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All Journal MUDRA Jurnal Seni Budaya Gelar : Jurnal Seni Budaya
Hadawiyah Endah Utami
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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PERUBAHAN PEMENTASAN BEDHAYA KETAWANG PASCA KEMERDEKAAN REPUBLIK INDONESIA Hadawiyah Endah Utami
Gelar : Jurnal Seni Budaya Vol 10, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1172.856 KB) | DOI: 10.33153/glr.v10i1.1367

Abstract

The change of the world happened along age. Human culture stated many important events in their lifetime. It was same as dance performance ofBedhaya Ketawang that has been major performance in event of king’s tingalan jumenengan. It was a phenomena cultur either political or art culture both of which nice to review. Its performance sometimes ago has evidenced many changes. The most issue was kasunanan palace lost its hegemony of power caused by independence revolution in 1945. Bedhaya Ketawang as a performance of political art related to the power has same effect. Bedhaya Ketawang was not symbol of political statement anymore, however, it was inclined be usual culture like other dance presented for audiences; that was a dance performance called pseudo-ritual. Key words :  the change, Bedhaya, ritual Pengantar
A Javanese Dance is A Representation of Rasa in Javanese Culture Indah Sulastuti, Katarina; Sunardi; Efrida; Mamik Widyastuti; Hadawiyah Endah Utami; Setya Widyawati; Budi Setyastuti; Nuryanto
Mudra Jurnal Seni Budaya Vol 39 No 4 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v39i4.2798

Abstract

This paper presents the concept of rasa in Javanese culture embodied in Javanese dance. The ethnographic approach in the Ethnochoreology discipline used as a step in data collection was in-depth interviews with actors (dancers, choreographers) in a society with a Javanese cultural scope. The observation step in the data collection effort was carried out using the involved observation model or participant observer, completed by data collection through literature and relevant documents. The theoretical perspective and concept used as the basis for thinking in discussing the case study of the Ela-ela dance in this paper is the concept of rasa, as put forward by Paul Stange. Namely, that rasa is a "tool" or "means" of perception, or a "function" of "whisper of heart or intuition", and rasa in Javanese dance as expressed by Katarina Indah Sulastuti, that rasa in Javanese dance is an element that is integrated with the senses in the body in a comprehensive manner which involves: the sensibility of heart vibrations, sharpness of intuition, imagination, bodily intelligence, and understanding of Javanese culture. Javanese dance, in the example of the case study, the Bedhaya Ela-ela dance is a representation of the rasa in Javanese culture, namely that the Bedhaya Ela-ela dance is a form of dance that substantially depicts the life of the Javanese people and the culture of rasa which involves issues of ethics, aesthetics, and religion in Javanese culture.
Co-Authors Budi Setyastuti Efrida Indah Sulastuti, Katarina Mamik Widyastuti Nuryanto Setya Widyawati Sunardi