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All Journal Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Mezurashii: Journal of Japanese Studies Jurnal Kata : Penelitian tentang ilmu bahasa dan sastra
Marisa Rianti Sutanto
Program Studi Sastra Jepang, Universitas Kristen Maranatha, Jl. Prof. Drg Suria Sumantri 65, Bandung 40164
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences Other

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Pengembangan Karakter Ikari Shinji Dalam Anime Neo Genesis Evangeliom Marisa Rianti Sutanto; Adriel Hans Wahyudi
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 3 No 2 (2021)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2021.v03.i02.p06

Abstract

This research discusses the character development of the main character Ikari Shinji from the anime Neon Genesis Evangelion. Neon Genesis Evangelion is an anime series directed by Hideaki Anno that tells the story of humanity's struggle against shitos using a giant robot called Evangelion. To interpret the character of the main character, the method used is descriptive analysis, and the analysis refers to Weiland's theory of character development. The results of the research show that Ikari Shinji at the beginning of the story has a ‘lie’ that he believes in, namely running away from problems. However, he has the capability to beat ‘the lie’. Throughout the story he gets the consequences of his ‘lie’, he also finds out the truth and what he actually needs. At one point he had to make a decision between the truth and the ‘lie’. The result was Ikari Shinji's old self becomes 'dead' after he made that decision. He left the ‘lie’ and proved that he had developed into a better person. The story’s ending is the answer to this anime thematic question.
PERSONAL CONFLICT IN GOHATTO: BETWEEN LIFE AND DEATH: KONFLIK PERSONAL DALAM GOHATTO: ANTARA HIDUP DAN MATI Marisa Rianti Sutanto; Ethel Deborah Lewerissa
Jurnal Kata Vol. 5 No. 2 (2021): Jurnal Kata : Penelitian tentang Ilmu Bahasa dan Sastra
Publisher : LLDIKTI Wilayah X

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (467.083 KB) | DOI: 10.22216/kata.v5i2.424

Abstract

This article discusses the personal conflicts between five characters in the film Gohatto. Gohatto is a film by Japanese director, Oshima Nagisa, released in 1999. Director Oshima is one of the legendary directors in Japan who is famous for his works that elevate the uniqueness of the human personality. Likewise, with Gohatto's work, Oshima raises the fluctuation of human desires that clash with tradition and morals, and in the end meet death. The film is set in the bakumatsu era (1853-1869) and tells of the lives of swordsmen in the Shinsengumi group whose job is to protect the Tokugawa shogunate. The uniqueness of this film is that it does not exploit the heroics of samurai who express themselves under the shackles of bushido morality, but rather presents homosexuality in the lives of the swordsmen in this group. This paper will also discuss personal conflicts in five major characters, through a review of the characters’ actions based on the drive that emerge from both the conscious mind and unconscious minds. The method that will be used is psychoanalysis which refers to the theory of Sigmund Freud. The id drive which is the cause of the conflict appears dominant in the five characters and overcomes the bushido morality which is the sublime characteristic of the samurai.
Perkembangan Kepribadian Karakter Daiba Nana dalam Serial Animasi Shoujo? Kageki Revue Starlight: Tinjauan Psikoanalisis Marisa Rianti Sutanto; Muhammad Rasyid Ridha
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 5 No 2 (2023)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2023.v05.i02.p03

Abstract

Penelitian ini dilakukan untuk memahami perkembangan kepribadian Daiba Nana dalam anime Shoujo?Kageki Revue Starlight. Penulis menggunakan metode psikologi sastra dengan acuan teori psikoanalisis Sigmund Freud. Sumber data berasal dari dialog, monolog dan perilaku yang mencerminkan keadaan psikologis Daiba Nana dengan acuan teori dinamika kepribadian dan mekanisme pertahanan ego. Dinamika kepribadian memuat insting dan distribusi energi psikis. Insting dapat terlihat dari cara objek penelitian berperilaku dan dari cara berbicaranya, dan dapat dibagi menjadi insting hidup dengan insting kematian. Distribusi energi psikis berpengaruh atas tindakan yang dilakukan oleh objek penelitian bersumber dari id, ego, atau superego, dan dicerminkan oleh insting yang mendorong perilakunya. Dorongan dari distribusi energi psikis dan insting dapat menimbulkan konflik dalam diri dan menciptakan kecemasan, yang kemudian akan direspon oleh mekanisme pertahanan ego untuk menenangkan kecemasan tersebut. Dalam sejumlah kejadian dalam cerita, memperlihatkan ketidakmampuan objek penelitian dalam menanggapi tegangan yang berasal dari masalah-masalah atau konflik yang dihadapinya, sehingga memutuskan untuk menghindari konflik dan membuat kepribadiannya tidak berkembang karena terus berada dalam keadaan yang selalu sama.
Eksistensialisme Tokoh Eren Yeager Dalam Manga "Shingeki no Kyojin" Zakira Gustriana Nurshabrina; Marisa Rianti Sutanto; Ethel Deborah Lewerissa
Mezurashii: Journal of Japanese Studies Vol 5 No 1 (2023): APRIL
Publisher : Japanese Department Faculty of Cultural Science Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/mezurashii.v5i1.8822

Abstract

Penelitian ini membahas tentang prinsip eksistensialisme Jean-Paul Sartre pada tokoh Eren Yeager dalam manga “Shingeki no Kyojin” karya Hajime Isayama. Manga ini menceritakan tentang perjuangan Eren untuk meraih kebebasan di dunia yang dikelilingi tiga lapis tembok besar, yang melindungi mereka dari serangan manusia raksasa pemakan manusia yang disebut sebagai Titan. Eren berambisi untuk memusnahkan seluruh Titan di dunia untuk membebaskan bangsanya. Tindakan dan perilaku Eren untuk meraih tujuannya memperlihatkan kebebasan dan autentisitas, yang merupakan prinsip utama eksistensialisme Jean-Paul Sartre. Dalam penelitian ini, metode filsafat eksistensialisme digunakan untuk menganalisis tujuan dan tindakan Eren dalam manga “Shingeki no Kyojin”. Penelitian ini meliputi analisis tujuan, perilaku, tindakan, dan dialog dari tokoh. Prinsip eksistensialisme Jean-Paul Sartre yang terdapat pada tokoh Eren Yeager dalam manga “Shingeki no Kyojin” adalah hal absurditas, kebebasan, eksistensi, esensi, angst, bad faith, dan autentisitas. Penelitian ini menunjukkan bahwa tokoh Eren mencerminkan pandangan eksistensialisme Jean-Paul Sartre melalui tindakan dan keputusan yang diambilnya. This study discusses the existentialism view of Jean-Paul Sartre in the character Eren Yeager of the manga “Shingeki no Kyojin” by Hajime Isayama. This manga tells about Eren’s fight for freedom in a world surrounded by three layers of enormous walls that protect them from gigantic man-eating humanoids referred to as Titans. Eren has the ambition to destroy all the Titans in the world to free his people. Eren's actions and behavior to achieve his goals show freedom and authenticity, which are the main principles of Jean-Paul Sartre's existentialism. In this study, the existentialist philosophy method is used to analyze Eren's goals and actions in the manga "Shingeki no Kyojin". This study includes an analysis of the goals, behaviors, actions, and dialogues of the characters. The existentialism principles of Jean-Paul Sartre found in the character Eren Yeager of the manga “Shingeki no Kyojin” are absurdity, freedom, existence, essence, angst, bad faith, and authenticity. This study shows that the character Eren reflects the existentialist view of Jean-Paul Sartre through his actions and decisions.
Co-Authors Adriel Hans Wahyudi Ethel Deborah Lewerissa Muhammad Rasyid Ridha Zakira Gustriana Nurshabrina