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Journal : Definisi: Journal of Religion and Social Humanities

Muhammad Prophet and Statesman Karya William Montgomery: Kajian Historiografi Sirah Nabawiyah dan Orientalisme Alfa Dini Savitri; Ajid Thohir; Ajid Hakim
Definisi: Jurnal Agama dan Sosial Humaniora Vol 2, No 2 (2023): Definisi: Jurnal Agama dan Sosial Humaniora
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.1557/djash.v2i2.30965

Abstract

Artikel ini membahas tentang historiografi sirah dari orientalis terutama dalam karya William Montgomery dengan judul Muhammad Prophet and Statesman. Penelitian ini tergolong dalam penelitian kepustakaan (library research) dengan menggunakan metode penelitian sejarah yang terdiri dari empat tahapan, yakni heuristik, kritik, interpretasi historiografi. Berdasasarkan hasil penelitan, ditarik kesimpulan bahwa Montgomery Watt dalam pengkajiannya terhadap sosok Nabi Muhammad tersaji dalam sudut pandang yang objektif meskipun tidak dipungkiri bahwa Montgomery sendiri adalah seorang pendeta dan akademisi Kristen yang kental dengan pengaruh bias pemikiran orientalis pendahulunya. Menurut perspektif Montgomery, Muhammad merupakan sosok dengan ‘imajinasi tinggi’, tidak hanya menjadi sosok negarawan melainkan sekaligus mejadi seorang ‘sosial reformer' selayaknya Von Hugel dan Adolf Hitler.
Embracing Modernity: The Evolution of Contemporary Islamic Calligraphy in Indonesia (1979-2014) Muhamad Maksugi; Asep Achmad Hidayat; Usman Supendi; Ajid Hakim
Definisi: Jurnal Agama dan Sosial Humaniora Vol 2, No 3 (2023): Definisi: Jurnal Agama dan Sosial Humaniora
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.1557/djash.v2i3.38626

Abstract

This study aims to analyze the journey of the acceptance of contemporary Islamic calligraphy in Indonesia from 1979 to 2014. Initially, contemporary calligraphy faced opposition from calligraphers who considered it a violation of Arabic script grammar and often linked it to issues of Islamic jurisprudence concerning halal and haram. The research employs a narrative-analytical historical approach, using data collection techniques such as interviews and exploration of print media. The findings reveal that the acceptance of contemporary Islamic calligraphy in Indonesia involved a lengthy process, beginning with its controversial emergence, conflicts between painters and calligraphers, a phase of revival, and ultimately its acceptance as one of the competition categories in the Mushabaqah Tilawatil Quran (MTQ). This study contributes to a deeper understanding of the dynamics of cultural change and acceptance in the context of Islamic art in Indonesia.