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All Journal MUDRA Jurnal Seni Budaya Pendhapa Melayu Arts and Performance Journal
Dharsono Dharsono
ISI Surakarta
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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SENI DAN DESAIN SANG PRIMADONA,SENI KRIYA SANG PENYELAMAT Dharsono Dharsono
Pendhapa Vol 3, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2081.049 KB) | DOI: 10.33153/pendhapa.v3i1.1175

Abstract

When emerging dichotomy in art  around 1970s, people who do art (perupa)  in the tradition, are called the artist, meanwhile  people who do craft (pelaku) are called the craftsman or artisan. Especially painting gain a superior position, because the success of western artists in the seat as part of the painting,  that reflect part of intellectuality,  meanwhile craftsmanship is the only mechanical arts. Therefore, fine art becomes to a  marginalized craft and pure art become into the favorite of the timeFurther development, the emergence of trichotomy of art, design and craft (the 1980s), the more visible and tangible. Craft positions below, even debased or is inferior by fine art or design. Then became the belle of the design.But what is the reality?! ...... When Indonesia’s economic crisis in 1998, the craft is thrown down, craft-hall was thrown into marginal, in reality it is an important role to create jobs and even contributed to significant improvements in the economic wheel moving on layer, Even with the collapse of the capital-intensive, it sparked the birth of entrepreneurs to move the craft-based industries such as in Jepara, Cirebon, Surakarta. Even fine art became the savior. Keywords : art, design, fine art, Futuristic University.
KHATTIL QUR’AN DAN DAUN SIRIH DALAM PENCIPTAAN KARYA SENI KALIGRAFI GRAFIS Intan Tursina; Dharsono Dharsono; Febri Yulika
Melayu Arts and Performance Journal Vol 5, No 1 (2022): Melayu Arts and Performance Journal
Publisher : Pascasarjana Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/mapj.v5i1.1076

Abstract

The art work entitled "Khattil Qur'an and Betel Leaf as an Idea for Creating a Graphic Artwork", cultivates beautifully arranged pure Arabic calligraphy letters decorated with betel leaf motifs as ideas. Pure calligraphy based entirely on the principles of standard writing rules. Today's calligraphy processing often ignores the rules, where the writing of verses on paintings seems to be subject to painting, so that in the end the message that is communicated is more of appreciation. Betel leaf is a plant that propagates and rests on the trunk of another tree. The selection of betel leaf because it is a type of medicinal plant and can be synchronized with the theme of prayer in the work, and has the same benefits for health. The method used in the creation of this graphic art works through several systematic stages, namely the exploration, experimentation, and design stages. This work was done using graphic art media with high printing techniques. Media selection is based on the concern for calligraphers, as well as providing solutions or alternatives in terms of reproducing or printing a design manually before and during the MKQ competition.Keywords: khattil qur'an; betel leaf; calligraphy; high print graphics.AbstrakKarya seni berjudul “Khattil Qur’an dan Daun Sirih sebagai Ide Penciptaan Karya Seni Grafis”, mengolah huruf kaligrafi Arab murni yang dihiasi dengan motif daun sirih sebagai ide atau gagasan. Kaligrafi murni didasarkan sepenuhnya pada prinsip-prinsip atau kaidah menulis yang baku. Pengolahan seni kaligrafi masa sekarang seringkali mengabaikan kaidah, dimana tulisan ayat pada lukisan seolah-olah tunduk pada lukisan, sehingga akhirnya pesan yang terkomunikasikan lebih kepada apresiasi. Daun sirih dipilih karena merupakan jenis tanaman obat dan dapat disinkronkan dengan tema shalat pada karya, dan memiliki kesamaan manfaat untuk kesehatan. Metode yang digunakan dalam penciptaan karya seni grafis ini melalui beberapa tahapan sistematis, yakni tahap eksplorasi, eksperimentasi, dan perancangan. Karya ini digarap menggunakan media seni grafis dengan teknik cetak tinggi. Pemilihan media didasarkan pada bentuk kepedulian terhadap kaligrafer, sekaligus memberikan solusi atau alternatif dalam hal memperbanyak atau mencetak suatu desain dengan cara manual sebelum dan saat perlombaan MKQ.Kata Kunci: khattil qur’an; daun sirih; kaligrafi; grafis cetak tinggi
Maskot Kota Yogyakarta Paku Kusuma; Dharsono Dharsono; Dwi Marianto; Guntur Guntur
Mudra Jurnal Seni Budaya Vol 35 No 2 (2020): Mei
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v35i2.1052

Abstract

Maskot tidak sekedar bentuk yang tanpa makna, didalamnya terdapat nilai filosofis yang membawa pesan penting dari suatu cita-cita bersama. Sistem identitas menjadi penghubung antara kajian keberadaan maskot dan kebutuhan pencitraan suatu daerah. Setiap daerah, tentu saja memiliki keunikan yang membedakan dengan daerah lainnya; keunikan tersebut akan memberikan keuntungan tersendiri bagi entitas yang ada dalam ruang lingkupnya. Begitu pula untuk Daerah Istimewa Yogyakarta, yang meskipun notabene telah menyandang predikat daerah istimewa akan tetapi perlu juga dipikirkan membangun identitas wilayahnya sebagai asosiasi penguatnya. Fokus dalam penelitian kualitatif ini akan menguak sejauh mana peran Pemerintah Daerah Istimewa Yogyakarta dalam proses pemikiran membuat “maskot” yang menunjukan keistimewaannya. Kajian penulisan dengan penekanan pandangan kebudayaan melalui UU keistimewaan D.I. Yogyakarta yang disandingkan dengan pemikiran mengenai pencitraan kota.
Co-Authors Febri Yulika Guntur Guntur Intan Tursina M. Dwi Marianto Paku Kusuma