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All Journal Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Nuansa Journal of Arts and Design Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Sorai: Jurnal Pengkajian dan Penciptaan Musik
Wisnu Mintargo
Institut Seni Indonesia Surakarta
Arts Humanities Education

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KONTINUITAS DAN PERUBAHAN MAKNA LAGU KEBANGSAAN INDONESIA RAYA Mintargo, Wisnu
Jurnal Kawistara Vol 2, No 3 (2012)
Publisher : Sekolah Pascasarjana UGM

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (296.775 KB)

Abstract

The main objective of this paper is to analyze function of “heroic” Indonesia songs related to the struggle for Indonesian independence ( from 1945 to 1949) from a historical perspective. Through this analysis it is hoped that the process of the past, particularly the history of music development in Indonesia and the background of the use of the “heroic”Indonesia songs, can be reconstructed. Important aspects of Indonesian songs, as this paper shows, include a constructive function for ceremonies and advice for development. The ceremonial character is shown in the song of “Indonesia Raya”. the national anthem.
KONTINUITAS DAN PERUBAHAN BENTUK SERTA MAKNA LAGU KEBANGSAAN INDONESIA RAYA Mintargo, Wisnu; Soedarsono, R.M; Ganap, Victor
Ekspresi Seni Vol 14, No 1 (2012): Ekspresi Seni
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (608.065 KB) | DOI: 10.26887/ekse.v14i1.185

Abstract

The main obyective of this paper is to analyze function of the song of Indonesian strugle in connection to the Indonesian independence from 1945 to 1949 viewed from the perspective of history. Through this analysis we hope that the process of history in the past can be reconstructed, especialy the history of music development in Indonesia; the background of the use of the songs of indonesian struggle in particular.  One of the important aspects in this writing is the function of the song of Indonesian struggle which is divided in one part, firsly, constructive function of the song for ceremonies include advice of the development. The ceremonial character are shown in the song of “Indonesia Raya”, the national anthem.
Akulturasi Budaya Dalam Musik Keroncong di Indonesia Mintargo, Wisnu
Nuansa Journal of Arts and Design Vol 1, No 1 (2017): September
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (485.421 KB) | DOI: 10.26858/njad.v1i1.4750

Abstract

Keroncong music there is telling original music of Indonesia, there is also mention Portguese music, and other opinion tell result of integration betwen culture of Portuguese with Indonesia culture. Needn’t again opposes to betwen west and east culture because that chang process happened some last century.Keroncong music have dynamics in its growth is started to come people of Portuguese, colonist of Colonialism Dutch, occupying of wartime Japan army until independence of Indonesia have experienced of change from time to time. Transformation of keroncong music in its growth one of them in natural process and also influenced by situation and condition and policy of power of that moment, start from subsidy, facilities and basic facilities which supporting until taking place keroncong music. Throug method of Brosnilaw malinowski writer try to depict change of keroncong music.
LAGU SETIA JANJIKU: BENTUK PEMBARUAN MUSIK KERONCONG GAYA ISMANTO Soladi, Soladi; Mintargo, Wisnu; Kiswanto, Kiswanto
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 13 No. 1 (2020)
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v13i1.2841

Abstract

Songs that develop in keroncong music have been classified strictly based on their form, including the keroncong asli, langgam, stambul, and several other forms. The classification has become a very chain rule, as a result the creativity that emerges among keroncong musicians is often considered to be incompatible with the standards or parameters aesthetic of keroncong music by most keroncong music performers. These conditions do not always limit the composers and / or creators of keroncong songs to be creative in producing new products with different styles. One of them can be found in Ismanto's artworks around the 1960s. In one of his songs entitled Keroncong Setia Janjiku, Ismanto seems to have hit the boundaries that have been applied, but has a novelty with a strong character. The findings of this study indicate that the Song Setia Janjiku is a song keroncong asli  that nglanggami.
Co-Authors Kiswanto Kiswanto R.M Soedarsono Soladi, Soladi Victor Ganap