Nandya Abror Nurmusabih
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Studi Eksploratif Bahan Ajar Cello Berbasis Metode Suzuki Nandya Abror Nurmusabih; Hari Martopo; Ayu Tresna Yunita
PROMUSIKA Vol 5, No 1 (2017): April 2017
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/promusika.v5i1.2281

Abstract

Metode Suzuki merupakan metode pembelajaran musik yang menekankan pentingnya pendidikan bakat musik sedini mungkin untuk anak-anak dengan menggunakan bahasa ibu (mother tongue). Metode ini banyak disalahartikan oleh masyarakat hanya dengan menggunakan kurikulum buku saja, tanpa menerapkan filosofi dari penciptanya, Shinici Suzuki yaitu dididik dengan kasih sayang Nurtured by Love (dididik dengan kasih sayang) dan teorinya yaitu Talent Education (pendidikan bakat). Tujuan eksplorasi Metode Suzuki ini yaitu: (1) untuk memperkaya bahan ajar cello berbasis Metode Suzuki Cello menggunakan metode eksploratif yaitu metode penelitian yang digunakan untuk meneliti sesuatu yang belum diketahui, belum dipahami, dan belum dikenali dengan baik, (2) untuk mensosialisasikan Metode Suzuki dalam pembelajaran cello. Kesimpulan yang dapat diambil adalah: (1) pengayaan bahan ajar cello dalam Metode Suzuki menggunakan metode eksploratif, (2) metode eksploratif yang diterapkan pada pengayaan bahan ajar cello sebagai upaya mensosialisasikanera.
GANDRUNG DANCE IN BANYUWANGI IN 1767 - 1974 Ryndhu Puspita Lokanantasari; Nurmaria; Nandya Abror Nurmusabih
SOSIOEDUKASI Vol 14 No 4 (2025): SOSIOEDUKASI : JURNAL ILMIAH ILMU PENDIDIKAN DAN SOSIAL
Publisher : Fakultas Keguruan Dan Ilmu Pendidikan Universaitas PGRI Banyuwangi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36526/sosioedukasi.v14i4.6246

Abstract

Compulsive dance is an art that originated from Banyuwangi, an area located at the eastern tip of Java Island, which is inhabited by the Osing, Javanese, Madura and Balinese tribes. This article explains the history of compulsive dance by raising several main problems as follows; First, What is the background of the emergence of compulsive dance art in Banyuwangi?; Second, How is the development and function of the art of gandrung dance in Banyuwangi?. The research method in this article is the historical method. Based on the results of research, gandrung dance is an art that emerged in the colonial era, used as a means of indigenous communication to fight against the colonial government. Then after the independence era, gandrung dance has become a phenomenon and has its own attraction for the audience, because of the charm of its attractive and dynamic form of presentation. This charm and attraction has encouraged the local government and the people of Banyuwangi to support and develop the gandrung dance as a cultural characteristic of the Banyuwangi people. This has also shown that the art of gandrung dance in its development has changed from the colonial era to the independence era.