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All Journal Mezurashii: Journal of Japanese Studies Jurnal Kata : Penelitian tentang ilmu bahasa dan sastra Journal of Social Contemplativa Engagement: Jurnal Pengabdian Kepada Masyarakat
Marisa Rianti Sutanto
Program Studi Sastra Jepang, Universitas Kristen Maranatha, Jl. Prof. Drg Suria Sumantri 65, Bandung 40164
Religion Arts Humanities Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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PERSONAL CONFLICT IN GOHATTO: BETWEEN LIFE AND DEATH: KONFLIK PERSONAL DALAM GOHATTO: ANTARA HIDUP DAN MATI Marisa Rianti Sutanto; Ethel Deborah Lewerissa
Jurnal Kata Vol. 5 No. 2 (2021): Jurnal Kata : Penelitian tentang Ilmu Bahasa dan Sastra
Publisher : LLDIKTI Wilayah X

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (467.083 KB) | DOI: 10.22216/kata.v5i2.424

Abstract

This article discusses the personal conflicts between five characters in the film Gohatto. Gohatto is a film by Japanese director, Oshima Nagisa, released in 1999. Director Oshima is one of the legendary directors in Japan who is famous for his works that elevate the uniqueness of the human personality. Likewise, with Gohatto's work, Oshima raises the fluctuation of human desires that clash with tradition and morals, and in the end meet death. The film is set in the bakumatsu era (1853-1869) and tells of the lives of swordsmen in the Shinsengumi group whose job is to protect the Tokugawa shogunate. The uniqueness of this film is that it does not exploit the heroics of samurai who express themselves under the shackles of bushido morality, but rather presents homosexuality in the lives of the swordsmen in this group. This paper will also discuss personal conflicts in five major characters, through a review of the characters’ actions based on the drive that emerge from both the conscious mind and unconscious minds. The method that will be used is psychoanalysis which refers to the theory of Sigmund Freud. The id drive which is the cause of the conflict appears dominant in the five characters and overcomes the bushido morality which is the sublime characteristic of the samurai.
Eksistensialisme Tokoh Eren Yeager Dalam Manga "Shingeki no Kyojin" Zakira Gustriana Nurshabrina; Marisa Rianti Sutanto; Ethel Deborah Lewerissa
Mezurashii: Journal of Japanese Studies Vol 5 No 1 (2023): APRIL
Publisher : Japanese Department Faculty of Cultural Science Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/mezurashii.v5i1.8822

Abstract

Penelitian ini membahas tentang prinsip eksistensialisme Jean-Paul Sartre pada tokoh Eren Yeager dalam manga “Shingeki no Kyojin” karya Hajime Isayama. Manga ini menceritakan tentang perjuangan Eren untuk meraih kebebasan di dunia yang dikelilingi tiga lapis tembok besar, yang melindungi mereka dari serangan manusia raksasa pemakan manusia yang disebut sebagai Titan. Eren berambisi untuk memusnahkan seluruh Titan di dunia untuk membebaskan bangsanya. Tindakan dan perilaku Eren untuk meraih tujuannya memperlihatkan kebebasan dan autentisitas, yang merupakan prinsip utama eksistensialisme Jean-Paul Sartre. Dalam penelitian ini, metode filsafat eksistensialisme digunakan untuk menganalisis tujuan dan tindakan Eren dalam manga “Shingeki no Kyojin”. Penelitian ini meliputi analisis tujuan, perilaku, tindakan, dan dialog dari tokoh. Prinsip eksistensialisme Jean-Paul Sartre yang terdapat pada tokoh Eren Yeager dalam manga “Shingeki no Kyojin” adalah hal absurditas, kebebasan, eksistensi, esensi, angst, bad faith, dan autentisitas. Penelitian ini menunjukkan bahwa tokoh Eren mencerminkan pandangan eksistensialisme Jean-Paul Sartre melalui tindakan dan keputusan yang diambilnya. This study discusses the existentialism view of Jean-Paul Sartre in the character Eren Yeager of the manga “Shingeki no Kyojin” by Hajime Isayama. This manga tells about Eren’s fight for freedom in a world surrounded by three layers of enormous walls that protect them from gigantic man-eating humanoids referred to as Titans. Eren has the ambition to destroy all the Titans in the world to free his people. Eren's actions and behavior to achieve his goals show freedom and authenticity, which are the main principles of Jean-Paul Sartre's existentialism. In this study, the existentialist philosophy method is used to analyze Eren's goals and actions in the manga "Shingeki no Kyojin". This study includes an analysis of the goals, behaviors, actions, and dialogues of the characters. The existentialism principles of Jean-Paul Sartre found in the character Eren Yeager of the manga “Shingeki no Kyojin” are absurdity, freedom, existence, essence, angst, bad faith, and authenticity. This study shows that the character Eren reflects the existentialist view of Jean-Paul Sartre through his actions and decisions.
Representasi Wabi Sabi dalam Film Animasi Whisper of the Heart Rafael Ksatrya Senoputra; Marisa Rianti Sutanto; Ethel Deborah Lewerissa; Jessica Priscilla Nangoi
Journal of Social Contemplativa Vol. 4 No. 1 (2026): Journal of Social Contemplativa
Publisher : Indonesian Democracy Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61183/jsc.v4i1.189

Abstract

Whisper of the Heart is an animated film produced by Studio Ghibli and directed by Yoshifumi Kondou. The film tells the story of a teenager named Shizuku who is searching for her true self. Two other characters who play a significant role in Shizuku’s journey are Seiji and Nishi. In this animated film, Kondou not only portrays the lives of teenagers in general but also weaves in the philosophy of wabi sabi, which has three core values: simplicity, imperfection, and transience. This representation of wabi sabi is reflected through the character development of the protagonists. Simplicity is reflected in the lifestyles of Shizuku, Seiji, and Nishi. Imperfection is reflected through Shizuku’s unstable and indecisive nature. Transience is reflected through the figure of the Baron cat statue and Nishi’s memories of the past. Settings such as the Tama Hills, the train tracks, the library, the Chikyuuya studio, and the violin workshop serve to create a quiet and unadorned atmosphere, thereby reinforcing the reflection of wabi-sabi values in everyday life. The philosophy of wabi-sabi teaches that life is not always smooth and beautiful, but it is in the cracks and imperfections that human values are reflected.
SDGs-Based Mural Mentoring as an Educational Medium to Increase Sustainable Environmental Awareness Among Junior and Senior High School Students Ariesa Pandanwangi; Ismet Zainal Effendi; Erika Ernawan; Olga Catherina Pattipawaej; Marisa Rianti Sutanto
Engagement: Jurnal Pengabdian Kepada Masyarakat Vol. 10 No. 2 (2026): May 2026
Publisher : Asosiasi Dosen Pengembang Masyarajat (ADPEMAS) Forum Komunikasi Dosen Peneliti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29062/engagement.v10i2.2361

Abstract

Background: BPK Penabur Cirebon School had an underused school wall and faced the challenge of transforming it into an artistic feature while creating a welcoming environment. Thirty pupils worked together to create a 16-metre-long mural, and post-activity reflections revealed an increased awareness of environmental sustainability. Purpose of the Study: Improve the creative process among pupils by combining art and education, thereby creating a beautiful and harmonious atmosphere within a supportive environment, whilst the pupils actively participate in the planning, design and painting. Methods: The practical community engagement research is designed to include the following stages: problem identification, planning and collaboration, implementation, reflection, evaluation and reporting and publication of activities via video and scientific publications. Results: This project successfully nurtured the students’ spirit through a sense of togetherness and cooperation, developed their leadership skills in decision-making, and fostered a sense of ownership of the school as their second home. The students successfully transformed bare walls into an artistic, well-organised, integrated and clean environment capable of conveying a powerful message through the theme of harmony. Overall, this project has also enhanced the school’s brand as an institution committed to environmental sustainability, aligned with the SDGs.
Co-Authors Adriel Hans Wahyudi Ariesa Pandanwangi Erika Ernawan Ethel Deborah Lewerissa Ismet Zainal Effendi Jessica Priscilla Nangoi Muhammad Rasyid Ridha Olga Catherina Pattipawaej Rafael Ksatrya Senoputra Zakira Gustriana Nurshabrina