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All Journal Jurnal Pendidikan dan Kajian Seni MUDRA Jurnal Seni Budaya
Sabrina Firda Sokhiba
Universitas Negeri Semarang
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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PROSES BELAJAR MENYANYI KERONCONG MELALUI TRADISI LISAN DI SEMARANG Sabrina Firda Sokhiba; Abdul Rachman
JPKS (Jurnal Pendidikan dan Kajian Seni) Vol 6, No 1 (2021)
Publisher : Pendidikan Seni Drama Tari dan Musik, Universitas Sultan Ageng Tirtayasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30870/jpks.v6i1.10565

Abstract

Keroncong merupakan salah satu warisan budaya Indonesia yang harus diturunkan dari satu generasi ke generasi berikutnya. Pewarisan turun temurun yang sudah melekat di masyarakat ialah pewarisan secara lisan (tradisi lisan) baik bagi pemain maupun penyanyi keroncong dalam mempelajari lagu. Penelitian ini bertujuan untuk mengetahui bagaimana proses belajar menyanyi keroncong melalui tradisi lisan di Semarang. Metode penelitian yang digunakan adalah kualitatif. Teknik pengumpulan data menggunakan teknik observasi, wawancara, dan studi dokumen. Hasil penelitian menunjukkan bahwa  proses belajar menyanyi keroncong melalui tradisi lisan terdapat 2 kategori yaitu proses belajar hanya secara lisan dan proses belajar secara lisan namun juga membaca partitur. Proses belajar secara lisan efektif digunakan pada generasi zaman sekarang dan mendukung eksistensi musik keroncong agar tetap berkelanjutan. Namun terdapat kelemahan yaitu pada hasil pembawaan beberapa penyanyi tidak sesuai dengan partitur yang ada atau notasi kurang tepat.
Ragam Pola Tabuhan Instrumen Gambang Pada Musik Gambang Semarang Abdul Rachman; Pramot Teangtrong; Phakamas Jirajaruphat; Udi Utomo; Syahrul Syah Sinaga; Ibnu Amar Muchsin; Sabrina Firda Sokhiba
Mudra Jurnal Seni Budaya Vol 37 No 1 (2022): Februari
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v37i1.1820

Abstract

Gambang Semarang is one of the traditional Indonesian music that grows and develops in the cityof Semarang, Central Java. Gambang Semarang music has an instrument made of wood which is the hallmark of Gambang Semarang music itself, namely Gambang. The Gambang instrument has a variety of distinctive accompaniment patterns that can give nuance to themusic of Gambang Semarang. The purpose of this study was to identify and describe the various patterns of accompaniment of the Gambang instrument in Semarang's Gambang music. The research method used is qualitative with an ethnomusicological approach. Data collection techniques were carried out by means of observation, interviews, document studies, and Focused Group Discussion. Data analysis was carried out with the stages of data reduction, data classification, and conclusions. The results showed that theaccompaniment pattern of the Gambang instrument in Gambang Semarang music consisted of an accompaniment pattern of gembyang nglagu oktaf, and a garap cengkok ajeg pattern. Each accompaniment pattern of the Gambang instrument involves a series of tones according to its seleh. Due to the influence of the melody of the main song, the accompaniment pattern of gembyang nglagu octaf and the accompaniment pattern of garap cengkok ajeg has six selehs, namely seleh do, seleh re, seleh mi, seleh sol, and seleh la.
Co-Authors Abdul Rachman Muchsin, Ibnu Amar Phakamas Jirajaruphat Pramot Teangtrong Syahrul Syah Sinaga Udi Utomo