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All Journal Journal of Education, Humaniora and Social Sciences (JEHSS) Jurnal Pendidikan dan Penciptaan Seni
Desy Ratna Syahputri
Universitas Negeri Malang
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Ragam Estetika Batik Riau terhadap Nilai dan Tradisi Budaya Melayu Desy Ratna Syahputri
Jurnal Pendidikan dan Penciptaan Seni Vol 1, No 1 (2021): Jurnal Pendidikan dan Penciptaan Seni - MEI
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (739.296 KB) | DOI: 10.34007/jipsi.v1i1.34

Abstract

Batik has been identified as the identity of the Javanese people. Not many people know about Riau-Malay batik, which had a dim existence with the loss of the Daek Lingga and Siak Kingdoms in 1824-1911 AD. Malay batik and Malay traditions have a very strong relationship, where all aspects of culture and art adopt values. the culture contained in the society. The Malay race is a group of people who embraces Islam, this affects all aspects of life to the work of art. The purpose of this paper is to analyze the various aesthetics both in terms of motifs and patterns of present-day Riau Malay batik with the values adopted in society. This research uses descriptive qualitative research methods with data collection techniques through observation, interviews, documentation and library research. The result of this research is the regeneration of the aesthetic variety of present-day Riau Malay batik motifs which adopt 2 types of patterns, namely the veil pattern and the sow pattern. The veil pattern is a vertical, elongated and transcendental meaning. Meanwhile, the sowing pattern is not clear in its philosophy, with the visualization of stacked and dense motifs.
Tafsir Tari Zapin Arab dan Melayu dalam Masyarakat Melayu Robby Hidajat; Suyono Suyono; Joko Sayono; Muhammad 'Afaf Hasyimy; Desy Ratna Syahputri; Syed Ahmad Iskandar; Iziq Eafifi Bin Ismail; Norliza Bt Mohd Isa
Journal of Education, Humaniora and Social Sciences (JEHSS) Vol 4, No 2 (2021): Journal of Education, Humaniora and Social Sciences (JEHSS), November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1128.044 KB) | DOI: 10.34007/jehss.v4i2.935

Abstract

This article aims to describe and interpret the Zapin Arab and Zapin Malay dances. Zapin dance comes from Arabic and developed within the scope of the Malay community. At first the Zapin dance culture was brought by merchants from Gujarat to various regions in the archipelago in the XV century. Zapin dance has a heroic background, because the movement was originally a sense of uplifting the spirit of the companions of the prophet for war. The development of Zapin Arabic and Malay dances are both expressed in the form of performing arts. The problem in this research is focused on the structure of the Malay zapin dance. In order to approach this problem, the structuralism theory reference from Levi Strauss' model is used. Structural theory is applied to describe Malay society. The data were collected through statements and experiences of sources, observation, and document review, then analyzed descriptively qualitatively. Data analysis uses textual and contestual interpretations, namely interpreting denotative and connotative structures. This study concludes that, (1) the Arabic Zapin dance has Arabic cultural content, and (2) the Malay Zapin dance is an Islamic expression of Malay culture.
Co-Authors Iziq Eafifi Bin Ismail Joko Sayono Muhammad 'Afaf Hasyimy Norliza Bt Mohd Isa Robby Hidajat Suyono Suyono Syed Ahmad Iskandar