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Creativity In Craft: Pengembangan Kerajinan Perca Batik Bernilai Komersial Titi Rahayu Prasetiani; Sri Puji Astuti; Catur Ragil Sutrisno
Prosiding Seminar Nasional Program Pengabdian Masyarakat 2019: 3. Pengembangan Usaha Mikro, kecildan Menengah (UMKM), Serta Ekonomi Kreatif
Publisher : Universitas Muhammadiyah Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (448.73 KB) | DOI: 10.18196/ppm.23.413

Abstract

Perca batik adalah sisa-sisa kain batik setelah kain tersebut digunakan sebagai bahan membuat produk,terutama produk pakaian. Perca batik selama ini hanya dijual denga harga yang sangat murah. Tujuankegiatan pengabdian ini adalah meningkatkan nilai tambah dari perca batik melalui pengembangankerajinan (craft) agar bernilai komersial. Metode yang digunakan menggunakan rekayasa nilai, yaitumelalui tahap informasi, tahap kreativitas dan tahap pengujian. Hasilnya diperoleh konsep produkkerajinan berbahan baku perca berupa tas, pakaian dan aksesoris. Implikasi dari kegiatan ini diharapkanmampu meningkatkan kegiatan ekonomi daerah dan penghasilan masyarakat melalui usaha kreatifkerajinan dari perca batik ini.
Identifikasi persentase printing, batik tulis dan batik cap di blok vip international batik center (ibc) pekalongan Sri Puji Astuti; Rani Hastuti
JURNAL LITBANG KOTA PEKALONGAN Vol. 12 (2017)
Publisher : Badan Perencanaan Pembangunan, Penelitian dan Pengembangan Daerah (Bappeda) Kota Pekalongan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54911/litbang.v12i0.16

Abstract

Keberadaan IBC yang memiliki konsep sebagai wujud apresiasi terhadap kerajinan batik, serta komitmen IBC untuk mempertahankan kelestarian batik tulis dan batik cap sangat menarik sebagai obyek penelitian. Atas dasar fenomena semaraknya printing di era sekarang ini, maka dirasa perlu untuk mengidentifikasi persentase printing, batik tulis dan batik cap di tempat tersebut sebagai wujud langkah evaluatif dan preventif. Penelitian ini merupakan penelitian eksploratif yang bertujuan untuk menggali secara luas tentang sebab-sebab atau hal-hal yang mempengaruhi terjadinya sesuatu. Dari hasil penelitian diperoleh bahwa printing menduduki peringkat ketiga setelah batik tulis dan batik cap, yaitu dengan persentase sebesar 13,75%. Hal tersebut menandakan bahwa printing ikut mewarnai pasar batik di Blok VIP IBC Pekalongan. Hasil observasi selama survei, konsumen yang memiliki selera dan pemahaman tentang batik yang baik serta budget yang tinggi, lebih banyak memilih batik tulis dan konsumen golongan ini merupakan terbanyak di Blok VIP IBC Pekalongan. Sedang konsumen yang kurang memahami tentang batik dan menginginkan harga yang murah maka akan langsung memilih printing.
IMPLEMENTASI GOOD HOUSEKEEPING (GHK) UNTUK PENGEMBANGAN POTENSI DESA WISATA MELALUI PAKET WISATA DAN EDUKASI BATIK DI DESA KALIPUCANG KABUPATEN BATANG Mutadin Mutadin; Maghfiroh Maghfiroh; Sri Puji Astuti
Pena Jurnal Ilmu Pengetahuan Dan Teknologi Vol 34, No 1 (2020): PENA MARET 2020
Publisher : LPPM Universitas Pekalongan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/jurnalpena.v34i1.995

Abstract

Tourism and the existence of an area are two interrelated components. Tourism sites build the image of an area and influence the socio-economic community and the area. Kalipucang is a village that is famous as a center for batik production in Kabupaten Batang. This village has the potential to become an education tourism village. The development of educational-based tourism is in accordance with one of the 9 superior work programs of Bupati Kabupaten Batang in 2017 - 2022, namely the revitalization of tourism objects and building new educational destinations that are educational, based on community empowerment. Many concepts of science in Batik there are owned by the Kalipucang, need to be balanced with the existence of a good concept of batik production management. One of them is Good Housekeeping (GHK) which deals with several practical steps to improve operational performance, improve organizational learning procedures and improve occupational safety and health. This concept management can reflect the identity of tourism and education packages in Kalipucang. The purpose of this study is to identify the socio-economic conditions and the availability of facilities and infrastructure that support the implementation of GHK in Kalipucang, Kabupaten Batang, find out the results of the SWOT analysis in Kalipucang, implementing the GHK concept as the development of educational tourism potential in the of Kalipucang village. The results in of this study are recommendations: the GHK concept in Kalipucang in the form of an eco-map of the batik industry. From the data analysis, the GHK concept application was carried out at one location used for batik learning media for visitors coming to the Kalipucang. Then, a replication of the development plans of other villages has the potential for educational tourism in the field of batik in Kabupaten Batang Regency.
ANALISIS KUALITAS DAN KETAHANAN LUNTUR WARNA BATIK HASIL PROSES REUSE SISA LARUTAN CELUP ZAT WARNA SINTETIS GOLONGAN BEJANA MENUJU GREEN INDUSTRY Maghfiroh Maghfiroh; Mutadin Mutadin; Sri Puji Astuti
Pena Jurnal Ilmu Pengetahuan Dan Teknologi Vol 34, No 1 (2020): PENA MARET 2020
Publisher : LPPM Universitas Pekalongan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/jurnalpena.v34i1.996

Abstract

It has been found the fact that natural dyes are not environmentally friendly dyes if they are directly discharged into the water without undergoing processing. Theoretically, both synthetic dyes and natural dyes have the same opportunity to cause pollution of aquatic ecosystems because they have the same functional groups. So far, natural dyes are considered environmentally friendly not because of the low waste pollutant parameters, but because there is a process of reuse of the remaining dyed water. The process of reusing the remaining dye solution can reduce the volume of liquid waste discharged into the water. This study aims to reuse of the remaining water dyed synthetic of vat dyes for the process of making batik. The quality of the staining results is evaluated by color fastness test on washing and rubbing. The reusing synthetic of vat dyes group is done for coloring cotton fabrics. The fabric color evaluation stage is carried out to test the color intensity and fastness of synthetic dyes of vat dyes group if the dye is reused in the batik process. Color intensity test was carried out by UV-PC spectrophotometer, color fastness test on washing use gray scale, and color fastness test on dry rubbing use staining scale. Based on the color intensity test, the process of reusing the remaining dye solution of the indantren navy blue R is still optimal if used on the same day. Reusing the remaining dye solution the next day gives a large value of color intensity value from the use of the dye solution for the first time. Indantren navy blue R color substances are relatively resistant to hydrolysis reactions during the dissolution process in water.
PERANCANGAN BUKU MENGGAMBAR DAN MEWARNAI BERTEMA BATIK SEBAGAI MEDIA PEMBELAJARAN BATIK UNTUK ANAK USIA 4-6 TAHUN Daru Anggara Murty; Sri Puji Astuti
Pena Jurnal Ilmu Pengetahuan Dan Teknologi Vol 36 (2022): EDISI KHUSUS PENELITIAN LPPM UNIKAL
Publisher : LPPM Universitas Pekalongan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/jurnalpena.v36i0.1955

Abstract

Identity of Cultural heritage closely nations is batik. The impact of UNESCO is growth imitation technique, then decreasing batik producer in Pekalongan. To maintain and preserve batik is by inviting next generation. The design of book for children aged 4-6 years is expected to increase interest in batik as a learning medium. This research was conducted by observing analyzing previous drawing and coloring books. Conducted structured interviews with the Chairperson of the Indonesian Batik Craftsmen and Entrepreneurs Association (APPBI) and the Head of the Pekalongan service. and conduct unstructured interviews with children in kindergarten schools in Pekalongan and study the literature. The result of the concept of designing a drawing and coloring book refers to the learning media for children aged 4-6 years by lifting the classic solo-yogya batik motif. The discussion of the book is in the form of basic batik knowledge
PERENCANAAN BISNIS KERAJINAN PERCA BATIK UNTUK UMKM Titi Rahayu Prasetiani; Sri Puji Astuti; Catur Ragil Sutrisno
Pena Jurnal Ilmu Pengetahuan Dan Teknologi Vol 34, No 1 (2020): PENA MARET 2020
Publisher : LPPM Universitas Pekalongan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/jurnalpena.v34i1.997

Abstract

Pekalongan, also known as “Batik City” has a potential of batik craft development, especially by using waste of batik fabric. Such batik waste usually is sold directly with no added value.  Small Scale Enterprises of Batik Craft should survive facing a tight business competition.  So, it is important to have a business plan analysis in order to win in such competiton.  The purposes of this research are : 1) to analysis production aspect of batik craft focusing on product development and process standardization, 2) to analysis of batik craft marketing, focusing on consumer analysis and market analysis. Thus research was done through value engineering descriptive analitical approaches,
PEMAKNAAN BATIK DALAM BAHASA BUDAYA, BAHASA SENI RUPA DAN BAHASA INDUSTRI DALAM PERKEMBANGAN BATIK MASA KINI Sri Puji Astuti
Jurnal Dimensi Seni Rupa dan Desain Vol. 9 No. 2 (2012)
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1251.583 KB) | DOI: 10.25105/dim.v9i2.948

Abstract

AbstractIn the modern era, the development of batik is so advanced, due to achieve in value that had been sacred value to the profan value. Of batik , is just not only for cloths . For clothing, the development batik no longer just a clasic batik. On behalf on consumer demand. There are many emerging varied of patterns and new colors. In each has it on interest and its market share. Now days, the clothes of batik has penetrated the wolrd of batik industry which include the world of interior, products and architecture.Batik , in its early development, has only cultural languange. The next era is growing. The more invisible different between the hight art batik and batik with more valuable in skill/ craft that makes batik coverege in languangue arts.Progress toward must be make batik as industry languange. There is a differ meaning of batik as paart of the industrial design that are involve in the production process technologyThis paper is a discource for a more in - that reserach in the future. The method use is discourse analisys. In the case is priority of a criticall observation and appropriate literature.Shift meaning of batik in industry does not mean ignore the meaning batik in languange culture and languange arts. The three complement interpret the developmnet of batik is happening each other.Both , batik makers and batik lovers be understood batik into free meaning correctly. A through understanding of batik will be a basic of viewing the development of batik in the future. In order of of avoid ambiguity, confusion or even perception as the owner of batik which in  the ancestral heritage. AbstrakDi era modern ini, perkembangan batik sudah sedemikian maju, akibat pergerseran nilai yang tadinya bernilai sakral menjadi profan. Nilai profan batik juga tidak lagi hanya mencakup sebagai sandang. Sebagai sandang, perkembangan yang terjadi , batik tidak lagi hanya berupa batik klasik/pakem. Atas nama permintaan konsumen maka banyak bermunculan motif dan warna baru yang variatif. Masing-masing memiliki kepentingan dan pangsa pasarnya sendiri. Perkembangan yanga ada sekarang, kiprah batik sudah merambah dunia industri yang mencakup dunia interior, produk dan arsitektur. Menurut perkembangan batik yang ada. di awal perkembangannya batik hanya memiliki bahasa budaya . Selanjutnya jaman semakin berkembang, semakin terlihat perbedaan antara batik yang bernilai seni tinggi dengan batik yang bernilai kriya (craft) sehingga batik tercakup dalam bahasa seni rupa. Perkembangan menuju industri yang lebih luas menjadikan batik harus berbahasa industri, di mana terdapat pemaknaan yang lebih dalam tentang batik sebagai bagian dari industri desain yang sudah melibatkan teknologi dalam pembuatan produksinya.Tulisan ini merupakaj sebuah wacana untuk menuju penelitian yang lebih dalam di masa depan. Metode yang dgunakan adalah discouse analissis ( analisis wacana), dalam hal ini mengutamakan pengamatan kritis dan kepustakaan yang memadai.Pergeseran makna batik dlaam bahasa induiustri bukan berarti menafikan makna batik dalam bahasa budaya dan bahasa rupa ketiga nya saling melengkapi untuk memaknai perkembangan batik yang terjadi sekarang ini. Terhadap kondisi ini , baik pelaku, pecinta dan penikmat batik seharusnya bisa memahaminya dengan benar. Pemahaman yang benar akan menjadi dasar dalam melihat perkembangan batik di masa depan agar tidak terjadi kerancuan , kebingungan  atau kesalahan persepsi yang berakitan fatal sebagai pemilik batik yang merupan warisan nenek moyang  
EKSPLORASI ANOMALI KARAKTERISTIK MOTIF BATIK KAUMAN BATANG DALAM PERSPEKTIF KAIDAH ESTETIKA SENI RUPA ISLAM Sri Puji Astuti; Sri Pujiningsih
Jurnal Dimensi Seni Rupa dan Desain Vol. 13 No. 2 (2017)
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (830.554 KB) | DOI: 10.25105/dim.v13i2.1787

Abstract

AbstractBatik Kauman is produced by the manufacturer at the Kauman Village, Batang. In this region there are only two producers of batik, Batik Rizky and Batik Rudi (Rudi's Batik). The strong Islamic atmosphere of the environment and the producers’s good islamic understanding, had no effect on the motives of batik production. This research proves that the motives of the 14 variants generated by Rizky Batik (“batik cap” and “batik tulis”) there are 4 characters of animals: peacock, spider, phoenix birds and snails. And, Batik Rudi that produces 37 variants, there is 1 fish motif. The visual appearance of the animals is not in the form of a naturalist but already distillation with isen as generally batik motives. As we know that Islam does not only regulate all the systems of worship and our life but also in art. Facts show that consumer tastes are the basic consideration of 2 producer to produce batik. Geographical location (the northern coastal area) formed character into a cosmopolitan society, loudly and openly, so Islam developed in the region is acculturative with local culture, that influences the nature of the production Batik Kauman.AbstrakBatik Kauman adalah batik yang diproduksi oleh para produsen di wilayah Kelurahan Kauman, Batang. Di wilayah itu hanya ada 2 produsen batik, yaitu Batik Rizky dan Batik Rudi (Rudi’s Batik). Kentalnya nuansa Islami di lingkungan tersebut dan pemahaman keislaman produsennya yang relatif baik tidak ada pengaruhnya pada motif-motif batik hasil produksinya. Terbukti bahwa dari 14 varian motif yang dihasilkan oleh Batik Rizky (batik cap dan batik tulis) terdapat 4 karakter binatang yaitu merak,laba-laba, burung phoenix dan bekicot. Sedangkan pada Batik Rudi yang memproduksi batik cap sebanyak 37 varian motif, terdapat 1 motif ikan. Tampilan binatang tersebut tidak dalam bentuk naturalis tetapi sudah distilasi dengan isen-isen sebagaimana umumnya motif pada batik. Sebagaimana diketahui bahwa Islam tidak hanya mengatur segala sistem ibadah dan kehidupan kita tetapi juga dalam urusannya dengan kesenirupaan. Fakta yang terjadi bahwa selera konsumen menjadi dasar pertimbangan produksi 2 produsen batik tersebut. Letak geografis (Pantura) membentuk watak masyarakatnya menjadi kosmopolitan, keras dan terbuka sehingga Islam berkembang di wilayah tersebut sangat akulturatif dengan budaya lokal, dan hal ini ternyata berpengaruh pada karakter hasil produksi Batik Kauman