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All Journal Gelar : Jurnal Seni Budaya Jurnal Adat dan Budaya Indonesia Sense : Journal of Film and Television Studies Cinematology Journal Anthology of Film and Television Studies
Erik Muhammad Pauhrizi
Universitas Pendidikan Indonesia
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Motif dan Kepuasan Mahasiswa dalam Mengapresiasi Jogja-NETPAC Asian Film Festival 2020 melalui Akun Instagram Nala Nandana Undiana; Hery Supiarza; Erik Muhammad Pauhrizi
Sense: Journal of Film and Television Studies Vol 5, No 1 (2022)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/sense.v5i1.6966

Abstract

Penyelenggaraan sebuah festival film lazimnya dilakukan secara langsung. Hal tersebut berkaitan erat dengan faktor – faktor pendukung penyelenggaraan kegiatan tersebut. Terutama hal – hal yang berkaitan dengan program yang akan berlangsung didalamnya, seperti duduk bersama di dalam satu ruangan untuk menyaksikan film – film yang dipilih oleh pihak penyelenggara. Namun hal tersebut harus kita kesampingkan saat ini, mengingat krisis pandemi covid-19. Penelitian ini akan melihat motif serta kepuasan dari pengunjung festival film Jogja-NETPAC Asian Film Festival 2020 yang diselenggarakan dalam jaringan. Metode survey dengan pendekatan uses and gratification akan melihat sejauh mana efektifitas pemanfaatan aplikasi Instagram berkaitan dengan pemenuhan kepuasan serta motif dari pengunjung festival film. Penelitian ini melihat pemanfaatan media sosial dapat menjadi salah satu alternatif penyelenggaraan kegiatan seperti festival film dimasa pandemi covid-19.
Vakansi Yang Janggal Dan Penyakit Lainnya : Semantic And Semiotic Analysis Of The Variety Of Meanings From Film Nanda Maulana; Erik Muhammad Pauhrizi
Cinematology: Journal Anthology of Film and Television Studies Volume 2 - Issue 2 : Cinematology: Journal Anthology of Film and Television Studies
Publisher : Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (350.685 KB) | DOI: 10.17509/ftv-upi.v2i2.46049

Abstract

Semiotics which is a branch of science from semantics which discusses the variety of meanings in language is also closely related to the concept of meaning in a sign or symbol, and in its development, semantics and semiotics are often used in the concept of telling meaning in films, either explicitly or explicitly, in this journal. will analyze the meaning in the film Vacancies That Awkward and Other  Diseases directed by Yosep Anggi Noen, through the semantic and semiotic meanings that are  implicitly or implicitly used in the film Vacations Yang Odd and Other Diseases, with qualitative  research methods, which are the result of observing the works and data observation.
Ciptagelar village identification in the documentary film ''Pare” Hardi Ibrahim; Erik Muhammad Pauhrizi; Gharisa Nur Alam
Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 1 : Cinematology: Journal Anthology of Film and Television Studies
Publisher : Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (484.354 KB) | DOI: 10.17509/ftv-upi.v0i0.34874

Abstract

In Indonesia, rice is one of the main commodities cultivated in the agricultural sector. Rice is also a staple food commodity in Indonesia. Rice also has a vital position in the economic sector, and is the lifeblood of the rural economy. Rice has deep philosophical value for the people of Kasepuhan Ciptagelar, the rice produced by Kasepuhan Ciptagelar cannot be sold. The Kasepuhan Ciptagelar community considers rice to be the embodiment of Dewi Sri, Dewi Sri herself according to the Kasepuhan Ciptagelar community is the giver of life, therefore the customary law of Kasepuhan Ciptagelar prohibits selling rice because selling rice is the same as selling oneself and this is a category of great sin for the Kasepuhan community. Ciptatitle. However, because of their compliance with this customary law, they can meet their food needs independently. This study aims to examine rice culture in the Kasepuhan Ciptagelar community by looking at the causes of the Kasepuhan Ciptagelar community worshiping rice and the consequences of customary law that prohibits the Kasepuhan Ciptagelar community from selling rice and implemented into the design of documentary films. The research approach in this study uses a qualitative research model, using an ethnographic approach then combined with a base research design method as the stage of creating a documentary film. Ethnography aims to unravel culture as a whole, both material and abstract. The results of the study show how the continuity of indigenous peoples in Kasepuhan Ciptagelar is seen from the community's obedience to customary law or carrying out ancestral teachings that regulate rice cultivation until its distribution can meet their food needs. The implications of this research can be a reference for modern society in treating the universe for food security. Keywords — Ciptagelar; Documentary film; Customary law; Food security; Culture
Kota Kata Kita #3: Interpret the City Through the Perspective of the Performing Arts Dedi - Warsana; Hery - Supiarza; Erik Muhammad Pauhrizi; Irwan Sarbeni
Gelar : Jurnal Seni Budaya Vol 20, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i2.4412

Abstract

This study discusses the Dramaturgy lecture process using a direct acting practice approach in a theater performance project where the city is positioned as object material, then interpreted and articulated by students through the process of creating theatrical performances. The creation process went through collaborative learning from research on cities, script writing, to creation of works, while Dramaturgy is placed as a theoretical approach in theater creation. This research is an effort to provide empirical experience to students in creating teamwork as a basis for film and television work patterns. This study uses a participatory action research method where the author is involved in all actions taken by film and television (FTV) students. This study found that through project: 1) students gain an understanding of dramaturgy as a science of analyzing drama with all kinds of derivatives related to it, 2) it is more effective to gain empirical experience as a real provision when creating film and Television works, 3) students can create works based on real cases. This research is expected to be able to strengthen KBK in FTV study program and become a treasure trove of intellectual property particularly in Universitas Pendidikan Indonesia and generally become a strategy for developing dramaturgy learning for Indonesia Society
FILSAFAH KEHIDUPAN TRITANGTU SUNDA DALAM FILM EKSPERIMENTAL ADAT “GAME OVER DRAMA” Wiki Riandi; Sandie Gunara; Erik Muhammad Pauhrizi
Jurnal Adat dan Budaya Indonesia Vol. 5 No. 1 (2023)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jabi.v5i1.52492

Abstract

Creating an art work is a creative process of thinking and emotion in a practical and intuitive performance. Personal coding of the author in the creation of experimental film often leads to new interpretations. The empirical experience of tradition underlies the idea of creating a notable work. Sundanese Tritangtu philosophy, a tradition of the Sundanese, contributes to the formation of sundanese's creativity in working and understanding life. In this study, an experimental film entitled "Game over Drama" was interpreted heurmeneuticly with the concept of Tritangtu with the aim of making a systematic, factual visual description, and raising awareness of the Sundanese about the relationship between humans, nature and their gods. The analysis focused on the film visual content to reveal the Sundanese Tritangtu philosophy. The results of this study reveal that the Sundanese always consider that their lives will always depend on nature and their Creator and believe that their bodies are composed of elements of water, earth, air and fire which are natural elements. This view is a relationship manifestation between the Sundanese and the universe as well as a representation of the characters contained in their bodies. This research is expected to be a reference for exploring the values of local wisdom for filmmakers who try to raise local wisdom through experimental films.
Co-Authors Dedi Warsana Gharisa Nur Alam Hardi Ibrahim Nala Nandana Undiana Nanda Maulana sandie gunara, sandie Supiarza, Hery Wiki Riandi