Linusia Marsih
Universitas 17 Agustus 1945

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The Influence of Peers, Parents, and Media on Ann’s Body Image in Kelly Barson’s 45 Pounds Dewi, Riska; Marsih, Linusia
Proceeding of Undergraduate Conference on Literature, Linguistic, and Cultural Studies Vol. 3 No. 1 (2024): UNCOLLCS: PROCEEDING RESEARCH ON LITERARY, LINGUISTIC, AND CULTURAL STUDIES
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/uncollcs.v3i1.4461

Abstract

This thesis discusses body image in Kelly Barson’s novel 45 Pounds through the main character Ann, focusing on her mental image of her body and the factors influencing it. This qualitative research uses in-depth text analysis and a psychological approach, employing body image theories by Calogero & Thompson and factors influencing body image by Van Den Berg & Thompson et al. The analysis reveals that Ann has a negative body image, evident in her perception, attitude, and behavior towards her body. This negative image is influenced by peers, parents, and media. Negative comments, teasing, and behaviors from peers and parents, as well as media portrayals, contribute to Ann's body dissatisfaction. The study concludes that peers, parents, and media significantly impact Ann's negative body image. To build a positive body image, one must accept oneself, focus on health rather than size, and avoid comparisons. Peers, parents, and media should provide positive examples and encouragement regarding body and appearance.
Challenge of Gender Role Reversal in Naomi Alderman's The Power Safitri, Alya Nur; Marsih, Linusia
Proceeding of Undergraduate Conference on Literature, Linguistic, and Cultural Studies Vol. 3 No. 1 (2024): UNCOLLCS: PROCEEDING RESEARCH ON LITERARY, LINGUISTIC, AND CULTURAL STUDIES
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/uncollcs.v3i1.4467

Abstract

This study aims to investigate the gender role reversal reflected in Naomi Alderman's The Power and its impacts on societal structure. In conducting the study, V. Geetha's theory of gender role reversal is employed. Moreover, this research is designed as descriptive qualitative research because the data are in the form of words, and the analysis results are described using rich, detailed, and descriptive language to capture the complexity. In addition, gender study is applied since the study deals with gender issues. The results of the study show that as women are empowered with physical strength through the 'skein' of new organs in the female body, they take over the roles that men have. The women take over the roles of leaders in society and institutions. This reversal of gender roles has significant impacts on society. The women use their power by legalizing injustice such as men being mistreated by governments, and impose restrictions on men's rights to act and behave in society. In addition, the gender role reversal leads to international conflicts such as war in some countries and terrorism. This research highlights that when women have more power and dominance in society, the social structure changes. Keywords: gender role reverse, leader, patriarchy, power, society
STYLISTIC ANALYSIS OF EARLE BIRNEY’S THE BEAR ON THE DELHI ROAD Nurhadi, Muizzu; Marsih, Linusia
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 22 No 1 (2022): Parafrase Vol. 22 No. 1, Mei 2022
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/parafrase.v22i1.6632

Abstract

examine poetic expression, point of view, meaning, and themes. By using the linguistics approach, stylistics helps to objectively disclose literal meaning and poetic expression in the text. Thus, this research attempts a stylistic analysis of Earle Birney’s poem The Bear on the Delhi Road and examines how language features affect the poetic expression and literal meaning in the poem. Furthermore, this research is a content analysis approach that is analyzed through the stylistics analysis. Stylistics analysis in this research focuses on the three language levels, phonology and syntactic. In the part of phonology levels, the researchers focus on the alliteration, assonance, and consonance. While syntactic levels focus on the transitivity patterns, affixes, and pronouns. By showing how specific linguistic features contribute to the overall meaning and emotional impact of a poem, this study encourages readers and scholars alike to engage more deeply with poetic texts. It also underlines the value of stylistics in bridging the gap between linguistic theory and literary appreciation, helping to bring about a greater awareness of the complicated relationship between form and content in literature.
Pippa's Persona in Holly Jackson A Good Girl's Guide To Murder Titaley, Reyhan Humaira; Marsih, Linusia
Proceeding of Undergraduate Conference on Literature, Linguistic, and Cultural Studies Vol. 4 No. 1 (2025): UNCOLLCS: PROCEEDING RESEARCH ON LITERARY, LINGUISTIC, AND CULTURAL STUDIES
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/uncollcs.v4i1.6145

Abstract

This study seeks to analysis Pippa Fitz-Amobi’s persona archetype in A Good Girl’s Guide To Murder (2019) by Holly Jackson. Jung stated that persona is a mask used to show a different side of a person’s personality to the public which are friendly, kind, wise, and competent personalities. Designing a qualitative method with psychoanalysis approach of Jung’s persona archetypes. The study found that Pippa’s persona is friendly, kind, wise, and competent which are reflected when Pippa uses her friendly to behave in a pleasant and makes other happy and comfortable in the social interaction. Her wisdom helps her make good consideration before giving judgments to others. Further, her kindness is to help others and to be emphaty about other people’s feelings. Last, Pippa uses her competence showed by her having skills or knowledge to investigate the case in finding the evidences and information from her society that is friend, teacher, journalist, and police. Pippa is able to be a good girl for her society her desire to prove that Salil Singh is not guilty.
Character Transformation in Adaptation Life and Death Drives in Edward Ashton’s Mickey7 and Bong Joon Ho’s Mickey17 Movie Adaptation Putri, Yulia Eka; Mesy Rino Nindia; Marsih, Linusia
Proceeding of Undergraduate Conference on Literature, Linguistic, and Cultural Studies Vol. 4 No. 1 (2025): UNCOLLCS: PROCEEDING RESEARCH ON LITERARY, LINGUISTIC, AND CULTURAL STUDIES
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/uncollcs.v4i1.6165

Abstract

The intention and purpose of creating adaptations are often discussed in the film adaptation and comparative study. By using adaptation theory from Desmond and Hawkes (2006) and the instinctive theory of life and death from Sigmund Freud, this research aims to analyse the different ideas between the novel “Mickey7” and the film “Mickey17”. The analysis includes finding the intrinsic elements of both data sources and by using Freud’s life and death instinct theory, psychoanalysing the two main characters. The result showed that “Mickey17” is an intermediate adaptation. The main characters in the novel, Mickey7 and Mickey8, represent the life instinct as they both want to live and show that they want to live by solving their problem together to not being eliminated. However, the main characters in the film, Mickey17 and Mickey18, represent life and death instincts, respectively. While Mickey17 has affection and sexual desire, Mickey18 is a Mickey who is more violent and antagonistic towards Mickey17 and the other characters around them.
Forms of Existential Crisis in Haruki Murakami’s Norwegian Wood: Toru Watanabe Analysis Prameswari, Dyah Ayu; Marsih, Linusia
Prosodi Jurnal Ilmu Bahasa dan Sastra Vol 17, No 2: (2023): prosodi
Publisher : Program Studi Bahasa Inggris Universitas Trunojoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21107/prosodi.v17i2.19821

Abstract

This study will focus on Toru Watanabe's forms of existential crisis reflected in Haruki Murakami's Norwegian Wood (1987). To analyze the existential crisis experienced by Toru Watanabe, Jean-Paul Sartre's theory of existentialism is applied. Furthermore, Butėnaitė-Świtkiewicz’s theory of components of existential crisis is also used to describe the components of existential crisis, namely emotional, cognitive, and behavioral components. This study applies the descriptive qualitative method. In addition, philosophical and psychological approaches are employed in this study due to the fact that this study is concerned with the existentialism in philosophy and existential crisis in psychology. The results of the study show that Toru Watanabe suffers from an existential crisis because of his inability to seek meaning for his existence. His existential crisis is indicated through the emotional, cognitive, and behavioral components.