Rudi Ekasiswanto
Fakultas Ilmu Budaya Universitas Gadjah Mada Yogyakarta Jln. Sosiohumaniora, Bulaksumur, Yogyakarta

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Journal : Semiotika

Penggambaran Dunia dalam The Naked Traveler 1 Year Round-The-World Trip Karya Trinity Rudi Ekasiswanto
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 18 No 1 (2017): Semiotika: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (244.94 KB) | DOI: 10.19184/semiotika.v18i1.5182

Abstract

This study is aimed at discussing The Naked Traveler 1 Year Round-The World Trip written by Trinity using literary theory about travelling proposed by Carl Thompson. The goal is to get more obvious depiction about the world as described by the author. This research uses qualitative method with descriptive data in forms of written and spoken words by subjects observed alongwith their observable behaviour. This research also uses analytic descriptive method by describing facts observed and followed by analysis. Analysis is conducted through sufficient elaboration and explanation. The result shows that The Naked Traveler 1 Year Round-The World Trip contains Trinity’s daily notes when travelling in Southern American countries. His writing contains elements of adventure by direct observation to the life of society in 9 countries: Brazil, Chille, Peru, Equador, Colombia, Cuba, Jamaica, Mexico and Guatemala, where he lives with local people and makes journey to world’s exotic tourism spots. Besides, the visited places are described in a subjective way, due to the close and near visibility having influence on the author. Keywords: local colour, Betawi, short stories anthology Terang Bulan Terang di Kali
Citra Perempuan Suku Dani dalam Novel Etnografi Sali: Kisah Seorang Wanita Suku Dani Karya Dewi Linggasari: Analisis Kritik Sastra Feminis Ruthven Devita Hermawati; Rudi Ekasiswanto
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 14 No 2 (2013): SEMIOTIKA: Edisi Dokumentasi Volume Lama
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v14i2.30116

Abstract

Various kinds of ways to criticize gender inequality and women received a patriarchal culture, onethrough literary works. In Sali: Kisah Seorang Wanita Suku Dani (SKSWSD) an ethnographic novel,the author tried to criticize the gender inequality that is represented by women figures in the story so asto form the image of Dani women. This ethnographic novel SKSWSD background during the monetarycrisis, the conditions of civilization and progress began to enter and thrive in Wamena. At that time,there is still growing strong patriarchal culture in the Dani. Dani women live a hard life in the midst ofa patriarchal system. Dani women's double burden as indigenous actors, namely taking care ofdomestic and earn a living.
Objektivikasi Perempuan dalam Lima Cerita Rakyat Indonesia: Analisis Kritik Sastra Feminis Beta Mustauda Amala; Rudi Ekasiswanto
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 14 No 2 (2013): SEMIOTIKA: Edisi Dokumentasi Volume Lama
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v14i2.30119

Abstract

This paper discusses the objectification of women in five Indonesian folklore, i.e. “Putri yang BerubahMenjadi Ular” (North Sumatra), “Putri Mambang Linau” (Riau), “Putri Tujuh” (Riau) , “Ning Rangda”(South Kalimantan), and “Dewi Luing Indung Bunga” (South Kalimantan). The discussion concernsthe explanation of the objectification of women and the objectification of women in the form of fiveIndonesian folklore that. In essence, objectification of women is triggered by the presence of apatriarchal culture that put men as sex first (first sex) and women as the second sex (second sex). Thishas implications for the positioning of men and women as active subjects as passive object. Theconstruction appearing and embedded in social and cultural life , and there are also in the literature.Oneof its example is in the folklore.