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All Journal Lingua Jurnal Bahasa dan Sastra Semiotika Metahumaniora Social Sciences and Humanities Reviews
Abu Bakar Ramadhan Muhamad
Universitas Jember
Arts Humanities Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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Journal : Semiotika

 1 
RESISTENSI DALAM NOVEL STUDENT HIDJO KARYA MAS MARCO KARTODIKROMO: KAJIAN POSKOLONIAL Nando Zikir Mahattir; Novi Anoegrajekti; Abu Bakar Ramadhan Muhamad
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 22 No 1 (2021): Semiotika: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v22i1.19939

Abstract

This research use Mas Marco's novel Student Hidjo as material object. The Postcolonial theory will be used to analys Student Hidjo novel’s by Mas Marco. Postcolonial is a set of theories to explore the effects of colonialism in various documents and behaviors, including literature. This study uses qualitative methods to obtain the necessary data from the novel. This type of analysis uses descriptive analysis. The analysis will use deconstruction method. This is in accordance with postcolonialism which is a reversal of the colonial discourse. Such a method is useful for reversing the colonial discourse which presents the relationship between colonizers >< colonized in the novel.. The relationship that seemed stable was undermined by the subjectivity of the colonized through their resistance. The various resistances presented by the colonized were understood by the postcolonialists as a form of an ambivalent legacy of colonialism. The ambivalent side occurs because the resulting resistance strikes both sides. On the one side attacking the invaders, but on the other side attacking resisting subject. Keywords: postcolonial, deconstruction, colonizers, colonized, ambivalent
CITRA EKSOTIK DALAM NOVEL RONGGENG DUKUH PARUK Abu Bakar Ramadhan Muhamad
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 19 No 2 (2018): Semiotika: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (316.041 KB) | DOI: 10.19184/semiotika.v19i2.8328

Abstract

Imaging of a discourse in the paradigm of postcolonialism is closely related to the issue of domination and subordination in terms of reference to imperialism or capitalization. The imagery is a project that develops special perceptions about "foreign" (East) regions. This project presupposes that the "foreign" (East) region is exotic "uncivilized" regions, standardized in a special "understanding", whose main purpose is to separate or dissolve it ("tame" the "foreign" region), so that different from or being "civilized". One area that is strongly embedded in this project is literature, with the novel as an aesthetic object. In connection with this issue, this article reveals how the East is presented in its exotic image, so how the image represents an ambivalent relationship between the East (colonized) and the West (invaders), especially in the Ronggeng Dukuh Paruk (RDP) novel by Ahamad Tohari.The results of the study show that the RDP novel is an urgent medium related to the conditions of postcoloniality. The postcoloniality is meant not only that the narrative that is displayed is the essence of what is obtained from the author about the exotic world region (the nature of Paruk dukuh) with all the signs attached to it, narration is also used as an affirmation of identity and historical existence, in the context of civilized culture. The culture in question is the source of identity that is championed as a filter and lifter, for the community that has been known and thought about, as an invitation for emancipation. Power and ability to tell stories, in this case, are used as weapons of the author in hopes of inspiring readers. The expected result is the hegemonic reader of the discourse displayed in the work of the author.In the post-colonial context, this method is inseparable from a combination where political and ideological power is interrelated, where the image represented is always still signifying the "emancipation" power relationship between the West and the East. However, like ideology, imaging must be realized other than as originating from and relating to material conditions and material effects, it is also a misrepresentation of reality and in its rearrangement process. Therefore, the potential, possibilities, and certain visions that follow, are full of content, values, or strategies for "mastering" (power). Especially in the Ronggeng Dukuh Paruk novel by Ahamad Tohari, exotic images give rise to ambivalent meanings for emancipation efforts (West to East).
FALSAFAH MADURA DALAM NOVEL TANJUNG KEMARAU KARYA ROYYAN JULIAN: KAJIAN ANTROPOLOGI SASTRA Maharani Sri Devi; Titik Maslikatin; Abu Bakar Ramadhan Muhamad; Bambang Aris Kartika; Dewi Angelina
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 24 No 1 (2023): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v24i1.36803

Abstract

The culture of an ethnic group can be known through its reflection in literary works. The Tanjung Kemarau novel by Royyan Julian tells about the complexities of the socio-cultural life of the Madurese people in Branta Pesisir Village, Pamekasan Regency, Madura. This study aims to describe the Madurese philosophy contained in the novel Tanjung Kemarau by Royyan Julian. The method used in this study is a qualitative method with descriptive analysis. This study uses the theory of literary anthropology to examine the main problem in the Tanjung Kemarau novel, namely the Madurese philosophy. The results of the study show that the Madurese philosophy reflected in the Tanjung Kemarau novel is abhântal sahâdât, smokepo' faith, apajung Èslam, (bearing creed, covered with faith, covered with Islam). Moreover, there are also found bhuppa', bhâbhu', ghuru, rato, (father, mother, teacher, and king or leader). The other phylosophy terms are abhântal ombâk, smokepo' angèn, apajung langngè', (cushioned by the waves, covered with wind, under the sky's umbrella) also Ango'an potèa tolang è tembhâng potè mata (better white bones than whites of eyes). Kar ngarkar colpè' (paw continuously pecking), Rampa' naong bâringèn korong (shady shady, banyan brackets) are stated in the novel. All the Madurese philosophy revealed in the novel describes the philosophy in the social reality of the Madurese people.
NOVEL SUSU DAN TELUR KARYA MIEKO KAWAKAMI TERJEMAHAN ASRI PRATIWI WULANDARI: KAJIAN FEMINISME RADIKAL Arlilianda, Wahyu Gaesesita; Maslikatin, Titik; Umniyyah, Zahratul; Angelina, Dewi; Muhamad, Abu Bakar Ramadhan
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 25 No 1 (2024): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v25i1.45656

Abstract

The topic of feminism in Japan is something that society has not yet fully accepted. This is the reason why researchers chose the novel Susu and Eggs to be used as the object of study. The discrimination that occurs against female characters in the novel leads to extreme actions and thoughts regarding women's freedom regarding their rights. Therefore, the novel Susu and Eggs is studied using radical feminism theory. The aim of this research is to describe the structural analysis and aspects of radical feminism in the object of study. Data discovery was carried out using the library study method, namely reading the novel in its entirety. The description of the data is carried out through qualitative descriptive methods. The research results show that there is a relationship between the title, theme and characterization in the novel. The title relates to the major theme which is supported by the minor theme. The theme is depicted through events that support the characters' characters. On the other hand, the aspects of radical feminism found are divided into five parts, namely: (1) women and their bodies which are related to Midoriko and Natsuko. Midoriko as a teenager who hates the nature of women, then Natsuko as a single woman who cannot find pleasure in sex, but wants to have children through a sperm donor; (2) the inequality of roles in the household which is depicted through the character Yusa Rika who hates her ex-husband; (3) women's beauty standards which include women's body shape and nipple color; (4) stereotypes about women's bodies that discuss women's instincts to get pregnant and societal stigma that prioritizes the penis over the vagina; (5) and sexual violence which includes the act of rape against the character Zen Yuriko.
Co-Authors Arlilianda, Wahyu Gaesesita Bambang Aris Kartika, Bambang Aris Dewi Angelina Maharani Sri Devi Nando Zikir Mahattir Novi Anoegrajekti Titik Maslikatin umniyyah, zahratul