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Historical Memory of Ainu through Material Culture in Japanese Literary Text: An Analysis of Tsushima Yuko’s Work Wawat Rahwati; Budi Mulyadi; Andres Suhendrawan
IZUMI Vol 10, No 1 (2021)
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.10.1.109-118

Abstract

This research discusses the elements of material culture in the literary text of Jakka Dofuni Umi no Kioku no Monogatari by Tsushima Yuko in presenting historical memories of the Ainu as one of the indigenous people in Japan. Material culture is a study carried out through objects (artefacts) to see social markers, historical traces, social knowledge, and the identity of a particular nation or society. This research aims to reveal the history and identity of the Ainu as shown through material cultural objects and how the characters in the text interpret these objects. Qualitative approaches and narrative structures as research methods are used to analyze this literary text. Besides, memory theory is also used to reveal collective memories related to Ainu history and identity. The results show that the Jakka Dofuni museum with various artefacts presents historical memory and Ainu identity through the narrator's discussion and figures in narratives text. The spirit consolation monument (ireihi), which was built in the area of the Jakka Dofuni museum, is an object of memory of remembrance for local people from the Ainu and Uilta tribes who were victims of war during the Russo-Japanese War (1904-1945). The collection of cultural artefacts and the life history of Gendanu as the owner of the museum with the identity problems he experienced can be interpreted as a form of markers that confirm Ainu's identity.
PEMAKNAAN DEKONSTRUKSI KONSEP PEREMPUAN IDEAL DALAM FILM PENGABDI SETAN (2017) Wawat Rahwati; Cut Novita Srikandi; Nina Alia Ariefa Alia Ariefa; Bustanuddin Lubis
LINGUA : JURNAL ILMIAH Vol 16 No 2 (2020): Lingua: Jurnal Ilmiah
Publisher : STBA LIA - Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35962/lingua.v16i2.53

Abstract

Abstract This article aims to reveal the deconstruction meaning of the ideal women concept in film Pengabdi Setan through the characters of Mother and Grandmother. Jacques Derrida's concept is used in this study to see how text can be interpreted not only in a single meaning but also another meaning, as a main characteristic of deconstruction is to reveal the meanings that are marginalized, ignored, and hidden. We use deconstruction reading methodology to reveal the hidden meanings in the film Pengabdi Setan (2017). By deconstructing a concept of women which presented by mother and grandmother figures, we found several results were obtained such as the concept of ideal women that admitted in our society still shackles women so that if a woman does not conform to the ideal concept prevailing in society, then what will happen is a catastrophe. In Indonesian society which is still strongly conduct to patriarchal values, women are often alienated and negatively stigmatized if they cannot bear children. Reproductive tasks that are carried out by women are shown and regulated according to the wishes of society, for example when she should get pregnant and how many children will be conceived and born. The mother has to take care of her husband, children, and household. Society has constructed women as ideal figures who serve their husbands and work fully in the domestic area, such as taking care of kitchens, wells, and mattresses. Abstrak Penelitian ini bertujuan untuk mengungkap pemaknaan dekonstruksi konsep perempuan ideal dalam film Pengabdi Setan melalui tokoh ibu dan nenek. Konsep Jacques Derrida digunakan dalam penelitian ini untuk melihat bagaimana teks mampu dimaknai tidak hanya dalam pemaknaan tunggal karena inti dari dekonstruksi adalah menyingkap makna-makna yang dipinggirkan, diabaikan, dan disembunyikan. Penulis menggunakan metodologi pembacaan dekonstruksi untuk menyingkap makna yang tersembunyi dalam film Pengabdi Setan (2017). Dengan mendekonstruksi konsep perempuan yang dihadirkan melalui tokoh ibu dan nenek, didapat beberapa hasil penelitian, di antaranya konsep perempuan ideal yang berkembang di masyarakat masih membelenggu perempuan sehingga jika perempuan tidak sesuai dengan konsep ideal yang berlaku di masyarakat, yang terjadi adalah malapetaka. Dalam masyarakat Indonesia yang masih sarat dengan nilai patriarki, perempuan sering diasingkan dan distigmakan negatif jika ia tidak dapat melahirkan anak. Tugas reproduksi yang dijalankan perempuan diperlihatkan dan diatur sesuai dengan kehendak masyarakat, misalnya kapan ia harus hamil dan berapa banyak anak yang akan dikandung dan dilahirkan. Ibu harus mengurus suami, anak-anak, dan rumah tangganya. Masyarakat telah mengkonstruksi perempuan sebagai sosok yang ideal, yang mengabdi pada suami dan bekerja sepenuhnya di wilayah domestik, seperti mengurus dapur, sumur, dan kasur.
KODOMO SHOKUDOU AS THE THIRD SPACE DURING COVID-19 PANDEMIC: KODOMO SHOKUDOU SEBAGAI RUANG KETIGA DI TENGAH PANDEMI COVID-19 Aurora Dyah Nareshwari; Wawat Rahwati; Ucu Fadhilah
Jurnal Kata Vol. 8 No. 2 (2024): Jurnal Kata : Penelitian tentang Ilmu Bahasa dan Sastra
Publisher : LLDIKTI Wilayah X

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22216/kata.v8i2.3194

Abstract

This research investigates the role of kodomo shokudou as a public facility for the local community, particularly during the COVID-19 pandemic. Through case studies of Hagu Shokudou, Nishinari Kodomo Shokudou, and Kirin no Ie in Osaka, this study aims to analyze how these facilities function within their perspective communities and how the local community perceives their presence during the pandemic.  This study aims to analyze how local people perceive their presence and their role in providing healthy food during the pandemic. This research was conducted by using Edward Soja’s spatial concept and digital ethnographic methods such as website searches, video documentaries, and digital communication. This result reveals that three kodomo shokudou’s serve as the third spaces of providing healthy and affordable meals while evoking the atmosphere of the first space (family) and the second space (school), elements often missing for students during the pandemic.