Garuda - Garba Rujukan Digital

p-Index From 2020 - 2025

1.037

P-Index

This Author published in this journals

All Journal E-Journal of Linguistics E-Journal Of Cultural Studies Linguistika Jurnal Kajian Bali Aksara JENTERA: Jurnal Kajian Sastra Stilistika: Journal of Indonesian Language and Literature Open Access DRIVERset

I Nyoman Weda Kusuma

Udayana University, Denpasar, Indonesia

Author-ID : 302943

Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

Published : 35 Documents Claim Missing Document

Claim Missing Document

Articles

1 2 3 4

OTORITAS TUBUH ANTARA SAKRAL DAN PROFAN DALAM PUISI KARYA PENYAIR BALI TAHUN 1970â2016 Hardiningtyas, Puji Retno; Putra, I Nyoman Darma; Kusuma, I Nyoman Weda; Triadnyani, I Gusti Ayu Agung Mas
Aksara Vol 30, No 1 (2018): Aksara, Edisi Juni 2018
Publisher : Balai Bahasa Bali

Persoalan tubuh dan jiwa perempuan dijadikan subjek inferior dan eksploitasi atas tubuhnya sendiri menjadi ruang yang paradoksal muncul dalam karya-karya puisi Indonesia sejak tahun 1960--2016. Rumusan masalah penelitian ini adalah wacana otoritas tubuh, baik sakral maupun profan sebagai representasi citra ruang manusia; konsep ruang dan konstruksi tubuh dalam pertarungan kehidupan dalam puisi-puisi penyair di Bali. Metode pengumpulan data penelitian ini adalah studi pustaka dengan teknik baca catat. Analisis data menggunakan metode analitik deskriptif dengan teknik hermeneutika dan interpretatif. Teori penelitian ini adalah poskolonial Sara Upstone dengan mempraktikkan ruang tubuh dan konstruksi keberadaan eksistensi manusia itu sendiri. Hasil dan pembahasan penelitian ini membuktikan bahwa otoritas tubuh mengalami ironi dengan peristiwa yang dialami manusia, yaitu tubuh sebagai jasmaniah, tubuh sebagai simbol agama, dan tubuh sebagai kekuatan perempuan dalam menghadapi pertarungan kehidupan. Konstruksi yang terjadi dalam tubuh pada akhirnya menjadi diri yang dibongkar/dibalikkan oleh penyair yang secara ontologis dikuliti sendiri. Tubuh dihancurkan dalam kebudayaan, kefaanaan, sedangkan jiwa sebagai Tuhan yang diidealkan dalam keutuhan. Dengan demikian, konstruksi dan ruang tubuh antara profan dan sakral adalah ruang paradoksal antara jasmani dan rohani yang didekonstruksi oleh penyairnya menjadi sebuah ironi semata.

REPRODUCTION OF KAKEBYARAN ART IN MATARAM CITY, WEST NUSA TENGGARA YUDARTA, I GEDE; Kusuma, Nyoman Weda; Dibia, I Wayan; Parimartha, I Gde
E-Journal of Cultural Studies Vol 9, No 2 (2016): May 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar

Kakebyaran art is a performing art with the Balinese identity; it is not only popular in Bali but also in the other provinces in Indonesia and different parts of the world. In Indonesia, such a performing art is also performed in Mataram City, West Nusa Tenggara. The policy with the jargon “Maju, Religious and Berbudaya” (Being Developed, Religious, and Cultured), which was issued by the ruler of Mataram City, affirms that the development in Mataram City is oriented toward the Islamic religious values, meaning that the other religious and cultural symbols are reduced. Such a situation has motivated the Balinese ethnic community to develop its art, tradition, and culture in general and the kekebyaran art in particular. Such a phenomenon is a domain of cultural studies which is very interesting to be explored in depth. There are three problems related to such a phenomenon. They are 1) the form and function of the reproduction of the kekebyaran art, 2) the factors contributing to the reproduction of the kekebyaran , 3) the impact of the reproduction of the kekebyaran art on and its meaning to the society of Mataram City, West Nusa Tenggara. The present study was conducted using the qualitative method, in accordance with the scientific norm and paradigm of cultural studies. Three theories were used to analyze such problems; they are the theory of cultural reproduction, the theory of identity, and the theory of semiotics. They were eclectically used to discuss the substance of the topic of discussion. The results of analysis were formulated as follows: first, the form of the reproduction of the kekebyaran art is made up of musicality, the instrumental form, the way of presenting it, its function as part of a ritual and a performing art, and its function to strengthen the local culture. Second, the factors contributing to the reproduction of the kakebyaran art are as follows: the culture, economy and cultural communication. Third, the impact and meaning of the reproduction of the kakebyaran art are as follows: the spiritual impact, the socio-cultural impact, the economic impact, the aesthetic meaning, and the cultural meaning.

SA NGAZA IN RELIGIOUS AND TRADITIONAL RITUALS PERFORMED BY THE NGADA ETHNIC PEOPLE IN FLORES Banda, Maria Matildis; Kusuma, I Nyoman Weda; Ratna, I Nyoman Kutha; Pudentia, Pudentia
E-Journal of Cultural Studies Volume 9, Number 4, November 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar

This cultural study was conducted based on the primary data kasa’o (the traditional house bestowal of blessing) and wo’soDewa (the church bestowal of blessing). The study was intended to reveal the elements causing the oral tradition Sa Ngaza (TLS) in the traditional ritual ‘ritual adat’ (RA) are still performed in the religious ritual ‘ritual keagamaan’ (RKA), the function and meaning of TLS in RA and RKA, how it has been inherited. The study used the theory of formula, the theory of semiotics, and the theory of practice, especially the practice of capital. The data were collected using the techniques of observation, interview, and documentation. Sa Ngaza is unique in regard to its pattern of formula in the same dimension in general and in the opening and closing formulas in particular. These formulas support the transmission of TLS, causing mori Sa Ngaza (the Sa Ngaza reporter) to be able to maintain the continuity of TLS and its growth in RA and RKA. The opening formula explains the identities of the characters. The thematic formula in RA and RKA reports different contents. TLS in RA emphasizes patadela (the ancestor’s massage); TLS in RKA emphasizes the Biblical massage. The meaning plurality in RA and RKA explains the acculturative relationship between the tradition and religion. In this relationship there is a shift in the identities of the characters, sa’o (the traditional house), and patadela. The hierarchy of leadership in the tradition and religion can save and hamper the oral tradition. Therefore, TLS can be generally inherited based on the role of leadership through families and society, religious institutions, and education.

RITES OF SHIFT PERFORMED BY THE MUNA ETHNIC PEOPLE IN MUNA REGENCY, SOUTHEAST PROVINCE: CONTINUITY AND CHANGE Aso, La Aso; Kusuma, I Nyoman Weda; Ardhana, I Ketut Ardhana; Wiasti, Ni Made Wiasti
E-Journal of Cultural Studies Vol 8 No 1 (2015): Volume 8, Number 1, Februari 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar

Nowadays the Muna ethnic people who live in Muna Regency, Southeast Sulawesi Province can be divided into two groups; they are the Muna ethnic people who still perform the rite of shift completely, and the Muna ethnic people who perform the rite of shift partially; the letter have modified the rite of shift. The rites which are performed to show the shift in status from the time before a baby is born to the time after it is born, when someone enters childhood and adulthood, when someone is married and when someone is dead. Such rites are referred to as the rites of shift. The problems of the present study can be formulated into three; they are (1) what the rites of shift performed by the Muna ethnic group is like; (2) the factors contributing to the continuity of the rites of shift; and (3) the factors causing the change in the rites of shift performed by the Muna ethnic people to take place. This study is a qualitative study with the paradigm of cultural studies. The theory of semiotics, the theory of hegemony, and the theory of deconstruction were used in the present study. The result of the study shows that there are six forms of the rites of shift performed by the Muna ethnic people; they are the rite of what is locally referred to as kasambu (feeding or eating with the hand), the rite of what is locally referred to as kampua (the hair cutting), the rite of what is locally referred to as kangkilo (circumcision), the rite of what is locally referred to as karia (being secluded), the rite of what is locally referred to as kagaa (marriage), and the rite of what is locally referred to as mate (death). The factors contributing to the continuity of such rites are ideology and belief. And the factors causing such rites to be changed are religion, economy, education, and science and technology.

OTORITAS TUBUH ANTARA SAKRAL DAN PROFAN DALAM PUISI KARYA PENYAIR BALI TAHUN 1970—2016/THE AUTHORITY OF THE BODY BETWEEN SACRED AND PROFANE IN SOME POEMS BY BALINESE POETS IN 1970--2016 Puji Retno Hardiningtyas; I Nyoman Darma Putra; I Nyoman Weda Kusuma; I Gusti Ayu Agung Mas Triadnyani
Aksara Vol 30, No 1 (2018): Aksara, Edisi Juni 2018
Publisher : Balai Bahasa Provinsi Bali

Abstrak Eksploitasi citra tubuh muncul berulang sebagai tema dalam puisi Indonesia dalam rentang waktu enam dekade, 1970—2016. Dalam penelitian ini dianalisis citra tubuh dalam puisi Indonesia dengan fokus pembahasa pada dua hal, yaitu wacana otoritas tubuh, baik sakral maupun profan sebagai representasi citra ruang manusia; konsep ruang dan konstruksi tubuh dalam pertarungan kehidupan dalam puisi-puisi penyair di Bali. Metode pengumpulan data penelitian ini adalah studi pustaka dengan teknik baca catat. Analisis data menggunakan metode analitik deskriptif dengan teknik hermeneutika dan interpretatif. Teori penelitian ini adalah poskolonial Sara Upstone dengan mempraktikkan ruang tubuh dan konstruksi keberadaan eksistensi manusia itu sendiri. Hasil dan pembahasan penelitian ini membuktikan bahwa otoritas tubuh mengalami ironi dengan peristiwa yang dialami manusia, yaitu tubuh sebagai jasmaniah, tubuh sebagai simbol agama, dan tubuh sebagai kekuatan perempuan dalam menghadapi pertarungan kehidupan. Konstruksi yang terjadi dalam tubuh pada akhirnya menjadi diri yang dibongkar oleh penyair yang secara ontologis dikuliti sendiri. Tubuh dihancurkan dalam kebudayaan, kefanaan, sedangkan jiwa sebagai Tuhan yang diidealkan dalam keutuhan. Dengan demikian, konstruksi dan ruang tubuh antara profan dan sakral adalah ruang paradoksal antara jasmani dan rohani yang didekonstruksi oleh penyairnya menjadi sebuah ironi semata. Kata kunci: puisi, ruang tubuh, konstruksi, profan sakral Abstract Exploitation of body image appeared repeatedly as theme in Indonesian poem in six decades, 1970—2016. In this research body image on Indonesian poems were analized focused on two points, the discourse of body authority, both sacred and profane as representation of human space image; the concept of space and body construction in the battle of life in poems in Bali. Method of this research is literary study by noting and reading technique. Data analysis method of this research is descriptive analytics by hermeneutic techniques and interpretative. This research used postcolonial of Sara Upstone theory by practicing the physical space and construction of body space and the existence of human itself. The results and discussion of this research prove that the authority of the body has irony with the events experienced by humans, namely the body as body, the body as religious simbol, and the body as a force of women in the face of the battle of life. The construction that takes place in the body eventually becomes a self dismantled by the poet who is ontologically skinned on his own. The body is destroyed in culture, inhumanity, while the soul as God is idealized in wholeness. Thus, the construction and the space between the profane and the sacred is the paradoxical space between the physical and the spiritual that the poet deconstructs to be a mere irony. Keywords: poem, body space, construction, sacred profane

Kangkilo Oral Tradition: Reflection of Sufism and Political Powers in Buton Community Hamiruddin Udu; I Nyoman Weda Kusuma; I Nyoman Suarka; Muh Alifuddin
e-Journal of Linguistics Vol 11 No 1 (2017): eJL-January
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

Kangkilo oral tradition is a form of holiness ritual. The values ?? can realize Islamic ritual and social pieties. However, the pursuit of technology results to facilitate the achievement of material according to human needs has made this tradition endangered. This study aimed to analyze the discourse structure, reflection of Sufism and political powers in function and meaning, and also inheritance strategies of kangkilo in Buton community. Data were collected by using an ethnographic approach and analyzed by using qualitative methods. The results showed that the discourse structure, function, and meaning of kangkilo is unique, different from other oral traditions ever observed. The values contained some Sufism understandings and political policies of powers. From the aspect of the formula, for example, although kangkilo is qualified as a form of oral tradition, but actors of kangkilo still expected to follow the text which has been taught, can not to change the text appropriate to the circumstances that exist around kangkilo actors are, as a formula in oral tradition suggested by experts such as Albert B. Lord. This is related to the presence of kangkilo as a religious ritual. Kangkilo oral tradition is a ritual holiness in Buton influenced by Sufism understanding in MartabatTujuh. By the influence of Sufism in kangkilo, have made this holiness ritual different with the other ritual of purity which is known in the Islamic world. Kangkilo is used also as a marker for people who live in Buton as Butonese. The values in kangkilo are used as values standard for social and cultural development in Buton community. From the aspect of meaning, chastity teachings both theocentric and anthropocentric in kangkilo oral tradition values led the creation of a harmonious of life, both in man's relationship with God, between one people and other people, as well as between the rulers and the people, and between people and nature universe. Given the importance of these rituals for human life, especially the Buton, kangkilo the oral tradition is expected to continue to be studied and implemented. Therefore, in order to revive kangkilo oral tradition, inheritance need to adopt a system of formal education learning and use the modern media.

THE PICTURE AND CULTURAL STRUGGLE OF THE BALINESE WOMEN IN THE NOVELS WRITTEN BY PANJI TISNA, PUTU WIJAYA, AND OKA RUSMINI Gde Artawan; I Nyoman Kutha Ratna; I Nyoman Weda Kusuma; I Nyoman Suarka
e-Journal of Linguistics Vol. 5. Januari 2011 No. 2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (38.619 KB)

This study aims at revealing the picture and cultural struggle of the Balinesewomen in the novels written by Panji Tisna, Putu Wijaya, and Oka Rusmini, identifyingthe intertextuality of their works and the women’s attitude towards sociopoliticaldiscourse and the discourse of equality in gender. The texts investigated are the novelswritten by Panji Tisna entitled Ni Rawit Ceti Penjual Orang (1935) and Sukreni GadisBali (1936); the novel written by Putu Wijaya entitled Putri published in two books(2004); and the novels entitled by Tarian Bumi (2000) and Kenanga (2003).The theories such as the sociological theory of literature, the theory of feminismand the theory of intertextuality were adopted for investigating the novels. The resultsof the study show the real situation undergone by the women such as the strongconfinement of tradition, the manifestation of the situation undergone by themarginalized and subordinated women, suppression, taming (cooptation), the role ashard workers (double-burden), the role as single parents, the victims of violence and thetaming process (cooptation). Based on such a real situation, the female characters in thenovels showed their cultural struggle by accentuating concepts/the framework ofthinking, reinterpreting and behaving towards tradition. From the intertextuality point ofview, the female characters in the novels were consistent in their vision towardstradition. This was shown by implementing ideas/insights, reinterpreting and behavingtowards the space in the texts. However, as far as sociopolitical discourse and thediscourse of equality in gender are concerned, they behaved differently. Somecompromised on sociopolitical reality and equality in gender and the others were highlyreactive and tended to show struggles through their ways of thinking and behaving.This is the only study which has investigated the novels written by Panji Tisna,Putu Wijaya and Oka Rusmini at the same time. The novelty is that there isintertextuality among the novels. Such intertextuality is in the form of thematicelements which include sociopolitical discourse and the discourse of equality in gender.

ORAL MYTH OF BADAWANGNALA IN THE ISLAND OF SERANGAN, SOUTH DENPASAR Novena Ade Fredyarini Soedjiwo; I Nyoman Suarka; I Nyoman Weda Kusuma; Ida Bagus Rai Putra
e-Journal of Linguistics 2016: Vol 10. No. 1 January
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (463.604 KB)

The myth of Badawanganala believed by the people of Bali is found on Lontar Adiparwa, but in Serangan Island it has its own version, adapted to the present context. With the global influence, the local culture is slowly eroding, as in Serangan Island, namely reclamation. Reclamation occurred in 1994, causing changes in the life cycle both on land and sea; the marine life was damaged, due to the greed of rulers. Badawangnala myth, constructed in Pura Batu Api is believed to neutralize and reconstruct patterns of harmonious and prosperous behavior. The research objective is to understand the meaning and function of Badawanganala oral myth in Serangan Island. The theory used in this research includes the narrative discourse theory, the theory of mythology, transformation theory, and the theory of semiotics. The research method is qualitative with qualitative and interpretative descriptive analysis techniques. The primary data are taken from informants purposively and the secondary data are from the study of documents. The collecting of data is done through observation, interviews and document study. The structural analysis of the text is started from the text of the Bedawangnala myth of Adiparwa then Medang Kemulan, and the text spoken by indigenous leaders, bendesa adat of Serangan. The text is associated with linguistic intrinsic elements that build up the myth of Badawangnala in Serangan Island particularly on its characterizations The research findings are strengthening of the cultural attitudes and behaviors of the Serangan community to defend their rights, and the younger generations are able to promote solidarity through ritual, that is odalan (temple ceremony), and Batu Api Temple is the implementation of strength and confidence in the ritual policy.

SERAT HARDAMUDHA IN JAVANESE LITERATURE: A STUDY OF STRUCTURE, FUNCTION AND MEANING Kamidjan Kamidjan; I Nyoman Weda Kusuma; Setya Yuawana Setya Yuwana; I Nyoman Suarka
e-Journal of Linguistics Vol. 6. Januari 2012 No. 1
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (49.377 KB)

In this study Serat Hardamudha written by Kyai Secanitis is chosen as the object of the study. It is part of a collection at the Sonobudoyo Museum, Yogyakarta, with No. PB A 244 as its collection number. It contains symbols and signs which attracts the researcher’s attention. Such signs can be interpreted as social, moral, religious, and cultural teachings which are so great that they may be utilized as a learning medium in our lives. The problems in this study are formulated as follows: (1) what is the structure of Serta Hardamudha like; (2) what are its functions for our lives; and (3) what meanings it contains? This study aims at analyzing (1) the structure of Serat Hardamudha; (2) its functions for our lives; (3) its meanings. This study is classified as a qualitative one using qualitative data in the forms of words, sentences or concepts taken from the data sources. The data were obtained from the primary and secondary sources. The primary data source in this study is a literary work entitled Serat Hardamudha. The secondary data sources include references related to research. The data were collected using note taking technique completed with data cards and note books. The data were descriptively and interpretatively analyzed using hermeneutic approach. The novelties of the study are that (1) Serat Hardamudha deviated from conventions but contained innovations. From the form point of view, it, especially tembang Dhandhanggula, gatra 3, deviated from conventions. (2) The massage was symbolically and implicitly presented. (3) Serat Hardamudha presented the life of the Javanese people during colonial era. (4) Serat Hardamudha was written to give enlightenment to the community that ma lima should be eliminated.

Oral Text of Genjek in Karangasem Regency Ida Bagus Nyoman Mantra; I Nyoman Weda Kusuma; I Nyoman Suarka; Ida Bagus Rai Putra
e-Journal of Linguistics Vol 11 No 2 (2017): eJL-July
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

This study examines the oral text of genjek in Karangasem regency with the main focus was analyzing the structure, function and meaning of oral text of genjek by using the theory of structure, theory of function and theory of semiotics. The theory of structure was used to analyze the structure of oral text of genjek. The theory of function was used to analyze the function of the oral text of genjek and the theory of semiotics was used to analyze the meaning of the oral text of genjek.The present study was a qualitative study with systematic study that departs from theory to observation on the availability of data for further analysis and data validation. The approach used in this study was a phenomenological approach that moved from the phenomenon of language used in genjek. The implication of this study is expected to provide benefits to the linguistic approach in studying the structure, function and meaning of the other texts and other literary works. In this study, it was found that oral text of genjek is literary work which has macro structure, super structure and micro structure. The function of genjek includes: entertainment function, education function, function of remembering the past, solidarity function, social control function, social protest and criticism function, and religious function. Meanings of genjek includes: meaning of love, meaning of the collective consciousness, meaning of ritual, existence of social stratification recognition. Creation process of genjek text is done together spontaneously by a group of people who are gathered together. Inheritance process of genjek is done naturally and non-naturally so that genjek can thrive in Karangasem society

Co-Authors A.A. Gde Alit Geria Alit Geria A.A. Kade Sri Yudari Anwar, Khairil Ayu Sutarto Dr Pudentia Dra Dafirah Eva Krisna Fransiscus Bustan Gde Artawan Hamiruddin Udu Hutasoit, Evalina Franciska I Gde Parimartha I Gede Yudarta, I Gede I Gusti Ayu Agung Mas Triadnyani I Ketut Ardhana Ardhana, I Ketut Ardhana I Ketut Jirnaya I Made Suastika I Made Suyasa I Nengah Sudipa I Nyoman Darma Putra I Nyoman Kuta Ratna I Nyoman Kutha Ratna I Nyoman Mulyono I Nyoman Suarka I Wayan Artika I Wayan Cika I Wayan Dibia I Wayan Suardiana Ida Bagus Jelantik Ida Bagus Kade Gunayasa Ida Bagus Mahardika Ida Bagus Nyoman Mantra Ida Bagus Rai Putra Intan Ayu Puspita Kamidjan Kamidjan Komang Dian Puspita Candra Komang Dian Puspita Candra, Komang Dian Puspita La Aso Aso, La Aso M Fatkhur Rohman Made Henra Dwikarmawan Sudipa Made Henra Dwikarmawan Sudipa Maizufri - Maria Matildis Banda Muh Alifuddin NI MADE WIASTI Ni Nyoman Karmini Ni Nyoman Seri Astini Ni Putu Ayu Ariasih Ni Putu Parmini Ni Wayan Sumitri Novena Ade Fredyarini Soedjiwo Nyoman Kutha Ratna Pudentia, Pudentia Puji Retno Hardiningtyas Puji Retno Hardiningtyas Puji Retno Hardiningtyas, Puji Retno Setya Yuawana Setya Yuwana Siti Norma Nasution Sugiarti - Sukardiasih, Luh Gede

Title

Found 35 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 35 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 35 Documents
Search