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All Journal E-Journal Of Cultural Studies Linguistika Jurnal Kajian Bali Aksara JENTERA: Jurnal Kajian Sastra Stilistika: Journal of Indonesian Language and Literature Open Access DRIVERset

I Nyoman Weda Kusuma

Udayana University, Denpasar, Indonesia

Author-ID : 302943

Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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OTORITAS TUBUH ANTARA SAKRAL DAN PROFAN DALAM PUISI KARYA PENYAIR BALI TAHUN 1970â2016 Hardiningtyas, Puji Retno; Putra, I Nyoman Darma; Kusuma, I Nyoman Weda; Triadnyani, I Gusti Ayu Agung Mas
Aksara Vol 30, No 1 (2018): Aksara, Edisi Juni 2018
Publisher : Balai Bahasa Bali

Persoalan tubuh dan jiwa perempuan dijadikan subjek inferior dan eksploitasi atas tubuhnya sendiri menjadi ruang yang paradoksal muncul dalam karya-karya puisi Indonesia sejak tahun 1960--2016. Rumusan masalah penelitian ini adalah wacana otoritas tubuh, baik sakral maupun profan sebagai representasi citra ruang manusia; konsep ruang dan konstruksi tubuh dalam pertarungan kehidupan dalam puisi-puisi penyair di Bali. Metode pengumpulan data penelitian ini adalah studi pustaka dengan teknik baca catat. Analisis data menggunakan metode analitik deskriptif dengan teknik hermeneutika dan interpretatif. Teori penelitian ini adalah poskolonial Sara Upstone dengan mempraktikkan ruang tubuh dan konstruksi keberadaan eksistensi manusia itu sendiri. Hasil dan pembahasan penelitian ini membuktikan bahwa otoritas tubuh mengalami ironi dengan peristiwa yang dialami manusia, yaitu tubuh sebagai jasmaniah, tubuh sebagai simbol agama, dan tubuh sebagai kekuatan perempuan dalam menghadapi pertarungan kehidupan. Konstruksi yang terjadi dalam tubuh pada akhirnya menjadi diri yang dibongkar/dibalikkan oleh penyair yang secara ontologis dikuliti sendiri. Tubuh dihancurkan dalam kebudayaan, kefaanaan, sedangkan jiwa sebagai Tuhan yang diidealkan dalam keutuhan. Dengan demikian, konstruksi dan ruang tubuh antara profan dan sakral adalah ruang paradoksal antara jasmani dan rohani yang didekonstruksi oleh penyairnya menjadi sebuah ironi semata.

REPRODUCTION OF KAKEBYARAN ART IN MATARAM CITY, WEST NUSA TENGGARA YUDARTA, I GEDE; Kusuma, Nyoman Weda; Dibia, I Wayan; Parimartha, I Gde
E-Journal of Cultural Studies Vol 9, No 2 (2016): May 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Kakebyaran art is a performing art with the Balinese identity; it is not only popular in Bali but also in the other provinces in Indonesia and different parts of the world. In Indonesia, such a performing art is also performed in Mataram City, West Nusa Tenggara. The policy with the jargon “Maju, Religious and Berbudaya” (Being Developed, Religious, and Cultured), which was issued by the ruler of Mataram City, affirms that the development in Mataram City is oriented toward the Islamic religious values, meaning that the other religious and cultural symbols are reduced. Such a situation has motivated the Balinese ethnic community to develop its art, tradition, and culture in general and the kekebyaran art in particular. Such a phenomenon is a domain of cultural studies which is very interesting to be explored in depth. There are three problems related to such a phenomenon. They are 1) the form and function of the reproduction of the kekebyaran art, 2) the factors contributing to the reproduction of the kekebyaran , 3) the impact of the reproduction of the kekebyaran art on and its meaning to the society of Mataram City, West Nusa Tenggara. The present study was conducted using the qualitative method, in accordance with the scientific norm and paradigm of cultural studies. Three theories were used to analyze such problems; they are the theory of cultural reproduction, the theory of identity, and the theory of semiotics. They were eclectically used to discuss the substance of the topic of discussion. The results of analysis were formulated as follows: first, the form of the reproduction of the kekebyaran art is made up of musicality, the instrumental form, the way of presenting it, its function as part of a ritual and a performing art, and its function to strengthen the local culture. Second, the factors contributing to the reproduction of the kakebyaran art are as follows: the culture, economy and cultural communication. Third, the impact and meaning of the reproduction of the kakebyaran art are as follows: the spiritual impact, the socio-cultural impact, the economic impact, the aesthetic meaning, and the cultural meaning.

SA NGAZA IN RELIGIOUS AND TRADITIONAL RITUALS PERFORMED BY THE NGADA ETHNIC PEOPLE IN FLORES Banda, Maria Matildis; Kusuma, I Nyoman Weda; Ratna, I Nyoman Kutha; Pudentia, Pudentia
E-Journal of Cultural Studies Volume 9, Number 4, November 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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This cultural study was conducted based on the primary data kasa’o (the traditional house bestowal of blessing) and wo’soDewa (the church bestowal of blessing). The study was intended to reveal the elements causing the oral tradition Sa Ngaza (TLS) in the traditional ritual ‘ritual adat’ (RA) are still performed in the religious ritual ‘ritual keagamaan’ (RKA), the function and meaning of TLS in RA and RKA, how it has been inherited. The study used the theory of formula, the theory of semiotics, and the theory of practice, especially the practice of capital. The data were collected using the techniques of observation, interview, and documentation. Sa Ngaza is unique in regard to its pattern of formula in the same dimension in general and in the opening and closing formulas in particular. These formulas support the transmission of TLS, causing mori Sa Ngaza (the Sa Ngaza reporter) to be able to maintain the continuity of TLS and its growth in RA and RKA. The opening formula explains the identities of the characters. The thematic formula in RA and RKA reports different contents. TLS in RA emphasizes patadela (the ancestor’s massage); TLS in RKA emphasizes the Biblical massage. The meaning plurality in RA and RKA explains the acculturative relationship between the tradition and religion. In this relationship there is a shift in the identities of the characters, sa’o (the traditional house), and patadela. The hierarchy of leadership in the tradition and religion can save and hamper the oral tradition. Therefore, TLS can be generally inherited based on the role of leadership through families and society, religious institutions, and education.

RITES OF SHIFT PERFORMED BY THE MUNA ETHNIC PEOPLE IN MUNA REGENCY, SOUTHEAST PROVINCE: CONTINUITY AND CHANGE Aso, La Aso; Kusuma, I Nyoman Weda; Ardhana, I Ketut Ardhana; Wiasti, Ni Made Wiasti
E-Journal of Cultural Studies Vol 8 No 1 (2015): Volume 8, Number 1, Februari 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Nowadays the Muna ethnic people who live in Muna Regency, Southeast Sulawesi Province can be divided into two groups; they are the Muna ethnic people who still perform the rite of shift completely, and the Muna ethnic people who perform the rite of shift partially; the letter have modified the rite of shift. The rites which are performed to show the shift in status from the time before a baby is born to the time after it is born, when someone enters childhood and adulthood, when someone is married and when someone is dead. Such rites are referred to as the rites of shift. The problems of the present study can be formulated into three; they are (1) what the rites of shift performed by the Muna ethnic group is like; (2) the factors contributing to the continuity of the rites of shift; and (3) the factors causing the change in the rites of shift performed by the Muna ethnic people to take place. This study is a qualitative study with the paradigm of cultural studies. The theory of semiotics, the theory of hegemony, and the theory of deconstruction were used in the present study. The result of the study shows that there are six forms of the rites of shift performed by the Muna ethnic people; they are the rite of what is locally referred to as kasambu (feeding or eating with the hand), the rite of what is locally referred to as kampua (the hair cutting), the rite of what is locally referred to as kangkilo (circumcision), the rite of what is locally referred to as karia (being secluded), the rite of what is locally referred to as kagaa (marriage), and the rite of what is locally referred to as mate (death). The factors contributing to the continuity of such rites are ideology and belief. And the factors causing such rites to be changed are religion, economy, education, and science and technology.

OTORITAS TUBUH ANTARA SAKRAL DAN PROFAN DALAM PUISI KARYA PENYAIR BALI TAHUN 1970—2016/THE AUTHORITY OF THE BODY BETWEEN SACRED AND PROFANE IN SOME POEMS BY BALINESE POETS IN 1970--2016 Puji Retno Hardiningtyas; I Nyoman Darma Putra; I Nyoman Weda Kusuma; I Gusti Ayu Agung Mas Triadnyani
Aksara Vol 30, No 1 (2018): Aksara, Edisi Juni 2018
Publisher : Balai Bahasa Provinsi Bali

Abstrak Eksploitasi citra tubuh muncul berulang sebagai tema dalam puisi Indonesia dalam rentang waktu enam dekade, 1970—2016. Dalam penelitian ini dianalisis citra tubuh dalam puisi Indonesia dengan fokus pembahasa pada dua hal, yaitu wacana otoritas tubuh, baik sakral maupun profan sebagai representasi citra ruang manusia; konsep ruang dan konstruksi tubuh dalam pertarungan kehidupan dalam puisi-puisi penyair di Bali. Metode pengumpulan data penelitian ini adalah studi pustaka dengan teknik baca catat. Analisis data menggunakan metode analitik deskriptif dengan teknik hermeneutika dan interpretatif. Teori penelitian ini adalah poskolonial Sara Upstone dengan mempraktikkan ruang tubuh dan konstruksi keberadaan eksistensi manusia itu sendiri. Hasil dan pembahasan penelitian ini membuktikan bahwa otoritas tubuh mengalami ironi dengan peristiwa yang dialami manusia, yaitu tubuh sebagai jasmaniah, tubuh sebagai simbol agama, dan tubuh sebagai kekuatan perempuan dalam menghadapi pertarungan kehidupan. Konstruksi yang terjadi dalam tubuh pada akhirnya menjadi diri yang dibongkar oleh penyair yang secara ontologis dikuliti sendiri. Tubuh dihancurkan dalam kebudayaan, kefanaan, sedangkan jiwa sebagai Tuhan yang diidealkan dalam keutuhan. Dengan demikian, konstruksi dan ruang tubuh antara profan dan sakral adalah ruang paradoksal antara jasmani dan rohani yang didekonstruksi oleh penyairnya menjadi sebuah ironi semata. Kata kunci: puisi, ruang tubuh, konstruksi, profan sakral Abstract Exploitation of body image appeared repeatedly as theme in Indonesian poem in six decades, 1970—2016. In this research body image on Indonesian poems were analized focused on two points, the discourse of body authority, both sacred and profane as representation of human space image; the concept of space and body construction in the battle of life in poems in Bali. Method of this research is literary study by noting and reading technique. Data analysis method of this research is descriptive analytics by hermeneutic techniques and interpretative. This research used postcolonial of Sara Upstone theory by practicing the physical space and construction of body space and the existence of human itself. The results and discussion of this research prove that the authority of the body has irony with the events experienced by humans, namely the body as body, the body as religious simbol, and the body as a force of women in the face of the battle of life. The construction that takes place in the body eventually becomes a self dismantled by the poet who is ontologically skinned on his own. The body is destroyed in culture, inhumanity, while the soul as God is idealized in wholeness. Thus, the construction and the space between the profane and the sacred is the paradoxical space between the physical and the spiritual that the poet deconstructs to be a mere irony. Keywords: poem, body space, construction, sacred profane

BENTUK MORFOSEMANTIK DALAM TEKS TRADISI LISAN NYIANG LENGAN PADA MASYARAKAT DAYAK MAANYAN DI KALIMANTAN TENGAH Intan Ayu Puspita; I Nyoman Weda Kusuma; I Made Suastika
Linguistika: Buletin Ilmiah Program Magister Linguistik Universitas Udayana Vol 25 No 2 (2018): September
Publisher : Program Magister Linguistik Universitas Udayana

Nyiang Lengan is an oral tradition of the Dayak Maanyan tribes in Central Kalimantan, especially in East Barito Regency. This tradition is composed of the literary language which is sung by using Pangunraun language. This research uses a morphosemantic study to understand the morphological form and its significance. Nyiang Lengan is reviewed since the writer would like to preserve the culture of Dayak Maanyan tribes and also introduce this tradition to the younger generation so that they will realize the importance of this oral tradition for the Dayak Maanyan people. It is because many young generations of Dayak Maanyan can not sing it even understand the messages of Nyiang Lengan. This research focuses on affixation and significance in the text of Nyiang Lengan. Affixation becomes the main topic to find out the morphological changes in the text of the oral tradition. Afterwards, understanding the significance is also important so that the messages of Nyiang Lengan can be delivered.

NOVEL SUKRENI GADIS BALI CERMIN KEHIDUPAN ETNIS ZAMANNYA I Nyoman Weda Kusuma
JENTERA: Jurnal Kajian Sastra Vol 2, No 2 (2013): Jurnal Jentera
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Karya sastra tidak dapat dilepaskan dari lingkungan sosialnya. Karya sastra menampilkan gambaran kehidupan; dan kehidupan itu adalah suatu kenyataan sosial. Tulisan ini membahas novel Anak Agung Panji Tisna Sukreni Gadis Bali (SGB) dengan menggunakan pendekatan sosiologis. Tulisan ini memperlihatkan bahwa SGB merupakan sebuah karya yang banyak merefleksikan kehidupan masyarakat Bali pada tahun tiga puluhan.

Novel Susah Sinyal Karya Ika Natassa dan Ernest Prakasa: Kajian Stilistika M Fatkhur Rohman; Maria Matildis Banda; I Nyoman Weda Kusuma
Stilistika : Journal of Indonesian Language and Literature Vol 1 No 2 (2022): Volume 1 No. 2. April 2022
Publisher : Udayana University

This study aims to determine the description of the structure (plot, setting, character) and style of language, namely the novel "Hard Signal" by Ika Natasya and Ernest Prakasa published by PT Gramedia Pustaka Utama, Jakarta, the first edition of 2018 and the book thickness is 272 pages. This type of research is descriptive qualitative research using reading, listening and note-taking techniques. The research procedures include: (1) Understanding the structure and types of language styles, then reading and studying the novel, Difficult Signals, (2) Recording data in the form of novel structures and language styles, (3) Classifying the data that has been obtained, (4) Describing the structure and language style obtained, (5) Concluding the results of the analysis. The result of this research is the structure contained in the novel of Difficult Signal by Ika Natasya and Ernest Prakasa, namely: The plot used in this novel is a mixed plot but uses more advanced plots. Setting, this novel takes several settings as a story but focuses more on the Sumba setting. In character, the main character in this novel is Ellen, a mother who is firm, independent, and hardworking. Kiara, a high school girl who is growing up is spoiled, kind, and loving. Grandma, a grandmother who loves family, is kind, and also wise. Iwan, a friend and work partner of Ellen who is humorous, and kind, Saodah and Ngatno, workers and housemaids who are humorous, Yos and Melki, a travel and hotel officer who has a humorous and kind character. Abe, one of the hoteliers who is firm, wise, kind, and friendly. Aunt Maya, a hotel owner who is humorous, kind and also compassionate. Next, the language style in the novel, Difficult Signal. The results of this study found that there were 102 uses of language styles in total, from 16 types of language styles, and in 4 classifications.

Kesehatan Reproduksi dan Budaya Patriarki dalam Novel Bulan Patah Karya Maria Maltidis Banda Ni Putu Ayu Ariasih; Ida Bagus Jelantik S. Pidada; I Nyoman Weda Kusuma
Stilistika : Journal of Indonesian Language and Literature Vol 2 No 2 (2023): Volume 2 No 2, April 2023
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/STIL.2023.v02.i02.p09

This research is entitled "Reproductive Health and Patriarchal Culture in the Novel Bulan Patah by Maria Maltidis Banda". The purpose of this study was to determine the structural elements which include grooves; characterizations; and setting, to reveal aspects of reproductive health in a patriarchal culture in the novel Bulan Patah by Maria Matildis Banda, and to reveal the meaning of filial piety in the novel Bulan Patah. The theory used in this research is the theory of structure and the theory of sociology of literature which includes reproductive health and public health. This study uses qualitative data. The data collection method used is the literature study method. The process of data analysis used the descriptive qualitative method. The data sources of this research are primary data and secondary data. The results of this study, namely the plot in the novel Bulan Patah are divided into three stages, namely the initial, middle, and final stages. The main character in this novel is Midwife Rosa Dalima, while the secondary character is Om Saver. The complementary characters in this novel are Rachel and Retha. The setting in this novel is the setting of the place, setting of time, and setting of atmosphere. In this study, it was found that the aspects of reproductive health were weak without the treatment of a doctor or midwife, and weak physical and social conditions, due to the influence of patriarchal culture in Bulan Patah Novel. In addition, this study also found that the role of Midwife Rosa Dalima in the novel Bulan Patah was related to the meaning of filial piety for health development.

No Pregnancy, No Marriage: Unveiling the Ideology Behind the Discourse of ‘Sing Beling Sing Nganten’ in Balinese Marriage Culture Sukardiasih, Luh Gede; Kusuma, I Nyoman Weda; Hutasoit, Evalina Franciska
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 3 (2025): Identity in Contemporary Bali
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i03.p09

In Bali “sing beling sing nganten” phenomenon literally meaning where a couple gets married only after the bride is pregnant, often to prove her fertility, continues to shape community views on marriage and gender. Although the research was conducted in Tabanan Regency, the phenomenon is largely similar and occurs throughout Bali; therefore, the choice of location does not produce substantive differences in the findings. This study explores the ideologies embedded in “sing beling sing nganten" discourse and how it sustains unequal power relations within marriage and culture. Using qualitative methods and a critical discourse analysis approach, the research identifies four dominant ideologies underpinning the discourse. First, ideology emphasizes lineage and ancestral spiritual continuity. Second, bodily ideology constructs women’s bodies as both autonomous and objectified. Third, fertility ideology reinforces women’s reproductive roles and health. Fourth, common-sense ideology normalizes social acceptance toward this discourse. The study reveals that “sing beling sing nganten” lacks an objective basis of truth and functions primarily to legitimize male power over women.

Co-Authors A.A. Gde Alit Geria Alit Geria A.A. Kade Sri Yudari Anwar, Khairil Ayu Sutarto Dr Pudentia Dra Dafirah Eva Krisna Fransiscus Bustan Gde Artawan Hamiruddin Udu Hutasoit, Evalina Franciska I Gde Parimartha I Gede Yudarta, I Gede I Gusti Ayu Agung Mas Triadnyani I Ketut Ardhana Ardhana, I Ketut Ardhana I Ketut Jirnaya I Made Suastika I Made Suyasa I Nengah Sudipa I Nyoman Darma Putra I Nyoman Kuta Ratna I Nyoman Kutha Ratna I Nyoman Mulyono I Nyoman Suarka I Wayan Artika I Wayan Cika I Wayan Dibia I Wayan Suardiana Ida Bagus Jelantik Ida Bagus Kade Gunayasa Ida Bagus Mahardika Ida Bagus Nyoman Mantra Ida Bagus Rai Putra Intan Ayu Puspita Kamidjan Kamidjan Komang Dian Puspita Candra Komang Dian Puspita Candra, Komang Dian Puspita La Aso Aso, La Aso M Fatkhur Rohman Made Henra Dwikarmawan Sudipa Made Henra Dwikarmawan Sudipa Maizufri - Maria Matildis Banda Muh Alifuddin NI MADE WIASTI Ni Nyoman Karmini Ni Nyoman Seri Astini Ni Putu Ayu Ariasih Ni Putu Parmini Ni Wayan Sumitri Novena Ade Fredyarini Soedjiwo Nyoman Kutha Ratna Pudentia, Pudentia Puji Retno Hardiningtyas Puji Retno Hardiningtyas Puji Retno Hardiningtyas, Puji Retno Setya Yuawana Setya Yuwana Siti Norma Nasution Sugiarti - Sukardiasih, Luh Gede

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