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All Journal Ayumi : Jurnal Budaya, Bahasa, dan Sastra Mezurashii: Journal of Japanese Studies Jurnal Kata : Penelitian tentang ilmu bahasa dan sastra
Ethel Deborah Lewerissa
Program Studi Sastra Jepang, Fakultas Bahasa Dan Budaya, Universitas Kristen Maranatha
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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PERSONAL CONFLICT IN GOHATTO: BETWEEN LIFE AND DEATH: KONFLIK PERSONAL DALAM GOHATTO: ANTARA HIDUP DAN MATI Marisa Rianti Sutanto; Ethel Deborah Lewerissa
Jurnal Kata Vol. 5 No. 2 (2021): Jurnal Kata : Penelitian tentang Ilmu Bahasa dan Sastra
Publisher : LLDIKTI Wilayah X

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (467.083 KB) | DOI: 10.22216/kata.v5i2.424

Abstract

This article discusses the personal conflicts between five characters in the film Gohatto. Gohatto is a film by Japanese director, Oshima Nagisa, released in 1999. Director Oshima is one of the legendary directors in Japan who is famous for his works that elevate the uniqueness of the human personality. Likewise, with Gohatto's work, Oshima raises the fluctuation of human desires that clash with tradition and morals, and in the end meet death. The film is set in the bakumatsu era (1853-1869) and tells of the lives of swordsmen in the Shinsengumi group whose job is to protect the Tokugawa shogunate. The uniqueness of this film is that it does not exploit the heroics of samurai who express themselves under the shackles of bushido morality, but rather presents homosexuality in the lives of the swordsmen in this group. This paper will also discuss personal conflicts in five major characters, through a review of the characters’ actions based on the drive that emerge from both the conscious mind and unconscious minds. The method that will be used is psychoanalysis which refers to the theory of Sigmund Freud. The id drive which is the cause of the conflict appears dominant in the five characters and overcomes the bushido morality which is the sublime characteristic of the samurai.
Hubungan Interaksi Kelompok terhadap Pencapaian Tujuan dan Perkembangan Karakter Okabe Rintarou dalam Anime Steins;Gate 0 Aditya Permana; Ethel Deborah Lewerissa
Ayumi : Jurnal Budaya, Bahasa, dan Sastra Vol 9 No 1 (2022): AYUMI: Jurnal Budaya, Bahasa dan Sastra
Publisher : Faculty of Letters, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (363.395 KB) | DOI: 10.25139/ayumi.v9i1.4334

Abstract

This study aims to prove the effectiveness of the interaction process in groups on goals achievement and character development in Anime Steins;Gate 0. This study used a descriptive qualitative method regarding the theory of interaction process analysis by Robert F. Bales. This study uses data on interpersonal communication between group members dialogues categorized according to interaction process analysis theory (positive socio-emotional area, neutral task, and negative socio-emotional area). The writer found that interaction and communication between group members in the story were carried out during problem-solving through discussion and exchanging ideas, opinions, assessments, suggestions, and input. Both aspects are shown through delivery and interpretation to become the fruit of thought that unites their perception of purpose. Interaction and communication affect character development and their success in solving problems they face. Keywords: interaction; character development; communication; Okabe Rintarou.
Eksistensialisme Tokoh Eren Yeager Dalam Manga "Shingeki no Kyojin" Zakira Gustriana Nurshabrina; Marisa Rianti Sutanto; Ethel Deborah Lewerissa
Mezurashii: Journal of Japanese Studies Vol 5 No 1 (2023): APRIL
Publisher : Japanese Department Faculty of Cultural Science Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/mezurashii.v5i1.8822

Abstract

Penelitian ini membahas tentang prinsip eksistensialisme Jean-Paul Sartre pada tokoh Eren Yeager dalam manga “Shingeki no Kyojin” karya Hajime Isayama. Manga ini menceritakan tentang perjuangan Eren untuk meraih kebebasan di dunia yang dikelilingi tiga lapis tembok besar, yang melindungi mereka dari serangan manusia raksasa pemakan manusia yang disebut sebagai Titan. Eren berambisi untuk memusnahkan seluruh Titan di dunia untuk membebaskan bangsanya. Tindakan dan perilaku Eren untuk meraih tujuannya memperlihatkan kebebasan dan autentisitas, yang merupakan prinsip utama eksistensialisme Jean-Paul Sartre. Dalam penelitian ini, metode filsafat eksistensialisme digunakan untuk menganalisis tujuan dan tindakan Eren dalam manga “Shingeki no Kyojin”. Penelitian ini meliputi analisis tujuan, perilaku, tindakan, dan dialog dari tokoh. Prinsip eksistensialisme Jean-Paul Sartre yang terdapat pada tokoh Eren Yeager dalam manga “Shingeki no Kyojin” adalah hal absurditas, kebebasan, eksistensi, esensi, angst, bad faith, dan autentisitas. Penelitian ini menunjukkan bahwa tokoh Eren mencerminkan pandangan eksistensialisme Jean-Paul Sartre melalui tindakan dan keputusan yang diambilnya. This study discusses the existentialism view of Jean-Paul Sartre in the character Eren Yeager of the manga “Shingeki no Kyojin” by Hajime Isayama. This manga tells about Eren’s fight for freedom in a world surrounded by three layers of enormous walls that protect them from gigantic man-eating humanoids referred to as Titans. Eren has the ambition to destroy all the Titans in the world to free his people. Eren's actions and behavior to achieve his goals show freedom and authenticity, which are the main principles of Jean-Paul Sartre's existentialism. In this study, the existentialist philosophy method is used to analyze Eren's goals and actions in the manga "Shingeki no Kyojin". This study includes an analysis of the goals, behaviors, actions, and dialogues of the characters. The existentialism principles of Jean-Paul Sartre found in the character Eren Yeager of the manga “Shingeki no Kyojin” are absurdity, freedom, existence, essence, angst, bad faith, and authenticity. This study shows that the character Eren reflects the existentialist view of Jean-Paul Sartre through his actions and decisions.
Co-Authors Aditya Permana Aditya Permana Marisa Rianti Sutanto Zakira Gustriana Nurshabrina