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All Journal IZUMI Mozaik Humaniora Kiryoku: Jurnal Studi Kejepangan HARMONI Chi`e: Jurnal Pendidikan Bahasa Jepang
Dian Annisa Nur Ridha
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Humanities Languange, Linguistic, Communication & Media Other

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PANDANGAN DUNIA DALAM NOVEL NORUWEI NO MORI KARYA MURAKAMI HARUKI: ANALISIS STRUKTURALISME GENETIK LUCIEN GOLDMANN Dian Annisa Nur Ridha
IZUMI Vol 1, No 1 (2013)
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (296.304 KB) | DOI: 10.14710/izumi.1.1.

Abstract

ABSTRACT This research analyzes one of Murakami Haruki’s works entitled Noruwei no Mori. The novel tells about a man named Toru who keeps thinking about the death of his best friend, Kizuki. As Kizuki passes away, Toru gets closer with Kizuki’s girl, Naoko. Naoko gets a mental disorder due to Kizuki’s death. There comes Midori and other characters around the main characters, Toru and Naoko, who try to get them to forget the past and start thinking about the present. Naoko finally decides to kill herself while Toru lives with Midori without releasing his memory with Naoko and Kizuki. This research aims at observing the structure of the novel and the world’s view of the social class in the novel. Therefore, the research applies Lucien Goldmann’s theory on genetic structuralism. The result of the research shows that the title of the novel, that is Noruwei no Mori, is the same as one of the Beatles’ songs, that is Norwegian Wood. They also have the same structure. The elements of the structure are the past to remember, the present, the people who choose to live with one of them. The structure is also coherent with the Japanese social condition which has a tradition of Obon, that is annual ritual to commemorate the spirit of the ancestors. Noruwei no Mori has primary binary oppositions, those are intimacy and alienation. There are other binary oppositions that relates one to another. There are characters representing God, world, human. Man represented the character has to choose God, world, or both of them at once. The main character, Toru, chooses both God and world. He decides to live with Midori but never forgets his memory in the past with Kizuki and Naoko. That is the best life choice proposed by the story based on Japanese belief. A Japanese tries to keep the harmony (wa) as authentic values in life to balance himself with other people around him and the nature. However the harmony he keeps is not a real one but it is enough to keep him survive in the world. Keywords: World’s View, Harmony (wa), Noruwei no Mori, Murakami Haruki, Genetic Structuralism
The Changes in Social Commitment in The Works of Haruki Murakami Dian Annisa Nur Ridha
MOZAIK HUMANIORA Vol. 23 No. 2 (2023): MOZAIK HUMANIORA VOL. 23 NO. 2
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v23i2.42114

Abstract

Haruki Murakami's early works, including "Hear The Wind Sing" and "Norwegian Wood," depict main characters characterized by a sense of detachment from society, reflecting the prevailing sentiments among Japanese youth in the late 1960s and 1970s. However, a notable shift occurs in Murakami's writing after 1995, particularly evident in novels like "The Wind-Up Bird Chronicle," where the initial detachment transforms into a more engaged narrative. This research employs dialectical analysis, drawing from Murakami's aforementioned literary works   and connecting them with his background, as revealed in the non-fiction piece "Underground," along with the social context of their creation. The objective is to explore the evolution of social commitment in Murakami's works, revealing a transition from detachment to attachment, and from themes of death and alienation to those of exploration and understanding. The newfound attachment serves a broader purpose: an understanding that transcends individual characters, fostering a connection among all human beings.
PENGENALAN PAKAIAN TRADISIONAL JEPANG YUKATA DI SMU NEGERI 4 SEMARANG Hastuti, Nur; Nur Ridha, Dian Annisa; Agusta, Nisia Dwi Nur
Harmoni: Jurnal Pengabdian Kepada Masyarakat Vol 8, No 1 (2024): HARMONI
Publisher : Departemen Linguistik, Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/hm.8.1.14-17

Abstract

ABSTRAKPenelitian ini mengenai pengenalan pakaian tradisional Jepang. Tujuan dari penelitian ini  untuk meneliti bagaimana sejarah yukata, bahan yang digunakan dalam yukata dan  lain-lain. Penelitian ini menggunakan media ceramah.  Metode yang digunakan adalah deskriptif analisis. Sumber data dalam penelitian ini adalah pakaian tradisional Jepang Yukata. Data kemudian dianalisis dan diinterpretasikan, setelah itu data disajikan dalam bentuk uraian kemudian disimpulkan.Kata kunci: budaya tradisional, sejarah yukata, bahan yukata. ABSTRACTThis research is about the introduction of traditional Japanese clothing. The purpose of this research is to examine how the history of yukata, the materials used in yukata and others. This research uses lecture media.  The method used is descriptive analysis. The source of data in this study is traditional Japanese clothing Yukata. The data is then analyzed and interpreted, after which the data is presented in the form of a description and then concluded.Keywords: traditional culture, yukata history, yukata materials.  
The Representation of Magical Realism Elements in the Novel Sputnik Sweetheart by Haruki Murakami Dian Annisa Nur Ridha; Muhamad Ramadhan
Chi e Journal of Japanese Learning and Teaching Vol. 13 No. 2 (2025): October 2025
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/chie.v13i2.31539

Abstract

  This study explores the elements of magical realism and the social contexts underlying their emergence in Haruki Murakami’s Sputnik Sweetheart. Drawing on Wendy B. Faris’s theory of magical realism, the analysis employs structural and dialectical approaches. The findings reveal that Sputnik Sweetheart embodies all five defining elements of magical realism. This is exemplified in the mysterious disappearance of Sumire on a small island in Greece, an event unexplainable through realistic logic and instead framed as a transition into another dimension—blurring the boundary between reality and imagination. Similarly, the appearance of Miu’s doppelgänger in her Swiss apartment intensifies the novel’s unsettling magical atmosphere. These events evoke ambiguity about Sumire’s sudden disappearance and Miu’s overnight transformation, as the real and the imaginary intertwine. Beyond identifying these narrative elements, the study also uncovers the social context behind Murakami’s use of magical realism—specifically, the collective trauma and social injustices experienced by marginalized female characters, as well as implicit critiques of Japan’s socio-political relations with its neighboring countries.  
Adaptasi Psikologi Tokoh Kuramoto Hari dalam Film Kudakechiru Tokoro Wo Misete Ageru Karya Sutradara Sabu (Kajian Psikologi Sastra) Fetiadi, Shella Silvia; Nur Ridha, Dian Annisa; Widyatwati, Ken; Suryadi, M
KIRYOKU Vol 9, No 1 (2025): Kiryoku: Jurnal Studi Kejepangan
Publisher : Vocational College of Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/kiryoku.v9i1.319-330

Abstract

This study aims to analyze developmental stages of Kuramoto Hari's character in Kudakechiru Tokoro Wo Misete Ageru in terms of Erik Erikson's personality development theory. This research is a literature study. The method used in this research is literary sociology, because the formal object in this research is related to the psychological aspects of the character. The theories used in this research are narrative structure theory and Erik Erikson's personality development theory to analyze the personality development experienced by the main character Kuramoto Hari in Kudakechiru Tokoro Wo Misete Ageru by director Sabu. Based on the analysis in this study, there are of Kuramoto Hari's personality development using Erik Erikson's theory of personality development which consists of eight stages. This movie tells the story of Kuramoto Hari's time in high school aged around 15 years old until Kuramoto Hari becomes a mother aged around 40 years old. So that the author only analyzes three stages of Erik Erikson's personality development, namely from stage five aged 12-18 years, stage six aged 18-35 years, and stage seven 35-64 years. Kuramoto Hari successfully passed all three stages.
Co-Authors Agusta, Nisia Dwi Nur Fetiadi, Shella Silvia Ken Widyatwati M Suryadi Muhamad Ramadhan Nur Hastuti