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All Journal RETORIKA: Jurnal Ilmu Bahasa Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences
Cicilia Tantri Suryawati
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Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences

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Spirit of Omotenashi which is expressed through Rikyuu Douka Cicilia Tantri Suryawati; Listyaningsih Listyaningsih
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 4, No 4 (2021): Budapest International Research and Critics Institute November
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v4i4.2895

Abstract

In Chanoyu, Omotenashi, serving wholeheartedly begins when one thinks of carrying out chanoyu. It starts with making and sending invitations, preparing the venue and equipments, welcoming guests, and tidying it up again reflected real forms of omotenashi. Chanoyu, Sadou, or the way of Tea not only includes how to serve tea to guests and followed by the guests drink the tea, but it is full of teachings to serve and to live a harmonious life. This paper discusses omotenashi expressed in Rikyuu Douka. Rikyuu Douka is a teaching written by Sen no Rikyuu in the form of 100 pieces of waka on the procedure of preparing the tea room, treating equipments, and also things needed to be done both by the host and the guests. Of the 100 poems, 20 poems related to the procedure of serving the guests were examined. Using descriptive analysis methods and data sources taken from "Rikyuu Douka ni Manabu (Urasenke Gakuen Koukai Kouza PEL Siri-zu)" written by Abe Sosei, published by Tankousha in 2000, this paper discusses omotenashi taught by Sen no Rikyuu through his poems. Moreover, this paper is also expected to be an input for research on Japanese-style services.
Women's Rebellion in Tarian Bumi: Challenging Patriarchal Culture in Oka Rusmini’s Novel Weldemina Yudit Tiwery; Jefriyanto Saud; Everhad Markiano Solissa; Cicilia Tantri Suryawati; Rahmi Setiawati
RETORIKA: Jurnal Ilmu Bahasa Vol. 10 No. 1 (2024)
Publisher : Program Studi Magister Ilmu Linguistik Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55637/jr.10.1.9453.166-182

Abstract

"In 'Tarian Bumi,' the narrative vividly portrays Balinese women's defiance against the entrenched patriarchal norms of their society. The protagonist, Ida Ayu Telaga, emerges as a symbol of courage, challenging the oppressive customs that confine women's autonomy and expression. This research endeavors to delve into the diverse manifestations of Balinese women's resistance against patriarchal hegemony, employing a feminist lens. Utilizing a descriptive qualitative approach, the study mines the rich textual landscape of 'Tarian Bumi' for instances of women's defiance. The methodology involves a meticulous examination of the novel, supplemented by insights from various secondary sources such as books, theses, articles, and news reports on women's struggles against patriarchy. Through a process of data reduction, classification, and validation, the researcher identifies recurring themes of resistance encoded within the text. The findings underscore a spectrum of challenges, encompassing traditional gender roles, marital expectations, familial constraints, religious and social inequalities, and instances of gender-based violence. These acts of resistance are articulated through diverse mediums including written expressions, philosophical reflections, and symbolic dances—a testament to the enduring struggle for justice. By illuminating these narratives of defiance, the research serves as a catalyst for critical reflection, urging readers to interrogate prevailing patriarchal paradigms and advocate for gender equity."
Co-Authors Everhad Markiano Solissa Jefriyanto Saud Listyaningsih Listyaningsih rahmi setiawati Weldemina Yudit Tiwery