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All Journal HUMANIKA Prosodi: Jurnal Ilmu Bahasa dan Sastra Anaphora: Journal of Language. Literary and Cultural Studies Journal of Applied Statistics, Mathematics, and Data Science
Miftahur Roifah
Universitas Gadjah Mada
Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Languange, Linguistic, Communication & Media Mathematics

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MADURESE WOMEN AND BINDING CULTURE IN MUNA MASYARI’S MARTABAT KEMATIAN: GYNOCRITICISM ANALYSIS Hartanto, Erika Citra Sari; Roifah, Miftahur
HUMANIKA Vol 27, No 2 (2020): December
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/humanika.v27i2.33531

Abstract

Muna Masyari is a famous female author from Pamekasan, Madura, whose one of her short stories, Sortana, won an award from Kompas, a national newspaper, as the best short story in 2017. Through her short stories, she consistent in depicting the social problems, particularly, related to Madurese women. This article discusses the portrayal of Madurese women in four short stories, namely Kembang Pengantin, Rumah Hantaran, Are’ Lancor, and Topeng Gelur. This article focuses on Madurese women as daughter and mother and their relation to nature and oppressed culture. This study uses descriptive approach with close reading method. Data collection is in the form of words and the data analysis is done by interpreting the data based on Elaine Showalter’s Gynocriticism which concerns with women as writer as well as the producer of literary texts. Gynocriticism mostly deals with four models; they are women’s writing and women’s body, women’s writing and women’s language, women’s writing and women’s psyche, and women’s writing and women’s culture. The results show Masyari reveals many problems attached to Madurese women through women’s body, language, psyche and culture. Madurese early arranged marriage and myths has placed Madurese women in oppressive and unfortunate conditions due to the binding culture that has dominated women. Muna Masyari, yet, places her female characters who are daring to speak their voice to have their own authority in searching their destiny in the future.
Cultural Reflections Through Readers’ Responses to Muna Masyari’s Short Stories Nadifah, Nurul; Roifah, Miftahur
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 7 No 2 (2024): DECEMBER
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v7i2.9939

Abstract

This study examines how Muna Masyari’s short stories portray Madurese culture and rituals and how readers from different backgrounds perceive them. It explores cultural representation, reader response variability, and the influence of cultural background. The research collects interview data, analyzes responses, provides cultural insights, and suggests future research to explore evolving perceptions in literature. This qualitative study analyzed readers’ responses to Muna Masyari’s short stories through interviews and observations, focusing on English Literature students from Trunojoyo University. Data analysis included reduction, presentation, and conclusion drawing. Limitations included a small sample size and limited diversity. Future research suggests broader participant diversity, mixed methods, and a diachronic approach to evolving perceptions. The study found that Madurese readers connected deeply with cultural rituals in Muna Masyari’s stories, while non-Madurese readers needed additional context. Responses varied by cultural background, showing pride from locals and fresh perspectives from outsiders. Both groups acknowledged the decline in traditional practices, reflecting changing societal values and the evolving nature of cultural heritage. The study concluded that Muna Masyari’s stories reflect and preserve Madurese culture, showing literature's power to explore identity and challenge stereotypes. Reader response theory revealed how cultural backgrounds shape text interpretation. Future research is expected to involve broader participants and long-term studies to track evolving perceptions. The findings affirm literature's role in bridging cultural gaps and celebrating traditions.
Madura on Screen: Analysing the Representation of Madurese Culture and Local Wisdom in YouTube Short Films by Mata Pena Channel Roifah, Miftahur
Prosodi Jurnal Ilmu Bahasa dan Sastra Vol 19, No 1: (2025): prosodi
Publisher : Program Studi Bahasa Inggris Universitas Trunojoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21107/prosodi.v19i1.29575

Abstract

This research aims to analyze the representation of Madurese culture and local wisdom in short films published on YouTube, as well as to identify their impact on viewers, especially the younger generation. The data sources for this study are short films uploaded by the Mata Pena YouTube channel, which has the largest number of followers compared to other YouTube channels that also feature Madurese short films. The Mata Pena YouTube channel has received significant positive recognition from various online media for being perceived as having educational value and good moral messages for its audience. The method used in this research is video content analysis with a qualitative research approach. This study employs Stuart Hall's Cultural Studies theory, which provides a relevant conceptual framework for understanding cultural representation in media. The results clearly indicate that short films focusing on Madurese culture successfully reveal the deep social values and traditions within that community. Through films such as Tata Krama, Loppah Ka Guruh, and Mat Tinggal Abiniah, viewers are invited to understand that the Madurese people highly value politeness, mutual assistance, and respect for teachers. Additionally, the results of the questionnaire show that watching short films about Madurese culture can change the perceptions of the younger generation, reduce negative stigma, and enhance appreciation for the values of politeness.
ANALISIS FORECASTING PENJUALAN PRODUK BRAND TEKA LINEA DI MILLENNIUM HOME CENTER JEMBER DENGAN METODE SINGLE EXPONENTIAL SMOOTHING Islahi, Balqis A’abidah; Mashitasari, Dewi; Roifah, Miftahur
ESTIMATOR : Journal of Applied Statistics, Mathematics, and Data Science Vol. 3 No. 1 (2025):
Publisher : Program Studi Statistika Universitas PGRI Argopuro Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31537/estimator.v3i1.2502

Abstract

Penelitian ini menyampaikan hasil analisis forecasting dengan Metode Single Exponential Smoothing dengan menggunakan data penjualan produk brand Teka Linea di Millenium Home Center periode Januari 2024 sampai dengan Desember 2024. Tujuan dari penelitian ini adalah memprediksi jumlah produk brand Teka Linea yang terjual pada bulan ke 13 atau Januari 2025. Metodologi yang digunakan meliputi pengambilan data yang ada di bagian Sales Millenium Home Center Jember. Selain itu, penelitian ini juga menganalisis nilai alpha yang tepat untuk memprediksi penjualan produk tersebut. Hasil penelitian diharapkan dapat memberikan gambaran umum mengenai strategi marketing atau penjualan produk Teka Linea.
The Politics of Home: Power Dynamics in Qaisra Shahraz's Perempuan Suci Roifah, Miftahur; Inayati, Rif'ah
Prosodi Jurnal Ilmu Bahasa dan Sastra Vol 19, No 2: (2025): prosodi
Publisher : Program Studi Bahasa Inggris Universitas Trunojoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21107/prosodi.v19i2.31752

Abstract

This article explores the multifaceted concept of home as presented by Upstone in The Spatial Politics in the Postcolonial Novel, emphasizing its role as both a physical space and a metaphor for colonialism. Upstone posits that the home operates as an autonomous entity, possessing its own systems of authority and power similar to those found in nations and cities. Within this framework, the article examines the hierarchical relationships that exist in domestic settings, particularly between masters and servants, and between men and women. In Qaisra Shahraz's novel Perempuan Suci, these power dynamics are vividly illustrated, revealing a clear disparity between male and female characters. Men hold dominant positions in the household, while women, including daughters, are subordinated and often subject to oppression. The portrayal of these inequalities highlights the pervasive nature of patriarchal structures and gender politics within the home. Additionally, the article discusses how the relationship between masters and servants further exemplifies the oppressive dynamics at play, leading to practices that can result in violence. Ultimately, the analysis asserts that, despite being removed from external political influences, the home embodies its own complex political landscape, characterized by power relations that echo broader colonial discourses. This study underscores the significance of examining domestic spaces to fully understand the interplay of power, oppression, and gender in postcolonial contexts.
Co-Authors Erika Citra Sari Hartanto Inayati, Rif'ah Islahi, Balqis A’abidah Mashitasari, Dewi Nadifah, Nurul