Dewi Tika Lestari
Institut Agama Kristen Negeri Ambon

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Merawat Harmoni Agama melalui Kolaborasi Musik Hadroh dan Trompet di Ambon Dewi Tika Lestari
Religious: Jurnal Studi Agama-Agama dan Lintas Budaya Vol 4, No 3 (2020)
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (617.1 KB) | DOI: 10.15575/rjsalb.v4i3.8880

Abstract

This article aims to describe the role of music for preserving religious harmony after the social-religious conflict that occurred in 1999-2004 in Maluku. The study is conducted toward the collaboration of musicians of the music of hadroh which come from the Muslim community and the music of trumpet which come from the Christian community in Ambon City. This study uses a qualitative research approach with a discourse analysis approach. The study shows that both of the musical instruments, hadroh and trumpet, are always used in religious rituals, both in Islam and Christian. The musicians are also fromthese two religions. This study also found that Muslim and Christian can collaborate to provide a new style and introduce a new approach for maintaining peace in Maluku. As a result, this study shows that music has the power to preserve peace in a pluralistic society.
Teologi, Musik, dan Perdamaian: Visi Teologi Lukas 12: 51-53 dan Analisis Musik Ode Buat Maluku Dewi Tika Lestari; Yohanes Parihala
DUNAMIS: Jurnal Teologi dan Pendidikan Kristiani Vol 5, No 1 (2020): Oktober 2020
Publisher : Sekolah Tinggi Teologi Intheos Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30648/dun.v5i1.318

Abstract

Abstract. The reality of religion plurality such as in Indonesian could be an opportunity in weaving harmony to build the nation, but it could also threat the unity of the nation. The threath is when controversial religious doctrines are understood literally. Religious teachings can easily be used as instruments of conflict. This article aimed to interpret one of Jesus' controversial teachings that Jesus did not come to bring peace as found in Luke 12: 51-53. The fact of the religion that was used as conflict instrument was also criticize by music ode buat Maluku. Thus, through the interpretative analysis method in qualitative research, this article aimed to interpret and find the theological vision of Luke 12: 51-53 and to weave it with an analysis of ode buat Maluku music. The results of the analysis showed that theology and music have the same nature in speaking for peace.Abstrak. Realitas kemajemukan agama seperti yang dimiliki oleh bangsa Indonesia dapat menjadi peluang merajut kebersamaan untuk membangun kehidupan bangsa, tetapi juga dapat menjadi tantangan yang mengancam keutuhan bangsa. Tantangannya adalah ketika ajaran-ajaran agama yang kontroversial dipahami secara harfiah. Ajaran agama dengan mudah dapat dijadikan sebagai instrumen konflik. Artikel ini bertujuan untuk menafsirkan salah satu ajaran Yesus yang tampak kontroversial bahwa Yesus datang bukan untuk membawa damai melainkan pertentangan seperti yang terdapat dalam Lukas 12:51-53. Kritik terhadap realitas agama yang dijadikan instrumen konflik juga terdapat di dalam karya musik ode buat Maluku. Dengan demikian, melalui metode analisis interpretatif dalam penelitian kualitatif, artikel ini bertujuan untuk menafsirkan dan menemukan visi teologis Lukas 12:51-53 dan merajutnya dengan analisis karya musik ode buat Maluku. Hasil analisis menunjukkan bahwa teologi dan musik memiliki hakekat yang sama untuk menyuarakan perdamaian.