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All Journal Rekam : Jurnal, Fotografi, Televisi Animasi Saraswati Journal of Urban Society´s Arts Channel : Jurnal Komunikasi Panggung Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Sense : Journal of Film and Television Studies Aurelia: Jurnal Penelitian dan Pengabdian Masyarakat Indonesia Proceeding of International Conference on Art, Media, and Culture (ICAMAC)
Pius Rino Pungkiawan
Institut Seni Indonesia Yogyakarta
Arts Humanities Computer Science & IT Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Teknologisasi Pertunjukan Dalam Kontestasi Dramaturgi Tradisi dan Modern Bagi Ketahanan Nasional Yudiaryani; Kuardhani, Hirwan; Pungkiawan, Pius Rino; A. Purba, Silvia; Haryono, A. Janu; Rahmah, Fitri
PANGGUNG Vol 36 No 1 (2026): Echoes of Archipelago Mythos: Interweaving Tradition, Symbolism, and Narrative i
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v36i1.4434

Abstract

Theatre develops through shifting relations among body, space, and technology. Digital mediation does not merely introduce new aesthetic instruments but reconfigures dramaturgical structures and modes of knowledge production. Dramaturgy, therefore, must be understood as an epistemic practice organizing interactions among body, media, and spectatorship rather than as textual composition alone. This article reads the technologization of theatre as a shift from representation toward performativity and interactivity. The encounter between traditional and contemporary practices reveals technology as a negotiated field: disruptive within certain value systems yet generative of new aesthetic and conceptual possibilities. Through dramaturgical analysis, three interrelated configurations are identified—mimetic, epicising, and interactive—through which technologization operates as an epistemic condition. Theatre thus appears not only as artistic production but as practice-as-research, where knowledge emerges through performative processes.
Dramaturgi Praktik Lingkungan Pembuatan Profil Ekowisata Berbasis Teknologi Drone Padukuhan Bleberan Kabupaten Kulonprogo D.I. Yogyakarta Yudiaryani Yudiaryani; Pius Rino Pungkiawan; Bunga Islamy
Dance and Theatre Review Vol 8, No 1: May 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/dtr.v8i1.14083

Abstract

Environmental Dramaturgical Practice for Ecotourism Profiling Based on Drone Technology in Bleberan Hamlet, Kulonprogo Regency, Yogyakarta Special RegionThis article examines ecological dramaturgical practice through drone-based performative mapping within the context of ecotourism and communitybased cultural performance. Responding to conditions of twenty-firstcentury media abundance, dramaturgy is reconceptualised from a predominantly analytical framework into an expanded, practice-based methodology operating across ecological, spatial, and digital domains. This study positions drone technology not merely as a visual documentation tool, but as an intermedial dramaturgical agent that actively shapes relationships between bodies, landscapes, technologies, and communities. Drawing on a case study in Padukuhan Bleberan, Kulon Progo, the research demonstrates how ecotourism functions as a performative practice that integrates ecological landscapes, ritual spaces, cultural memory, and local creative economies into a digital mapping system. Drone-based visual profiling produces performative archives that extend cultural practices beyond live events, enhancing visibility, accessibility, and sustainability. Methodologically, the study combines dramaturgical practice, ecological performance perspectives, and digital media analysis, supported by field observation, interviews, and collaborative evaluation with the local community. This approach contributes to contemporary discussions on ecodramaturgy, intermedial performance, and community-based spatial practice.Keywords: dramaturgical practice; ecological dramaturgy; performative mapping; drone technology; ecotourismKata kunci: ekowisata; teknologi drone; model profil; dukuh Bleberan.
Intermediality as an Extension of The Postdramatic: Dramaturgical Trajectories in Pilihan Pembayun and Dialog Antigone Yudiaryani Yudiaryani; Hirwan Kuardhani; Silvia Anggreni Purba; Wahid Nurcahyono; Pius Rino Pungkiawan; Antonius Janu Haryono; Fitria Rahmah
Journal of Urban Society's Arts Vol 13, No 1 (2026): April 2026
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v13i1.17564

Abstract

This article examines how intermedial theatre operates as an extension of postdramatic conditions through contemporary Indonesian performance practices. Focusing on two practice-based works, Pilihan Pembayun and Dialog Antigone, the study analyses how dramaturgical configurations shift from body–tradition relations toward increasingly intermedial body–media formations. Rather than positioning intermediality as a separate aesthetic category, the article argues that intermedial theatre develops from the relational logic of postdramatic performance, in which meaning emerges through interactions among bodies, media, sound, space, and technological systems. Using a practice-as-research framework, the study examines dramaturgical structures, directing strategies, and intermedial compositions to explore how theatrical agency is redistributed across human and nonhuman elements. In Pilihan Pembayun, performative relations remain strongly connected to ritual memory, collective affect, and embodied tradition, while Dialog Antigone intensifies fragmentation through digital media, visual projections, and dispersed performative agencies. Through this comparative dramaturgical trajectory, the article demonstrates that intermediality transforms not only theatrical form but also the relational operation of power, embodiment, and spectatorship in contemporary performance. Furthermore, the article positions Indonesian theatre practice not merely as a local application of Western theory, but as a site of conceptual production contributing to global debates on postdramatic theatre, intermedial dramaturgy, and performance epistemology.
Co-Authors A. Purba, Silvia ALIYAH, HIMATUL Antonius Janu Haryono Bunga Islamy Fitri Rahmah Fitria Rahmah Gibbran Prathisara Hakiki, Qori Alfiani Haryono, A. Janu Hirwan Kuardhani Hirwan Kuardhani Hirwan Kuardhani I Putu Suhada Latief Rakhman Hakim Putri Sima Prajahita Retno Mustikawati Robi'in, Bambang Robi'in, Silvia Anggreni Purba Wahid Nurcahyono Widhi Nugroho Yudiaryani Yudiaryani Yudiaryani Yudiaryani Yudiaryani