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All Journal JURNAL TATA KELOLA SENI Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni
Vicky Ferdian Saputra
Institut Seni Indonesia Yogyakarta
Arts Humanities Education Languange, Linguistic, Communication & Media Other

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Konservasi Preventif Lukisan Koleksi Museum Istana Kepresidenan Yogyakarta (Preventive Conservation Painting Collection Yogyakarta Presidential Palace Museum) M. Kholid Arif Rozaq; Vicky Ferdian Saputra; Mikke Susanto
JURNAL TATA KELOLA SENI Vol 5, No 2 (2019): Desember 2019
Publisher : Program Pascasarjana ISI Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (107.046 KB) | DOI: 10.24821/jtks.v5i2.3262

Abstract

Museum Istana Kepresidenan Yogyakarta sebagai lembaga kenegaraan memiliki fungsi untuk melindungi, mengembangkan, dan memanfaatkan koleksi yang dimiliki. Konservasi preventif merupakan tindakan untuk mencegah dan meminimalisasi kerusakan atau kerugian di masa mendatang dengan cara mengontrol berbagai faktor deteriorasi objek koleksi. Penelitian ini bertujuan untuk mengetahui bagaimana praktik konservasi preventif lukisan di Museum Istana Kepresidenan Yogyakarta. Metode pendekatan yang digunakan adalah deskriptif analisis danevaluasi. Hasil penelitian, ditemukan bahwa praktik konservasi lukisandi Museum Istana Kepresidenan Yogyakarta telah sesuai dengan standar pelayanan yang diacu. Akan tetapi masih ditemukan beberapa kerusakan yang disebabkan oleh faktor deteriorasi seperti faktor inherent vice dan faktor elemen iklim.AbstractYogyakarta Presidential Palace Museum as a state institution has the function to protect, develop and utilize its collections. Preventive conservation is an action to prevent and minimize future damage or loss by controlling various deterioration factors of collection objects. This study aims to determine how the practice of preventive conservation of painting in the Yogyakarta Presidential Palace Museum. The method used is descriptive analysis and evaluation. The results of the study, it was found that the practice of conservation of painting at the YogyakartaPresidential Palace Museum was in accordance with the service standards referred to. However, it still found some damage caused by deterioration factors such as inherent vice factors and climate element factors. Therefore it is necessary to reevaluate the service standards that have been set as guidelines for preventive conservation practice of painting.
How does the museum post-pandemic recovery? Exhibition design of DPR RI Museum Vicky Ferdian Saputra; M. Kholid Arif Rozaq; Rini Riris Setyowati
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 17, No 2 (2022)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v17i2.4549

Abstract

Museums are essential for connecting with and educating the public about their collections. A schism has developed between the public and museum institutions due to the Covid-19 pandemic's limits on museums. The inaugural exhibition of the DPR RI Museum aims to answer the challenge of readiness to recover museums' post-pandemic situation and conditions by rebuilding public involvement and communication. This study uses a mixed method equipped with research and development (R&D) using the ADDIE model product development systematics. The steps taken in organizing the exhibition are; (1) analysis of the historical context of the DPR RI building; (2) exhibition design; (3) development of 3D exhibition layout design; (4) implementation (exhibition); and (5) evaluation. A series of conferences and workshops supported the exhibition to educate the general public about the DPR RI's role as a home for the people. The results of museum content research and the development of a 3D museum layout model for exhibitions based on the validation of museum exhibition layouts are feasible to implement as a museum exhibition. Organizing exhibition events is the bond between the museum and the public, as evidenced by visitors' enthusiasm and positive response. This exhibition provided an important contribution to the post-pandemic situation, specifically as an effective and informative mode of communication in presenting the history of the DPR RI buildings to the general population.
Co-Authors M. Kholid Arif Rozaq Mikke Susanto Rini Riris Setyowati