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Merawat Harmoni Agama melalui Kolaborasi Musik Hadroh dan Trompet di Ambon Dewi Tika Lestari
Religious: Jurnal Studi Agama-Agama dan Lintas Budaya Vol 4, No 3 (2020)
Publisher : UIN Sunan Gunung Djati Bandung

This article aims to describe the role of music for preserving religious harmony after the social-religious conflict that occurred in 1999-2004 in Maluku. The study is conducted toward the collaboration of musicians of the music of hadroh which come from the Muslim community and the music of trumpet which come from the Christian community in Ambon City. This study uses a qualitative research approach with a discourse analysis approach. The study shows that both of the musical instruments, hadroh and trumpet, are always used in religious rituals, both in Islam and Christian. The musicians are also fromthese two religions. This study also found that Muslim and Christian can collaborate to provide a new style and introduce a new approach for maintaining peace in Maluku. As a result, this study shows that music has the power to preserve peace in a pluralistic society.

Membangun Harmoni Sosial Melalui Musik dalam Ekspresi Budaya Orang Basudara di Maluku Dewi Tika Lestari
PANGGUNG Vol 30, No 3 (2020): Pewarisan Seni Budaya: Konsepsi dan Ekspresi
Publisher : LP2M ISBI Bandung

ABSTRACTThis study aims to explain the importance of exploring and communicating the cultural values in the community that can contribute to build social harmony between communities through local music. The study will be conducted by using a qualitative approach that explores and analyzes data both ethic and emic approach to find a description of the culture hidop orang basudara as well as the knowledge, and experience of musicians to build social harmony. The main theory is ethnomusicologist which study relation between music and local culture. Local music of Maluku (such as song Jang Pisah Katong - do not separated us) that created in the cultural context and values hidop orang basudara (living as brotherhood) is an example of the role of music for building peace in the midst of the social conflicts in Maluku in 1999. The results of this study confirm that efforts to build social harmony and strive for peace in the community can be done with a creative diplomacy approach, through local music.Keywords: Harmony, Music, Local, Culture.ABSTRAKKajian ini bertujuan untuk menjelaskan pentingnya menggali dan mengomunikasikan nilai-nilai budaya masyarakat yang dapat berkontribusi membangun harmoni sosial dan perdamaian antar masyarakat melalui karya musik lokal. Kajian ini menggunakan metode penelitian kualitatif yang menganalisis data secara etik dan emik untuk menemukan deskripsi budaya hidup orang basudara, pengetahuan, dan pengalaman para musisi yang menggunakan musik sebagai media membangun perdamaian. Teori utamanya adalah etnomusikologis, yang menganalisis korelasi unsur budaya dengan musik dalam masyarakat. Musik lokal Maluku yang diciptakan di dalam konteks budaya hidop orang basudara, seperti musik jang pisah katong (jangan memisahkan kita) adalah contoh peran musik sebagai media perdamaian di tengah kenyataan konflik sosial di Maluku tahun 1999. Hasil kajian ini menunjukkan bahwa musik dapat menjadi kekuatan mengintegrasikan kembali masyarakat Maluku yang terpisah oleh karena konflik. Oleh karena itu, upaya mewujudkan harmoni sosial dan perdamaian di tengah masyarakat dapat dilakukan dengan pendekatan diplomasi kreatif, yaitu melalui karya musik.Kata Kunci: Harmoni, Musik, Lokal, Budaya

Menggali Falsafah Hidop Orang Basudara dari Melodi Bakubae (Perdamaian) - Lagu Gandong di Maluku Dewi Tika Lestari
Melayu Arts and Performance Journal Vol 2, No 1 (2019): Melayu Art and Performance Journal
Publisher : Pascasarjana Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/mapj.v2i1.684

AbstrakKonflik Maluku adalah suatu kenyataan historis yang terus menjadi suatu objek studi berbagai disiplin ilmu. Banyak pendekatan keilmuan, seperti sosiologi, antropologi, teologi dan agama – yang telah mengkaji masalah konflik dan proses perdamaian di Maluku. Kajian ini menegaskan peran musik lokal Maluku sebagai salah satu media mengomunikasikan perdamaian. Dalam proses perdamaian, nyanyian lokal Maluku, sebagai bentuk musik vokal seperti lagu gandong yang mengkespresikan semangat hidop orang basudara selalu digemakan. Pesan musikalitasnya merasuk sanubari dan perasaan kultural masyarakat, sehingga turut membangkitkan kesadaran bahwa semua masyarakat Maluku adalah sesama orang basudara, yang mesti hidup bakubae atau berdamai. Demikian karya-karya musik itu dapat disebutkan sebagai suatu melodi perdamaian (bakubae) di Maluku. Kajian ini menggunakan pendekatan analisis filsafat-seni, yang mencari nilai-nilai etis, estetika dan pandangan hidup masyarakat pemilik musik tersebut. Kajian ini menghasilkan suatu pengetahuan bahwa musik juga berkontribusi membangun perdamaian.AbstractThe Maluku Conflict is a historical reality that always become an object of study from the various disciplines. There were many studies as like sociology, anthropology, theology and religion that did research about conflict and peace building in Maluku. This research impress about local music of Maluku also serves as one of the media to communicate peace. Local song, as like gandong that expressed the value and spirit hidop orang basudara (peaceful live), pervading the hearts and cultural feelings of the people, thus helping to raise awareness of all the people of Maluku as brother and sister or as one family from the same ancentor, who must live bakubae or in reconciling. Therefore local music creation can be explained as a peace melody (bakubae) in Maluku. This study uses a philosophy-art analysis approach, which search the ethical, aesthetic and world-view values of the music-owner community. This study resulted in a knowledge that music also could contribute to building peace. Key words: Falsafah, Orang Basudara, Melodi Baku bae.

Teologi, Musik, dan Perdamaian: Visi Teologi Lukas 12: 51-53 dan Analisis Musik Ode Buat Maluku Dewi Tika Lestari; Yohanes Parihala
DUNAMIS: Jurnal Teologi dan Pendidikan Kristiani Vol 5, No 1 (2020): Oktober 2020
Publisher : Sekolah Tinggi Teologi Intheos Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30648/dun.v5i1.318

Abstract. The reality of religion plurality such as in Indonesian could be an opportunity in weaving harmony to build the nation, but it could also threat the unity of the nation. The threath is when controversial religious doctrines are understood literally. Religious teachings can easily be used as instruments of conflict. This article aimed to interpret one of Jesus' controversial teachings that Jesus did not come to bring peace as found in Luke 12: 51-53. The fact of the religion that was used as conflict instrument was also criticize by music ode buat Maluku. Thus, through the interpretative analysis method in qualitative research, this article aimed to interpret and find the theological vision of Luke 12: 51-53 and to weave it with an analysis of ode buat Maluku music. The results of the analysis showed that theology and music have the same nature in speaking for peace.Abstrak. Realitas kemajemukan agama seperti yang dimiliki oleh bangsa Indonesia dapat menjadi peluang merajut kebersamaan untuk membangun kehidupan bangsa, tetapi juga dapat menjadi tantangan yang mengancam keutuhan bangsa. Tantangannya adalah ketika ajaran-ajaran agama yang kontroversial dipahami secara harfiah. Ajaran agama dengan mudah dapat dijadikan sebagai instrumen konflik. Artikel ini bertujuan untuk menafsirkan salah satu ajaran Yesus yang tampak kontroversial bahwa Yesus datang bukan untuk membawa damai melainkan pertentangan seperti yang terdapat dalam Lukas 12:51-53. Kritik terhadap realitas agama yang dijadikan instrumen konflik juga terdapat di dalam karya musik ode buat Maluku. Dengan demikian, melalui metode analisis interpretatif dalam penelitian kualitatif, artikel ini bertujuan untuk menafsirkan dan menemukan visi teologis Lukas 12:51-53 dan merajutnya dengan analisis karya musik ode buat Maluku. Hasil analisis menunjukkan bahwa teologi dan musik memiliki hakekat yang sama untuk menyuarakan perdamaian.

Etnisitas, teologi, dan musik dalam nyanyian gereja: sketsa awal studi etnoteomusikologi nyanyian Gereja Protestan Maluku Lestari, Dewi Tika
KURIOS (Jurnal Teologi dan Pendidikan Agama Kristen) Vol 7, No 1: April 2021
Publisher : Sekolah Tinggi Teologi Pelita Bangsa, Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30995/kur.v7i1.259

Church music is an essential part of Christian worship. The primary source to create Church music is commonly from the Bible, Christian tradition, and believers' experience. Yet, in the church music of the Protestant Church in the Moluccas (GPM), there is harmony between some elements such as ethnicity, theology, and music. In ethnicity, there is some local cultural tradition derived from the old local religion, which Christianity contextualizes. Using a descriptive qualitative research method, the harmony of all elements, ethnicity, theology, and music result in a new perspective, namely ethno-theo-musicology, to analyze and understand the church music existence. This research found that the Protestant Church member in the Moluccas appreciates all church music substances, which led them not only to praise God but also to experience God in their cultural experience in Maluku. Abstrak Musik gereja merupakan salah satu unsur penting dalam peribadahan Kristen. Musik gereja umumnya diciptakan bersumber dari kesaksian Alkitab, tradisi atau ajaran gereja tertentu, dan pengalaman iman orang percaya. Namun, dalam nyanyian Gereja Protestan Maluku (GPM), musik gereja bersumber dari harmonisasi unsur budaya lokal, teologi, dan musik. Dalam unsur budaya lokal juga ditemukan proses kontekstualisasi narasi-narasi mistik dari kepercayaan asli masyarakat sebelum menjadi Kristen. Dengan penelitian deskriptif kualitatif, artikel ini menjelaskan adanya perpaduan unsur etnisitas, teologis, dan musik yang kemudian menghasilkan suatu pendekatan etnoteomusikologis dalam mengartikan suatu nyanyian gereja. Penelitian ini menemukan bahwa Warga Gereja Protestan Maluku sebagai pemilik dari Nyanyian GPM, sangat mengapresiasi pendekatan etnotheomusikologis sebab dirasakan bahwa musik gereja selain memuliakan Allah juga mengantarkan mereka mengalami kehadiran Allah di dalam pengalaman-pengalaman budaya yang mereka miliki

Unveiling the melodic traditions of Mahzani: an ethnomusicological investigation of Tombulu music in Indonesia's Minahasa region Deny V. R. Pogalin; Dewi Tika Lestari
Gelar : Jurnal Seni Budaya Vol 21, No 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i1.5282

This research explores the Mahzani ethnic music tradition, which holds significance among the Tombulu sub-ethnic group of the Minahasa region. As an expression of their cultural identity, Mahzani encapsulates the richness of Tombulu music, encompassing artistic diversity, spiritual values, and the philosophy of life cherished by the Tombulu people. The aim of this study is to analyze the distinctive musical elements that contribute to the unique atmosphere of the Mahzani tradition. This study uses an ethnomusicological approach. This approach collects and analyzes data, namely the melodies of traditional Mahzani music in the cultural context of the Tombulu people as the owners of the music. The ethnomusicological analysis is carried out by analyzing the physical and non-physical forms of Mahzani music to reveal its melodic richness and its aesthetic and philosophical meanings. This comprehensive approach ensures a thorough examination of the musical elements and their cultural implications within the context of the Mahzani tradition. In the end, the result of this research is that the combination of poetry and melody in a single unit of Mahzani's expression at the time has unveiled a unique and mystical atmosphere. At this level, the Tombulu people believe that music has vibrations that are connected to nature and the creator. Music is no longer just a medium for expressing itself, but it is the intention of the expression of human life in relation to their living environment.

PAPATEAN: Representational Musical Composition of the Story of the Murder of Missionary A. A. van De Loodstrecht in Bori', Toraja Saputra, Julian; Picanussa, Branckly; Tika Lestari, Dewi
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 7 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v7n1.p1-16

The musical composition "Papatean" is based on the story of the murder of the first missionary in Toraja, namely A. A. van de Loodstrech (called Anton) in 1917. Studying history is certainly important because it is full of values??for a better future. After Anton's death, the growth of the congregation in the Toraja Church continued to improve, until it spread internationally. Apart from that, the creation of this musical work aims to remember and appreciate the struggle and dedication of Anton and his wife, who have given their entire lives to God and the Toraja people. Their arrival brought the Gospel as well as the beginning of education in Toraja. The theory used in producing this work is about musical composition, musical harmony, instruments, and program music including narratives, vocals, and scales. The musical instruments used are the Lembang Flute, Piano, Violin, Viola, Violoncello, Contrabass, Floor, Cymbals, Chimes, and Vocals. The method used is the creation method, with several stages, namely (1) Data collection stage (2) Idea stage (3) Exploration stage (4) Implementation stage (5) Formation stage. The work "Papatean" was worked on in three parts, namely part I: Petamba (A, B), part II: Sitiro Lindo (A, B), and part III: Papatean (A, B, C, D).

Membangun Harmoni Sosial Melalui Musik dalam Ekspresi Budaya Orang Basudara di Maluku Dewi Tika Lestari
PANGGUNG Vol 30 No 3 (2020): Pewarisan Seni Budaya: Konsepsi dan Ekspresi
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v30i3.1267

ABSTRACTThis study aims to explain the importance of exploring and communicating the cultural values in the community that can contribute to build social harmony between communities through local music. The study will be conducted by using a qualitative approach that explores and analyzes data both ethic and emic approach to find a description of the culture hidop orang basudara as well as the knowledge, and experience of musicians to build social harmony. The main theory is ethnomusicologist which study relation between music and local culture. Local music of Maluku (such as song Jang Pisah Katong - do not separated us) that created in the cultural context and values hidop orang basudara (living as brotherhood) is an example of the role of music for building peace in the midst of the social conflicts in Maluku in 1999. The results of this study confirm that efforts to build social harmony and strive for peace in the community can be done with a creative diplomacy approach, through local music.Keywords: Harmony, Music, Local, Culture.ABSTRAKKajian ini bertujuan untuk menjelaskan pentingnya menggali dan mengomunikasikan nilai-nilai budaya masyarakat yang dapat berkontribusi membangun harmoni sosial dan perdamaian antar masyarakat melalui karya musik lokal. Kajian ini menggunakan metode penelitian kualitatif yang menganalisis data secara etik dan emik untuk menemukan deskripsi budaya hidup orang basudara, pengetahuan, dan pengalaman para musisi yang menggunakan musik sebagai media membangun perdamaian. Teori utamanya adalah etnomusikologis, yang menganalisis korelasi unsur budaya dengan musik dalam masyarakat. Musik lokal Maluku yang diciptakan di dalam konteks budaya hidop orang basudara, seperti musik jang pisah katong (jangan memisahkan kita) adalah contoh peran musik sebagai media perdamaian di tengah kenyataan konflik sosial di Maluku tahun 1999. Hasil kajian ini menunjukkan bahwa musik dapat menjadi kekuatan mengintegrasikan kembali masyarakat Maluku yang terpisah oleh karena konflik. Oleh karena itu, upaya mewujudkan harmoni sosial dan perdamaian di tengah masyarakat dapat dilakukan dengan pendekatan diplomasi kreatif, yaitu melalui karya musik.Kata Kunci: Harmoni, Musik, Lokal, Budaya

The music of topada tindo: the musical composition from the history of Toraja Nobility Toding, Vernando; Lestari, Dewi Tika; Picanussa, Branckly Egbert
Gelar: Jurnal Seni Budaya Vol. 22 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i2.6055

This article aims to explore the history of the struggle of the Toraja nobility as a source for the composition of Topada Tindo musical composition. Reviving the history of Topada Tindo through musical compositions has an important meaning for the Torajan people's struggle to dare fighting against every tyrannical power that oppresses the people. Musical compositions that originate from the history of people's struggles can also functionally continue to revive and preserve positive historical values for each generation. This research uses an art composition method starting from the stage of building ideas from the history of Toraja nobility, exploring themes and theoretical concepts of the work, as well as forming the composition of Topada Tindo musical works. The authors argue that the history of the Topada Tindo struggle is not only a source for the musical composition but can also provide inspiration and guidance for the Torajan people today to faight and kee struggling for well-being. Topada Tindo's musical composition consists of four parts as a description of the musical situation, namely the peaceful situation (part one), the situation of the entry of external cultural influences (part two), the situation of the arrival of Arung Palakka troops (part three), ending with Topada Tindo's resistance (part four). This composition uses the basic notes Bm and C#m, with multimetric 4/4 and 6/8.

Merawat Damai Antar Umat Beragama Melalui Memori Kolektif dan Identitas Kultural Masyarakat Maluku Lestari, Dewi Tika; Parihala, Yohanes
Hanifiya: Jurnal Studi Agama-Agama Vol 3, No 1 (2020): Hanifiya: Jurnal Studi Agama-Agama
Publisher : Program Studi Studi Agama-Agama Pascasarjana UIN Sunan Gunung Djati Bandung

This study aims to explain that the process of building and maintaining peace in the context of a plural society can be carried out by reactivating the collective memory and cultural identity of the community. Cultural memory and cultural identity that are based on historical-cultural experience are a social capital that nurtures harmony between communities. Qualitatively this study uses a literature study and field research approach. To explore the concepts of collective memory and cultural identity, author uses the concept from Edwards Shils, Maurice Halbwachs, and Paul Gilbert. The field study was obtained through a process of in-depth interviews with key informants, including religious leaders such as the Pastor and Imam of the Mosque, facilitators and community leaders in Batumerah from two communities, Islam and Christianity. Finally, the authors found that the collective memory of the cultural identity of Maluku people as brother people (orang basudara) is a strong social capital to transform conflict, and maintain peace among post-conflict communities. This can be a theoretical foothold in managing the diversity of peaceful lives as fellow brothers in Indonesia.

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