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All Journal Acintya Gelar : Jurnal Seni Budaya Lakon Jurnal Pengkajian & Penciptaan Wayang Community Development Journal: Jurnal Pengabdian Masyarakat
Triyogo, YB Rahno
Program Studi Teater Jurusan Pedalangan ISI Surakarta
Arts Humanities Economics, Econometrics & Finance Education Health Professions Public Health

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KEINDAHAN PENGALAMAN PADANG GURUN DRUPADI Rahno Triyogo
Gelar : Jurnal Seni Budaya Vol 7, No 2 (2009)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5578.722 KB) | DOI: 10.33153/glr.v7i2.1287

Abstract

This article aims at describing a leading figure’s suffering responded as blessing. The result of the analysis shows that the failure in overcoming various problems of life is determined by a person’s attitude toward the problems themselves. The various problems of life are called the desert of life. Submission to God’s will brings in blessing. People with divine blessing show kindness in accordance with God’s disposition. Key words :  desert, submission, blessing
SANGGIT TOKOH DALAM BANJARAN SENGKUNI YB Rahno Triyogo
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 15, No 1 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (183.501 KB) | DOI: 10.33153/lakon.v15i1.2323

Abstract

Banjaran Sengkuni is a play that tells about the life journey of a character named Sengkuni. Through the play the puppeteer believes that the character’s character is formed not only from birth, but also from the process of the fetus through sexual intercourse by both parents. Unless formed since in the womb, it will also be formed by the environment that surrounds it. What is meant by the environment includes the family environment, the surrounding community, and the universe. The character of Sengkuni in Banjaran Sengkuni is very determined by the process of the occurrence of a baby or fetus in the womb, which is through the process of adultery that is culturally considered negative even sin. He inherited his father’s character, namely a gandarwa named Setibar. The thing that signifies the character that can be observed is that Sengkuni’s baby despite being born in a handsome face but he fuses like a fangled father. In the tradition of canine puppet reflects a negative value.Keywords: character, fetus, environment, universe
DURSASANA GUGUR: SEBUAH KAJIAN RESEPSI Rahno Triyogo
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 12, No 1 (2016)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (505.492 KB) | DOI: 10.33153/lakon.v12i1.2159

Abstract

A valuable literary work will get continually perception from its surrounding society. Problem of thisresearch is how the perception of society towards the death of Dursasana is. The study aims todescribe the various perceptions towards Dursasana’s death. Based on the perception approach,finding of this research shows that the death of Dursasana gets perception on five thingsincluding the name of Dursasana, his reason to join in the war, the place of his death, the way heis killed, and the finding of the legend village around Kroya, Cilacap.Keywords: literature, perception, the death, Dursasana.
Eskatologis Dalam Wayang Purwa: Studi Kasus Kematian Pandu YB Rahno Triyogo
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 18, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v18i1.4108

Abstract

Eschatology is a branch of science that talks about the final things of human life, namely death and life after death. Pandu is a character who experiences a new life after experiencing death. According to the classical view, he should be in hell forever, but because of the struggle of his second son named Bratasena and Permadi, he was freed from hell and obtained a heavenly life. The methods used were data collection, literature study, and interviews. An eschatological approach was used and the result was that Pandu experienced hell suffering because of his speech. denying speech (hypocrisy). Bratasena’s struggle in trying to free his parents from hell reflects his devotion to his parents. Together with Arjuna, his sister and the angels they managed to penetrate the heavens of the throne of the gods. Their struggle can be understood as an inner dialogue, or human prayer with the Creator asking for deliverance.
MORAL SEKS DALAM CERITA PEWAYANGAN Rahno Triyogo
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 7, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2555.809 KB) | DOI: 10.33153/lakon.v7i1.751

Abstract

Sex (intercourse) represents  a relation of two personalities that is between a husband and a wife involving  physic, feeling, emotion, and the soul based on love and mutual respect.  Sex that is executed by unmarried couple is supposed to be  adultery sin and immoral in some  religions as well as cultures. Each culture against the adultery so that people who does the adultery will  get a heavy moral sanction. The moral sanction means the fall of  the man’s dignity as a cultured human being. Key words:  sex (intercourse), moral, dignity
Muksa Dalam Pamuksa YB Rahno Triyogo
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 16, No 2 (2019)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v16i2.3810

Abstract

Pamuksa is Lakon which tells that heaven and hell are choices. Heaven is togetherness with the divine, the source of life, while hell is the separation of humans from the divine which is synonymous with eternal suffering, which is also known as eternal death. The purpose of this paper is to solve problems related to moral values contained in the wayang lakon Pamuksa. This article takes a moral approach. Based on this approach, the result shows that, firstly, humans will get happiness if they prioritize heavenly values in their lives. Secondly, the filial piety of children towards parents has great power or power in saving parents from eternal suffering.
Zinah Dalam Cerita Pewayangan: Studi Kasus Wisrawa Dan Sukeksi YB. Rahno Triyogo
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 15, No 2 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (193.331 KB) | DOI: 10.33153/lakon.v15i2.2999

Abstract

Adultery is often regarded as betrayal because of its disloyalty towards oneself, others, and the Divine. Adultery is a very serious moral crime because it destroys human dignity as the supreme creature of Divine creation. Therefore, anyone who has committed adultery in religious language is called sin. The purpose of this study is to analyze adultery in wayang characters namely Wisrawa and Sukeksi. The meaning approach is used to analyze the problems. The results show that the sin of adultery does not only give a negative impact to the perpetrators but also to their offspring. Adultery is a moral offense and the offender will get moral sanctions from the community (social sanctions) as well as from the Divine. As a result of the parents' actions, their offspring also bear the sanctions. The sanctions referred to in the fictional tradition often appear in physical, mental, or behavioral defects.Keywords: meaning, adultery, wayang stories, Wisrawa, Sukeksi
TUMBAL KEMENANGAN BARATAYUDA Triyogo, YB. Rahno
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol. 21 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The issue of tumbal has been known by nations since the ancient times. The types and forms can be in the form of property, animals, or humans of high value. Tumbal is needed in order to achieve a great desire such as building a building, reservoir, bridge, wealth, getting a partner, or achieving a certain position. In the Nusantara tradition, tumbal is often considered synonymous with the word korban (victim), which is interpreted negatively. It is in contrast to tumbal which is considered positive. The word korban is identical to korban persembahan, also with tumbal tawur. The Baratayuda War was a major war that would determine the survival of the Kurawa and Pandawa. To face this major war, both sides prepared themselves both from militaristic as well as spiritual perspectives. From a spiritual perspective, both prepared tumbal tawur which was offered to the supernatural power, the ruler of the universe who would give victory. This article compares the tumbal tawur that would be carried out by the Kurawa and Pandawa. This is important because it is possible that the quality of the tumbal tawur will determine their victory. The strategy used is to compare how to get the tumbal tawur, how to perform tumbal tawur ceremony or korban, the organizer of the korban, and the directed recipient of the korban.
DURSASANA GUGUR: SEBUAH KAJIAN RESEPTIF Triyogo, YB. Rahno
Acintya Vol. 8 No. 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (641.956 KB) | DOI: 10.33153/acy.v8i2.1929

Abstract

The death of Dursasana in Baratayuda from time to time got a response (reception) of community supporters. Reader responses poured in various forms, such as a copy into different languages, in different forms of literature, and the performing arts. Responses occurred perhaps because literary life always offers value relefan with his time. This study is the preparation of the historical development of the story Dushasana death, either in the form of literature written and oral literature. In accordance with its objectives, this study is receptive to both approaches and methods. The final goal of this research focuses on the transformation of the death of Dursasana in the war of Baratayuda.Keywords: literature, relevant, response, various forms.
PANDHU MUKSA DALAM PAMUKSA KARYA KI NARTO SABDO Triyogo, YB Rahno
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (683.067 KB) | DOI: 10.33153/acy.v9i1.2122

Abstract

Pamuksa was a play told us that heaven and hell were a mere options. Heaven was togetherness withthe God, the divine source of happiness, while hell was the opposite. Pandhu and Tremboko hadpicked the fruit of their choices. Pandhu went to hell not because of his fault and sin but rather by hisown choice. Pandhu’s choice to prefer worldly life was a reckless attitude that did not reflect sarirahangrasa wani. Due to the devotions of his sons: Bratasena and Arjuna, and with support by theangels, Pandhu was saved. This study discussed the moral aspect, therefore a moral approach wasused. The result of this study were the moral messages that first, if humans wanted to be happy thenthe heavenly value was the first and foremost priority. Second, that children’s devotions to the parentswas able to save the parents from disgrace which in Javanese tradition was referred as mikul dhuwur,mendhem jero.Keywords: heaven and hell, option, children’s devotion, save.
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