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All Journal Dinamika Kerajinan dan Batik : MAJALAH ILMIAH Runtas: Jurnal Fesyen dan Wastra Nusantara
Muhammad Arif Jati Purnomo
ISI Surakarta
Arts Chemical Engineering, Chemistry & Bioengineering Environmental Science Industrial & Manufacturing Engineering Materials Science & Nanotechnology Social Sciences

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 1 
Color Removal Technique (CRT) sebagai Alternatif Penciptaan Karya Batik Recycle pada Masa Pandemi Covid 19 Muhammad Arif Jati Purnomo; Sri Marwati; Danang Priyanto
Dinamika Kerajinan dan Batik: Majalah Ilmiah Vol 41, No 1 (2024): DINAMIKA KERAJINAN DAN BATIK : MAJALAH ILMIAH
Publisher : Balai Besar Standardisasi dan Pelayanan Jasa Industri Kerajinan dan Batik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22322/dkb.v41i1.7954

Abstract

Corona Virus Desease-19 (Covid-19) atau Virus Corona adalah jenis penyakit menular yang  disebabkan oleh corona virus yang baru ditemukan dan status perkembangannya sangat cepat hingga termasuk dalam jenis virus bersifat Pandemi. Fenomena pandemi covid-19, yang mengharuskan untuk bekerja dari rumah atau Work From Home menginspirasi untuk meredesain kembali produk tekstile lama termasuk batik untuk direcycle dengan tampilan motif yang baru.Color Removal Technique adalah teknik pencabutan warna atau pelunturan warna pada desain tekstil permukaan atau surface design. Penelitian artistik ini bertujuan untuk (1) mengidentifikasi material bahan yang bisa digunakan sebagai alternatif  dalam pemanfaatan batik recycle; (2) menciptakan desain motif batik dengan teknik color removal dari sebuah fenomena wabah covid-19. Metode yang digunakan melalui tahapan eksplorasi, eksperimentasi, perenungan, perancangan dan perwujudan. Luaran dari penelitian ini berupa 5 buah karya yang terdiri dari 2 buah karya yang berfungsi dekoratif dan 3 buah baju yang di Haki kan, serta artikel ilmiah yang dimuat dalam jurnal ilmiah nasional. 
SANG HYANG SEMARA RATIH AS A SOURCE OF IDE THE CREATION OF BATIK MOTIFS IN CASUAL FASHION Sinta Dewi; Muhammad Arif Jati Purnomo
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 3 No. 2 (2025): Exploration of Batik Motifs and Technique
Publisher : Indonesian Institute of the Arts Surakarta

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Abstract

Sang Hyang Semara Ratih is a symbol for Balinese Hindus.Another parable Sang Hyang Semara ratih is the meeting of spermatozoa with ovum and also the moon and the sun. The purpose of this project entitled “Sang Hyang Semara Ratih Sebagai Sumber Ide Penciptaan Motif Batik Pada Busana Casual” is to describe the idea, create a written batik with the source of the idea to add a variety of Balinese motifs and design casual clothing by applying the Sang Hyang Semara Ratih motif’s through an aesthetic approach. Data information is obtained from literature study and visual review. The method of art creation uses 3 stages of 6 steps, in the form of exploration, design and realization. The output results are: 2 pairs of casual clothes, a draft of scientific article, catalog of works and HaKi for “Batik Sang Hyang Semara Ratih”. The casual clothing created each has a title based on its character and appearance, namely the first pair of works has the title “Angsung Smara” and “Tadhah Sih” with a batik motif entitled “Sasmitamerta”, and the second pair of works has the title “Baskara” and “Basanta” with a batik motif entitled “Candradisti”. Adult women and men from 18 years old to 40 years old is a target for this casual fashion.  
DASAMUKA GANDRUNG : THE IDEA CREATION OF BATIK MOTIFS FOR READY TO WEAR amriadiyatrohmanna123 anna; Muhammad Arif Jati Purnomo
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 3 No. 2 (2025): Exploration of Batik Motifs and Technique
Publisher : Indonesian Institute of the Arts Surakarta

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Abstract

Prabu Dasamuka or Rahwana was the king of Alengka who had ten faces or personalities. The Dasamuka Gandrung story was used to create batik motifs that were then applied to ready to wear clothing. The tragic love story of Dasamuka for Dewi Shinta serves as the main backdrop for the motif creation, with a focus on the deformation of Dasamuka's appearance, applied to primisima cotton fabric through batik writing techniques, dyeing, and the process of creating ready-to-wear clothing. Gustami's creation method uses a three-stage, six-step approach, including story exploration, motif sketch and clothing design, and the realization stage, such as pattern making, batik, dyeing, finishing, sewing, and finishing. This collection is designed for adult women aged 20–40 who need semi-formal casual. It consists of four pieces of clothing, namely Danastri with the Lara Branta motif, Lalita with the Harana motif, Apsari with the Adarma motif, and Cintya with the Susetya motif. This work is expected to introduce the Dasamuka Gandrung puppet character in the form of batik motifs to the wider community as an effort to preserve culture through ready-to-wear.
Co-Authors amriadiyatrohmanna123 anna Danang Priyanto Priyanto Sinta Dewi Sri Marwati