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All Journal Bambuti: Bahasa Mandarin dan Kebudayaan Tiongkok
Hin Goan Gunawan
Universitas Darma Persada Indonesia
Arts Humanities Economics, Econometrics & Finance Languange, Linguistic, Communication & Media Social Sciences Other

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Narasi-narasi Kecil (Mikronarasi) dalam genre Fiksi Pedesaan Pendekatan Posmodernisme terhadap Cerpen Menghilang Bersama Angin karya Xing Qingjie Stevani Konistiawati; Hin Goan Gunawan
Bambuti Vol 2 No 2 (2020): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (669.73 KB) | DOI: 10.53744/bambuti.v2i2.18

Abstract

The short story text Disappearing with the Wind by Xing Qingjie as a representation of the rural fiction genre in Chinese Literature attempts to refute the grand narratives of modern fiction. For the author of the text, the power of modernity is not eternal, but can be subverted or deconstructed by giving acknowledgment to the small voices represented by Mr Zou, Sha Xiaobao, and the idiot woman in Disappearing with the Wind. This study uses a postmodernism approach to map the elements of disorientation, abnormality and small voices in that short story. Affirmation of the micronarrative is a way of working of postmodern fiction in challenging the power of modernity with the grand narrative as its main basis. For Xing Qingjie, reality does not always depend on big people, famous people, but can also be celebrated by village people, unusual people, including people who are marginalized in modern life. In his lawsuit, the presence of this text will emphasize that there is no central, no peripheral. All can be the center, and all can also be the periphery. Rural fiction pioneered by Lu Xun proves that denial of the power of grand narratives is possible in the same way that Xing Qingjie has done in a number of his works, including the short story Disappearing with the Wind.
MARINE TRANSPORTATION ACROSS INDONESIA AND SINGAPORE IN TRANSNATIONAL CHINA BATAM TRANSPORTASI LAUT INDONESIA- SINGAPURA DALAM JARINGAN TRANSNASIONAL Danny Faturachman; C. Dewi Hartati; Febi Nur Biduri; Hin Goan Gunawan
Bambuti Vol 3 No 1 (2021): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (408.905 KB) | DOI: 10.53744/bambuti.v3i1.25

Abstract

Batam City, which is part of the Riau Islands province, is a connecting city between Indonesia and Singapore. Batam City is located in a very strategic location in the border region between countries, neighboring one of the world's business centers, namely Singapore. For this reason, marine transportation has a very important role in maritime countries like Indonesia. The high intensity of Batam and Singapore transportation cannot be separated from the Chinese population of Batam which is a community group in the city of Batam. The existence of Batam Chinese has been going on for centuries, since they came from mainland China using boats. With tenacity, social networks and geographical proximity to Singapore, Batam Chinese people become dominant in the economy in Batam. This study seeks to show maritime aspects and shipbuilding technology and their relationship with social society through transnational concepts. With globalization, and to develop networks, people really need sea transportation to support the transnational process. For all that, maritime safety is needed which greatly affects the sustainability development efforts, especially sea transportation activities.
COHERENCE AND COHESION IN THE INSTRUCTIVE TEXTS OF CHINESE BUN RECIPES Yulie Neila Chandra; Gustini Wijayanti; C. Dewi Hartati; Hin Goan Gunawan
Bambuti Vol 4 No 1 (2022): Bambuti : Bahasa Mandarin dan Kebudayaan Tiongkok
Publisher : Fakultas Sastra Universitas Darma Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (694.022 KB) | DOI: 10.53744/bambuti.v4i1.41

Abstract

This article describes coherence and cohesion in the instructive (procedural) text of Chinese bun recipes. This paper aims to explain the coherence of meaning and form in the instructive text. By adhering to the view of positivism, the study used methods of content analysis and variation analysis of discourse, focusing on structural categories in the text, including forms and meanings in clauses. The coherence of meaning and form in the instructive text of bun recipes is interrelated. The coherence of meaning indicates the relations of parallels between instructions, expressed by verbs, and also result in a chronological relation, expresses successive and progression. There is no contradiction in the instructions. In this instructive text of the Chinese bun recipes, there is also an individual identity as a coherence marker, refers to the concept of buns skin and buns filling. Grammatical cohesion is showed by anaphoric references, subject ellipsis, and conjunctions of succesive relation. Lexical cohesion is indicated by reiteration, namely repetitions, such as noun, verb, preposition, and conjunction. Reiteration is also expressed by synonyms such as verb, preposition, and conjunction synonyms, as well as hyponyms and hyperonyms expressed by the inclusion of meaning in the ingredients for making buns.
Co-Authors Chandra, Yulie Neila Danny Faturachman, Danny Febi Nur Biduri Gustini Wijayanti Hartati, Celerina Dewi Stevani Konistiawati