatera. About thirty recording houses are actively producing tens of recordingtitles in cassette and CD
RELIGIUSITAS DAN KONSEP PERNIKAHAN SUKU BANGSA MANDAILING PADA UPACARA HATA PANGUPA (RELIGIOSITY AND CONCEPT OF MANDAILING ETHNIC MARRIAGE IN HATA PANGUPA CEREMONY) Eva Krisna; Fefa Srila Desti
Widyaparwa Vol 43, No 1 (2015)
Publisher : Balai Bahasa Provinsi Daerah Istimewa Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2404.617 KB) | DOI: 10.26499/wdprw.v43i1.105

Abstract

Hata Pangupa adalah pidato yang diucapkan untuk mengembalikan semangat (tondi) pada suku bangsa Batak Mandailing. Karya sastra lisan tersebut masih digunakan sampai hari ini oleh orang Mandailing dalam upacara ritual yang disebut Upa-Upa. Teks Hata Pangupa mengandung unsur-unsur yang bersifat religius. Kajian terhadap teks Hata Pangupa dilakukan dengan tujuan memperoleh makna teks sastra lisan dimaksud. Untuk mencapai tujuan kajian digunakan pendekatan antropologis. Data tulisan ini merupakan data sekunder yang diperoleh melalui metode penelitian perpustakaan. Data diolah dan ditulis dengan teknik deskriptif analisis. Hasil analisis menunjukkan bahwa upacara Upa-Upa merupakan bagian dari keyakinan pada hal-hal yang bersifat keramat, misalnya percaya bahwa manusia, hewan, benda, hal, waktu, dan kesempatan memiliki nilai keramat (sacred value). Upacara Upa-Upa adalah bentuk religi yang didasarkan kepada satu Tuhan (monoteisme) yang dianggap menguasai seluruh alam semesta dan pelaksanaan upacara bertujuan mencapai kesatuan dengan Tuhan tersebut. Selain itu, upacara Upa-Upa juga mengandung konsep atau gagasan tentang pernikahan menurut masyarakat Mandailing.Hata Pangupa is speech spoken to restore the spirit (tondi) in Mandailing Batak tribes. Works of oral literature is still used to this day by the Mandailing tribes in Upa-Upa ritual. Hata Pangupa text contains religious elements. Study of Hata Pangupa text is done with the aim to achieve oral literature meaning of the text. To achieve the goal of the study, an anthropological approach is used. Data text is secondary data obtained through library research method. Data is processed and written with descriptive analysis technique. The analysis shows that the Upa-Upn ceremony is part of the belief in sacred things; for example, believe that human, animal, object, things, time, and opportunity have sacred value. Upa-Upa ceremony is a form of religion which is based on one God (monotheism) that is considered to control the entire universe and the ceremony is intended to achieve unity with God. In addition, the Upa-Upa ceremony also contains the concept or idea of marriage according to Mandailing community.
Co-Authors Fefa Srila Desti I Nyoman Kuta Ratna I Nyoman Weda Kusuma I Wayan Cika