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All Journal Abdi Seni Pendhapa Dinamika Kerajinan dan Batik : MAJALAH ILMIAH
Sri Marwati
ISI Surakarta
Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Environmental Science Industrial & Manufacturing Engineering Materials Science & Nanotechnology Social Sciences

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KESINAMBUNGAN SENI RUPA INDONESIA (DITINJAU DARI BAHASA RUPA TRADISI) Sri Marwati
Pendhapa Vol 3, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2257.41 KB) | DOI: 10.33153/pendhapa.v3i1.1189

Abstract

Indonesia is a rich country with tradition cultural which heritaged from ancestral. As relics of the reliefs in some temples in Indonesia. We have the different character from other nations and the most important is the Indonesia human has features works of art that has existed since prehistoric times and the characteristic can still be found in the present. There is a continuity of the Indonesian art with the art of first ancestor. The characteristics include the Flat Time Space system (in Indonesian called Ruang Waktu Datar) that is different directions, different place, and different time. Many artists of Indonesia implementing this RWD system is realized or not, this is definitely RWD system is a system that has been done by the ancestors of Indonesia. Keyword: continity, fine art, tradition
Color Removal Technique (CRT) sebagai Alternatif Penciptaan Karya Batik Recycle pada Masa Pandemi Covid 19 Muhammad Arif Jati Purnomo; Sri Marwati; Danang Priyanto
Dinamika Kerajinan dan Batik: Majalah Ilmiah Vol 41, No 1 (2024): DINAMIKA KERAJINAN DAN BATIK : MAJALAH ILMIAH
Publisher : Balai Besar Standardisasi dan Pelayanan Jasa Industri Kerajinan dan Batik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22322/dkb.v41i1.7954

Abstract

Corona Virus Desease-19 (Covid-19) atau Virus Corona adalah jenis penyakit menular yang  disebabkan oleh corona virus yang baru ditemukan dan status perkembangannya sangat cepat hingga termasuk dalam jenis virus bersifat Pandemi. Fenomena pandemi covid-19, yang mengharuskan untuk bekerja dari rumah atau Work From Home menginspirasi untuk meredesain kembali produk tekstile lama termasuk batik untuk direcycle dengan tampilan motif yang baru.Color Removal Technique adalah teknik pencabutan warna atau pelunturan warna pada desain tekstil permukaan atau surface design. Penelitian artistik ini bertujuan untuk (1) mengidentifikasi material bahan yang bisa digunakan sebagai alternatif  dalam pemanfaatan batik recycle; (2) menciptakan desain motif batik dengan teknik color removal dari sebuah fenomena wabah covid-19. Metode yang digunakan melalui tahapan eksplorasi, eksperimentasi, perenungan, perancangan dan perwujudan. Luaran dari penelitian ini berupa 5 buah karya yang terdiri dari 2 buah karya yang berfungsi dekoratif dan 3 buah baju yang di Haki kan, serta artikel ilmiah yang dimuat dalam jurnal ilmiah nasional. 
Revitalisasi Wayang Beber sebagai Upaya Mempersiapkan Regenerasi Pelukis dan Dalang di Sanggar Naladerma Baluwarti Surakarta Sri Marwati; Neni Nurul Rosalina; Halintar Cakra Padnobo
Abdi Seni Vol. 16 No. 2 (2025)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v16i2.7180

Abstract

Naladerma Studio as the only place to learn wayang beber in the Surakarta Palace complex is not well managed. The study schedule, teaching materials, modules, members/students, and collections are not well organized. Meanwhile, the existence of Naladerma Studio also supports Surakarta Palace as a center of Javanese traditional culture, although its contribution is not well exposed. Joko Sriyono as the owner of Naladerma Studio has long been known as a Wayang Beber sungging artist and local residents already know him as a wayang beber sungging artist. Joko Sriyono's condition is not like it used to be, due to his increasing age and illness. This has caused his painting activities to be no longer productive and even the 21-meter wayang beber project he designed has not been completed. Currently, there is no longer a successor to manage Naladerma Studio, even though Joko previously founded the studio driven by his concern for the preservation of wayang beber in Solo. Moreover, in the midst of the increasingly modern era. He is worried that in the future the wayang beber culture will be destroyed. Through his studio, Joko can share knowledge about wayang beber to anyone, both visitors and students. For that, there needs to be revitalization to prepare the regeneration of both painters and puppeteers of wayang beber itself as a form and effort to preserve wayang beber so that it does not become extinct.  Keywords: revitalization; Wayang Beber, regeneration
Co-Authors Danang Priyanto Priyanto Halintar Cakra Padnobo Muhammad Arif Jati Purnomo Neni Nurul Rosalina