Article Per Year (5 Year)
p-Index From 2021 - 2026
2.338
P-Index
This Author published in this journals
All Journal Jurnal Sinergitas PkM & CSR Texture : Art and Culture Journal Abdi Seni Acintya Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Jurnal Citrakara Sanggitarupa INJECT Interdisciplinary Journal of Communication
Wisnu Adisukma
Institut Seni Indonesia Surakarta
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Public Health Social Sciences Other

Published : 29 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 29 Documents
Search

 1   2   3 
SIMBOLISME PATUNG MACAN KURUNG JEPARA Adisukma, Wisnu
Acintya Vol. 10 No. 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v10i2.2283

Abstract

The existence of Macan Kurung statue nowadays is very rare. If there is craftsperson or artisan who made it, there was very rare of them who certainly recognize the Macan Kurung statue symbolism. In this research, this statue is considered as artifact that contain of expression of self-representation which is constructed by instinctive culture. This expression was represented by object i.e. art of Macan Kurung statue and the meaning of statue appareance. The searching for meaning was the existence from artist concept, Asmo Sawiran and Singowiryo. This research was conducted to obtain tension qualified information. Therefore, this research used qualitative research method. The result showed the message of anti-colonialism value from this statue. Macan Kurung statue was also as counter culture appearance. This culture was wished for assemble Javanese culture legality as adiluhung and dynamic although foreign culture considered as modern culture entered in Javanese people.Keywords : Jepara, Macan Kurung, Symbolism
DESIGN OF THE ANIMATED FILM SRI TANJUNG THROUGH THE PANATARAN TEMPLE RELIEF TRANSFER Rahmad, Cito Yasuki; Adisukma, Wisnu
Acintya Vol. 16 No. 1 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v16i1.6030

Abstract

Research was conducted to create animation as a vehicle for the relief of Sri Tanjung in Panataran Temple as an education of cultural insight of the archipelago. The development of technology has brought changes in various aspects, one of which is education and entertainment (edutainment) media. Temple reliefs, which are one of the cultures of Indonesian literature, are starting to be less attractive to the younger generation now, especially the onslaught of foreign cultures that enter Indonesia. Preservation efforts need to be made because the temple reliefs contain local wisdom of Nusantara culture, which contains moral values that are beneficial to today's generation. By transforming the reliefs of Sri Tanjung stories in Panataran Temple into animated form, it is hoped that literacy through technological adaptation and education of Nusantara cultural insights is expected to be disseminated to the younger generation. The method of creation and presentation is carried out through stages: (1) exploration of ideas and ideas for the creation of Sri Tanjung animation creations; (2) model design to find animation designs through the outsourcing approach; and (3) the presentation of animated films to facilitate the delivery of educational messages of Nusantara cultural insights for today's generation. The results of the research are expected to be through the transfer of vehicles and technology adaptation, namely animation, the younger generation will have a reference to the extraordinarily rich cultural insights of the archipelago. So that a sense of national nationalism grows and is aware of the cultural richness of one's own nation.
Makna Pendhapa Ageng Mangkunegaran Sebagai Bangunan Adat Jawa Adisukma, Wisnu
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 5 No. 1 (2013)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v5i1.379

Abstract

This article analized about themeaning of javanesse building which is represented byPendhapa Ageng Mangkunegaran. Pendhapa Ageng Mangkunegaran in cultural frame is not onlybuilding for conference or ceremony but also has wider role. Although, this building as materialbut still has psychological role meaning. Explicit or implicit meaning in building and ornamentform at Pendhapa Ageng Mangkunegaran has particular meaning, massage and role. As,particular system, the myth is built by second meaning system. In this myth, also signified thathas several signifier.
Simbolisme Ragam Hias Sisik Batik Demak Adisukma, Wisnu
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 5 No. 2 (2013)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v5i2.415

Abstract

Sisik ornament on Demak’s Batik is considered as cultural form, artifact that is contains self representation discourse which is framed by cultural ideographic aspect. However, Demak’s Batik vanished for hudred years from Demak society and emerged in 2006. Therefore, there is cultural communication that vanished in Demak society, particularly it is connected to meaning or value system which is contained in sisik ornament Demak’s Batik for life of Demak’s society. Therefore, it is essential to observe about sisik ornament as particular motif of Demak and the symbolism of sisik ornament on Demak’s Batik and the implication to Demak’s life society. The approach that is used is cultural approach. This approach observes sisik ornament on Demak’s Batik as culture and as part that is never divide, even become the cultural center of Demak’s society.Keywords: Demak’s Batik, Sisik Ornament, Simbolism
KAJIAN IKONOGRAFI KARYA DULLAH “PRAKTIK TENTARA PENDUDUKAN ASING” Adisukma, Wisnu
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 7 No. 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v7i1.1585

Abstract

The article tittled The Iconography of Dullah’s artwork "Foreign Occupation Soldiers Practice" is intended to seek the textual and contextual meaning of Dullah’s art work. With iconographic approach will be obtained deeper and broader meaning from a work of art. Through this approach, the artwork will be a major concern in reviewing the history of art, nevertheless also necessary to understand the contextual and symbolic aspects. At the time of independence Dullah documentating the events related to the struggle of the Indonesian nation to seize and retain independence in his works. Dullah even led a group of young artists to paint directly of events during the occupation of Yogyakarta as an effort to document the history of the struggle of the nation. One of his very famous is"Foreign Occupation Soldiers Practice". This work depicts the atrocities of the Japanese army against the population Indonesia. It is a very strong art work is the "Foreign Occupation Soldiers Practice" that depicts cruelty colonizers against the indigenous population. In this case the work of "Foreign Occupation Soldiers Practice" finds its context as understood by tracing the socio-cultural history during the years 1930-1940. From the art work we can find out how the socio-historical situation of the community when the colonial era. Keywords :Dullah, Iconography, Praktik Tentara Pendudukan Asing.
MELACAK MAKNA KONSEP KERUPAAN PADA LAMBANG INSTANSI DI INDONESIA DENGAN SUMBER BENTUK MATAHARI adisukma, wisnu
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 11 No. 2 (2019)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v11i2.2908

Abstract

The article tittled Melacak Makna Konsep Kerupaan Pada Lambang Instansi di Indonesia dengan Sumber Bentuk Matahari is intended to pursue the textual and contextual meaning of institution sign with basic shape of sun. With iconographic approach would be obtained deeper and broader meaning from a work of art. Through this approach, the artwork will be a major concern in reviewing the history of art, nevertheless still necessary to understand the contextual and symbolic aspects. As the results, sign with basic shape of sun is the cosmic center, cental, foundation point, origin, sangkan paran, or axis mundi. Therefore, it is as the sun that is the problem solving of many problematics in its era.
MAKNA SIMBOL SURYA MAJAPAHIT Adisukma, Wisnu -; Yustana, Prima -; Kusmadi, Kusmadi -; Supriyanto, Ari -
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 14 No. 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i2.4558

Abstract

The historical development in the frame of Nusantara cultural art will not be separated from the role of the great empire that once triumphed in Indonesia. Majapahit as one of the great kingdoms that in history was able to unite the archipelago certainly had a hand in the development of nusantara cultural arts, for example is the Majapahit ornament. One of the ornaments that is considered monumental is the Majapahit solar, because most consider it as the symbol of the Majapahit State, some consider it a symbol of reminding life. Learning and living the form and meaning of ornaments, it requires a certain knowledge and skill and a long time, considering that ornaments have various aspects such as: types of motifs, patterns, representations, values or meanings behind the form, depiction techniques, and different applications. Surya Majapahit also has unique and diverse characteristics of each very complex visual presentation ranging from the shape of the image, the naming of the parts of the image, and its meaning. And one of the important elements is the learning of the meaning behind a form that is acceptable and correctly understood, that the presence of ornaments in every building, especially sacred buildings, certainly has words and teachings that are used as guidelines for the supporting community in its time.
PENERAPAN HIDUP BERSIH DAN SEHAT MELALUI VIDEO PROFIL “KAMPUNG BUNGA” MOJOSONGO Gozali, Amir; Adisukma, Wisnu
Abdi Seni Vol. 14 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v14i2.4947

Abstract

“Kampung Bunga” Mojosongo memiliki kekhasan, karena sejak tahun 2017 warga digerakkan untuk mencirikan wilayah RT-nya dengan bunga. Ketua RW.XXIX, bersama tiga ketua RT-nya, bersemangat menggagas “Kampung Bunga” dalam kerangka program Perilaku Hidup Bersih dan Sehat (PHBS). Tetapi Ketua RT.02. RW. XXIX, Ari Kusworo, prihatin terhadap keberadaan sebuah taman yang mestinya asri dengan bebungaan, area bermain, dan sebuah Gazebo, mangkrak tidak terpelihara.  Pengurus RT memahami kondisi pandemi Covid-19 serta tingkat pemahaman dan pendidikan yang dominan rendah menjadi penyebab kekurangberhasilan penerapan program PHBS ini. Pada sisi yang lain, permasalahan ekonomi;  anak-anak sebagai generasi penerus yang perlu dibekali keterampilan tambahan; kondisi taman yang perlu ditingkatkan keandalannya; beberapa dinding rumah di tepi jalan yang polos dan kurang mendukung tampilan “kampung bunga”; serta belum adanya media yang dapat dimanfaatkan sebagai sarana bina warga sekaligus penarik minat masyarakat luar agar datang dan meramaikan geliat ekonomi rakyat yang ingin dikembangkan. Pengabdian Kepada Masyarakat mencoba mengentaskan sebagian permasalahan melalui metode pendekatan 1) Komunikasi persuasif; 2) Wawancara; 3) Pengamatan; 4) Curah gagasan, dan 5) Kaji Tindak Partisipatoris. Adanya produk kreatif berupa video profil “Kampung Bunga” Mojosongo yang merangkum kegiatan-kegiatan solutif Pihak Mitra dapat dijadikan sebagai bagian strategi pengembangan masyarakat. Melalui video profil warga masyarakat diharapkan dapat termotivasi untuk mengembangkan perilaku hidup bersih dan sehat (PHBS), sembari terus mengembangkan potensi dan kekhasan lokal di tingkat RT-nya dan mereproduksinya untuk kepentingan pemajuan kampungnya.
Semiotic Thinning of the Surya Majapahit in Java’s Hindu-to-Islamic Transition Adisukma, Wisnu; Sugihartono, Ranang Agung; Sulistyani, Harmilyanti
INJECT (Interdisciplinary Journal of Communication) Vol. 11 No. 1 (2026)
Publisher : FAKULTAS DAKWAH UIN SALATIGA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18326/inject.v11i1.6775

Abstract

The transformation of visual symbols in contexts of religious transition is a complex phenomenon of cultural communication. This article analyzes the symbolic negotiation of Surya Majapahit, the eight-pointed solar emblem of the Majapahit Empire, as a visual communication medium that persisted across the shift from Hindu-Buddhist to Islamic cosmology in Java. Existing scholarship has largely overlooked how this symbol was actively renegotiated rather than passively inherited. Using a qualitative iconological method integrated with translocality theory, data were collected through artifact observation at temples, tombs, and the Great Mosque of Demak; semi-structured interviews with site custodians and cultural practitioners; and document analysis. The findings reveal a three-phase transformation: (1) full cosmological icon, (2) figurative reduction, and (3) geometric abstraction. The radial core was strategically retained as the communicative core, while Hindu-Buddhist figurative content was gradually eliminated to adapt to the aniconic Islamic visual regime. This symbol, therefore, functioned as a translocal node that actively produced a new Javanese-Islamic locality. The study contributes to intercultural visual communication by proposing “semiotic thinning” as a mechanism of symbolic continuity amid religious change. Limitations and recommendations for heritage interpretation and future research are outlined.
Co-Authors Adhitya Pitara Sanjaya Amir Gozali Esti Widowati gozali, amir Harun, Hamdan Kusmadi, Kusmadi - Laili Nur Hidayati Laili Nur Hidayati, Laili Mutiara Putri Dhamastuty Rahmad, Cito Yasuki Sugihartono, Ranang Agung Sulistyani, Harmilyanti Supriyanto, Ari - Yustana, Prima -