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All Journal Jurnal Bahasa Rupa Ideas: Jurnal Pendidikan, Sosial dan Budaya Aksara: Jurnal Ilmu Pendidikan Nonformal Jurnal Bahasa Rupa
Shopia Himatul Alya
Universitas Kristen Maranatha
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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BATIK MALUKU: EKSPLORASI KEKAYAAN REMPAH-REMPAH MELALUI BATIK MALUKU Shopia Himatul Alya; Sari Dewi Kuncoroputri; Ariesa Pandanwangi
Jurnal Bahasa Rupa Vol. 5 No. 2 (2022): Jurnal Bahasa Rupa April 2022
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v5i2.959

Abstract

Maluku is famous as a spice-producing archipelago. Spices are not the only richness that Maluku has.. Maluku also has other cultural richness that are no less unique, namely Maluku Batik. The cultural richness and natural wealth of Maluku have inspired local people to apply the visual beauty of spices to batik motifs and ornaments which later became the hallmark of Maluku Batik. This research aims to analyze the visual application of spices in Maluku batik cloth. The sample included in this study were the batik cloths made by Malukubatik artists. The method that is employed in this research is a qualitative descriptive method by studying decorative styles inspired by the typical spices of Maluku batik. The results of this research study show that Maluku batik is very representative of the local wisdom of its people. Other findings from this study indicate that in general, batik motifs can be sorted based on their historical and cultural backgrounds. The glory of Maluku as a trade route for herbs and spices has been embedded in the collective memory of the Maluku people. One of these collective memories is immortalized through Maluku batik.
GUTTA TAMARIND: OLAHAN VISUAL BAHASA RUPA MENGGUNAKAN MATERIAL RAMAH LINGKUNGAN Iman Budiman; Shopia Himatul Alya; Ariesa Pandanwangi
Jurnal Bahasa Rupa Vol. 5 No. 2 (2022): Jurnal Bahasa Rupa April 2022
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v5i2.960

Abstract

Painting has undergone many developments. One of them is technical development in terms of materials. One of the unique techniques in painting is the gutta tamarind technique which uses ground tamarind seeds that are ground. This study aims to examine the use of tamarind seeds as an alternative medium in the work. Gutta tamarind is popular because the material used resembles the material for batik. However, in the process of using it, gutta tamarind which is also known as cold wax does not require a heating stove like the hot wax of batik in general. In this study, we will discuss the process of making cold wax from tamarind seed powder. This study uses a qualitative descriptive research method by studying the manufacture of cold wax gutta tamarind in stages. The results of this study indicate that the gutta tamarind technique in the process of making textile paintings or wastra paintings produces characters that are no less unique and beautiful.
Lukisan Pemandangan: Teknik Spon Dalam Karya Seni Lukis Jelekong Shopia Himatul Alya
Aksara: Jurnal Ilmu Pendidikan Nonformal Vol 7, No 1 (2021): January 2021
Publisher : Magister Pendidikan Nonformal Pascasarjana Universitas Negeri Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37905/aksara.7.1.103-110.2021

Abstract

Nature is a theme that is always present in the development of art in the world, both Western and Asian arts, such as China and Indonesia. The visualization can be a literal or abstract representation. Nature can be an additional element to a painting to convey depth, or perspective. However, the depiction of nature in a painting can also be the main focus of a work of art. In Indonesia itself, there is an Art Village, precisely Jelekong Art Village, where hundreds of people work as painters and some have made nature the main focus of their work. The uniqueness of the Jelekong painter's work lies in the method used and the materials used. So that the authors are interested in further researching the uniqueness of this Jelekong technique. The purpose of this research is to examine the comparison of natural visualization techniques and aspects of Jelekong painting which represent nature in terms of methods and materials. The samples in this study were paintings by Jelekong artists and Western artists. The qualitative descriptive method is considered the most appropriate for analyzing Jelekong painting. The result of this research is that the superiority of the art technique of Ugong painting is the sponge technique created by one of its residents. This technique can create shadow, middle tone, and highlight in a painting. Jelekong's paintings can become the identity of the community in cultivating the local potential of the region
Dekonstruksi Seni Lukis Tradisional Jelekong sebagai Ekspresi Visual Shopia Himatul Alya; Ariesa Pandanwangi; Ismet Zainal Effendi
Ideas: Jurnal Pendidikan, Sosial dan Budaya Vol 9 No 2 (2023): Ideas: Pendidikan, Sosial, dan Budaya (Mei)
Publisher : Ideas Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32884/ideas.v9i2.1347

Abstract

Jelekong has a productive community of artists who produce commercial and mass paintings. This creation aims to create novelty in Jelekong painting by borrowing Jacques Derrida s Deconstruction to present alternative meanings. The creation method used is Alma M. Hawkins creation method which includes the stages of 1) exploration, 2) improvisation, and 3) implementation. The results of the creation of this work are two works entitled "To Bloom" and "To Flow" which show aspects of deconstruction that occur in the creative process which can also be identified in the ideas and visual aspects of the work. Metallic visualization is used as a marker of the transformation resulting from efforts to deconstruct the traditional Jelekong painting.
BATIK MALUKU: EKSPLORASI KEKAYAAN REMPAH-REMPAH MELALUI BATIK MALUKU Shopia Himatul Alya; Sari Dewi Kuncoroputri; Ariesa Pandanwangi
Jurnal Bahasa Rupa Vol. 5 No. 2 (2022): Jurnal Bahasa Rupa April 2022
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v5i2.959

Abstract

Maluku is famous as a spice-producing archipelago. Spices are not the only richness that Maluku has.. Maluku also has other cultural richness that are no less unique, namely Maluku Batik. The cultural richness and natural wealth of Maluku have inspired local people to apply the visual beauty of spices to batik motifs and ornaments which later became the hallmark of Maluku Batik. This research aims to analyze the visual application of spices in Maluku batik cloth. The sample included in this study were the batik cloths made by Malukubatik artists. The method that is employed in this research is a qualitative descriptive method by studying decorative styles inspired by the typical spices of Maluku batik. The results of this research study show that Maluku batik is very representative of the local wisdom of its people. Other findings from this study indicate that in general, batik motifs can be sorted based on their historical and cultural backgrounds. The glory of Maluku as a trade route for herbs and spices has been embedded in the collective memory of the Maluku people. One of these collective memories is immortalized through Maluku batik.
GUTTA TAMARIND: OLAHAN VISUAL BAHASA RUPA MENGGUNAKAN MATERIAL RAMAH LINGKUNGAN Iman Budiman; Shopia Himatul Alya; Ariesa Pandanwangi
Jurnal Bahasa Rupa Vol. 5 No. 2 (2022): Jurnal Bahasa Rupa April 2022
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v5i2.960

Abstract

Painting has undergone many developments. One of them is technical development in terms of materials. One of the unique techniques in painting is the gutta tamarind technique which uses ground tamarind seeds that are ground. This study aims to examine the use of tamarind seeds as an alternative medium in the work. Gutta tamarind is popular because the material used resembles the material for batik. However, in the process of using it, gutta tamarind which is also known as cold wax does not require a heating stove like the hot wax of batik in general. In this study, we will discuss the process of making cold wax from tamarind seed powder. This study uses a qualitative descriptive research method by studying the manufacture of cold wax gutta tamarind in stages. The results of this study indicate that the gutta tamarind technique in the process of making textile paintings or wastra paintings produces characters that are no less unique and beautiful.
Co-Authors Ariesa Pandanwangi Iman Budiman Ismet Zainal Effendi Sari Dewi Kuncoroputri