Gita Winata
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PENERAPAN INSTRUCTIONAL SYSTEM DESIGN (ISD) PADA PEMETAAN DAN VISUALISASI INFORMASI TEKNIK DASAR PEMBUATAN KERAMIK Rani Aryani Widjono; Gita Winata; Naomi Haswanto
ULTIMART Jurnal Komunikasi Visual Vol 12 No 2 (2019): Ultimart: Jurnal Komunikasi Visual
Publisher : Universitas Multimedia Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1625.19 KB) | DOI: 10.31937/ultimart.v12i2.1441

Abstract

Ceramics Handmade in Jakarta currently has become a new hype. With hand- made ceramics people having a direct connection with the makers by how those things made. Techniques, materials, and the process are the reasons why people are more attracted to get involved by making their ceramics by themselves. The hype caused high demand of ceramic basic techniques information, but people barely find ceramic books or other types of media which commissioned and developed by the actual condition of Indonesia’s independent ceramics studio especially Jakarta. This study structured through Instructional System Design (ISD) by two main cores. The first is to formulate a mapping method to classify the information of ceramics techniques at a different level. The intention is to gather specific information for beginners that would apply on instructional media. The second is designing a media such as conventional books and virtual information video through the augmented book. The result construct augmented book with systematically measurable information. It provides people easy access information and offered a new learning experience by using the augmented book.
ANALISIS BENTUK PRODUK KERAMIK STUDIO MANDIRI DENGAN TEMA TRADISI LOKAL INDONESIA MELALUI PENDEKATAN ‘ATUMICS’ Sasanti Puri Ardini; Gita Winata
PANGGUNG Vol 33 No 4 (2023): Eksistensi Tradisi dalam Narasi Seni Modern
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i4.2930

Abstract

Indonesia, known for its rich cultural diversity and traditional practices, offers a wide range of ceramic products that have a strong basis in tradition. These creations appear from the artistic endeavors of individual artists, independent studios, and craft-based industries. The scope of diversity extends beyond the topic of the field of tradition, which includes a combination of technical abilities and materials used for the creation of a piece, thus implementing a transformation of a local tradition into an innovative and creative product. This article present an exhibition and analysis of independent studio and craftbased industries ceramics products that explore the theme of local Indonesian traditions through the application of the The ATUMICS method is a way of Transformation Tradition that was introduced by Adhi Nugraha. The study using the ATUMICS framework, which refers Artifact (A), Technique (T), Utility (U), Material (M), Icon (I), Concepts (C) and Shape (S). These models were utilized to define the components that were found in ceramics products originating from three different ceramic studio or craft-based industries in Indonesia. The research results provide insight into which elements can be applied and combined through the ATUMICS method to enhance local traditions in ceramics. Keywords: ceramic, craft, product, tradition, atumics