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All Journal ISTORIA Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Jantra
Rini Riris Setyowati
Universitas Negeri Yogyakarta
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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ADIKUASA PERDAGANGAN TIONGKOK: TIONGKOK DALAM REVOLUSI INDUSTRI 4.0 DI INDONESIA (TINJAUAN SEJARAH SOSIAL-EKONOMI PEDAGANG TIONGKOK DI INDONESIA) Alifi Nur Prasetia Nugroho; Rini Riris Setyowati
ISTORIA: Jurnal Pendidikan dan Sejarah Vol 15, No 2 (2019): ISTORIA Edisi September 2019, Vol. 15, No.2
Publisher : Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (308.859 KB) | DOI: 10.21831/istoria.v15i2.27292

Abstract

ABSTRAKEtnis Tiongkok merupakan bagian dari entitas budaya Indonesia. Hubungan ini terjalin sejak jaman Kerajaan Hindu-Budha di Nusantara. Rekatnya hubungan Tiongkok secara keseluruhan dengan Indonesia diawali oleh faktor ekonomi. Hiruk pikuk jalur Sutra pada masa Dinasti Han hingga perdagangan di Malaka menambah kedekatan dua negara ini hingga sekarang. Letak geografis yang strategis dalam peta perdagangan dunia menjadikan Tiongkok lahir sebagai kekuatan tandingan Barat dari Asia. Melalui metode studi pustaka dengan menggunakan berbagai sumber diharapkan dapat memberi gambaran pengaruh ekonomi signifikan Tiongkok di kancah dunia Tiongkok hadir keunikan tersendiri yang tidak dimiliki oleh negara lain. Kekuatan nilai-nilai tradisional-budaya diiringi perkembangan IPTEK merupakan modal Tiongkok menghadapi persaingan peradaban dunia. Tiongkok dapat bertahan dalam berbagai macam tekanan dan perubahan jaman. Kini pada abad 21, Tiongkok dengan segala kesiapannya telah masuk keseluruhan bagian lini kehidupan masyarakat Indonesia.Kata Kunci: Indonesia, Tiongkok, Revolusi 4.0 ABSTRACTEthnic Chinese are part of Indonesian cultural entities. This relationship has ever existed since the Hindu-Buddhist kingdom in the archipelago. Economic factors preceded the stickiness of Chinese relations. The Silk Road during the Han Dynasty to trade in Malacca added to the closeness of the two countries to the present. The strategic geographical position on the map of world trade made Tiongkok-born as a rival power to the West from Asia. Through the literature study method using various sources, it can provide a significant assessment of the Chinese economy on the world stage. Tiongkok presents unique features which are not provided by other countries. The strength of traditional-cultural values accompanied by the development of science and technology in Tiongkok's capital in facing the competition of world civilizations in various fields. This makes Tiongkok able to endure various kinds of pressures and changes so as not to be eroded by changing times.  Keywords: Indonesia, Tiongkok, Revolution 4.0
MOOI INDIE Rini Riris Setyowati; Aman Aman
Jantra. Vol 14 No 1 (2019): Budaya Agraris
Publisher : Balai Pelestarian Nilai budaya Daerah Istimewa Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (193.934 KB) | DOI: 10.52829/jantra.v14i1.82

Abstract

The Mooi Indie has been considered as a painting style that was developing in Nusantara during the Colonial Government of Dutch Indies. The depiction of Nusantara’s beautiful scenery has become a implanted characteristic of the Mooi Indie painting until today. Mooi Indie was considered as the starting point of the development of modern painting. This literature study has revealed the following information. The artists through their works received appreciation because they had presented the natural beauty of the Dutch East Indies to the world. Appearing in the midst of the elite of Dutch colonial and the indigenous noblemen, Mooi Indie became the representation of grandeur, wealth, and the beauty of Nusantara. The objects of paint of Mooi Indie artists were farmer community and the beautiful natural sceneries of Dutch East Indies. In addition, practicing this genre they could also see the misery and concern of the community being portrayed. The results of this study show that Mooi Indie paintings were able to place beautiful mountains, rice fields, plants, and society into one frame. Another implied message is this painting genre was able to place the people’s agrarian culture in the proper composition. It is not surprising that Mooi Indie’s painting has become part of history as well as an evidence of the existence of an agrarian culture in Nusantara.
How does the museum post-pandemic recovery? Exhibition design of DPR RI Museum Vicky Ferdian Saputra; M. Kholid Arif Rozaq; Rini Riris Setyowati
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 17, No 2 (2022)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v17i2.4549

Abstract

Museums are essential for connecting with and educating the public about their collections. A schism has developed between the public and museum institutions due to the Covid-19 pandemic's limits on museums. The inaugural exhibition of the DPR RI Museum aims to answer the challenge of readiness to recover museums' post-pandemic situation and conditions by rebuilding public involvement and communication. This study uses a mixed method equipped with research and development (R&D) using the ADDIE model product development systematics. The steps taken in organizing the exhibition are; (1) analysis of the historical context of the DPR RI building; (2) exhibition design; (3) development of 3D exhibition layout design; (4) implementation (exhibition); and (5) evaluation. A series of conferences and workshops supported the exhibition to educate the general public about the DPR RI's role as a home for the people. The results of museum content research and the development of a 3D museum layout model for exhibitions based on the validation of museum exhibition layouts are feasible to implement as a museum exhibition. Organizing exhibition events is the bond between the museum and the public, as evidenced by visitors' enthusiasm and positive response. This exhibition provided an important contribution to the post-pandemic situation, specifically as an effective and informative mode of communication in presenting the history of the DPR RI buildings to the general population.
Co-Authors Alifi Nur Prasetia Nugroho Aman Aman M. Kholid Arif Rozaq Vicky Ferdian Saputra