Garuda - Garba Rujukan Digital

SENI DOLALAK PURWOREJO JAWA TENGAH: PERAN PEREMPUAN DAN PENGARUH ISLAM DALAM SENI PERTUNJUKAN Santosa, Djarot Heru
Jurnal Kawistara Vol 3, No 3 (2013)
Publisher : Sekolah Pascasarjana UGM

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (269.43 KB)

The role of women artists in the performing arts, also within the arts as well as the other broader life, inIndonesia, seems to be strengthening in recent years. It doesnât mean that it is a new issue, of course. Butperhaps it happened since Indonesia experiencing and witnessing a great change of mainstream withinit self since 1998; this issue, as well as the other critical issues gaining a more free momentum and spaceof expression. Of course, this still needs further scrutinization. The superiority of women is not limitedto the mith in which giving special space for them, but indeed women have strong key role as the escortof performing arts. Women have the central key in promoting traditional arts; however, there is womenrole shift in the stage of performing arts. Women artists in the culture posseses inevitable duality ofposition. They are praised as high as the sky, in the other hand they are also insulted, abused, and usedas a profit-making commodity. Besides their beautiful manner and behaviour, women are also capableof breaking through the boundary of culture. Women as the mother earth whoâs also identical withthe symbol of fertility, paragon, and the parameter of values and norms that is expected by the socialcommunity, are also capable of fulfilling the promises attached into the miths that praise and adorethem. Therefore, it is their nature that they have the central role in the success of a performing art bothtraditional and modern. Serious problems in the world of performing arts occur when women artists tryto promote tradition. Inner conflict uccur between their basic nature and their environemntal condition.In this case, pressures are not only coming from the social environment but also from within. In fact,the soul of tradition survives and sustain from their very hands. When the stage experiences shift, therole of women as the escort of the tradition is also fading. Performance industry does properly placestage women as a subject but only as a commodity to attarct the market for the capitalists. Together, weshould be able to solve this problem if we still want women to attend in the world of performing artsand change the world into a more colorful one.

Lyrics in The Dolalak Dance Purworejo Central Java as a Form of Islamic Folk Songs Santosa, Djarot Heru; Haryono, Timbul; Soedarsono, RM
Heritage of Nusantara: International Journal of Religious Literature and Heritage Vol 2, No 2 (2013)
Publisher : Center for Research and Development of Religious Literature and Heritage

Show Abstract | Download Original | Original Source | Check in Google Scholar

Dolalak dance is highly dependent on the power of the song lyrics, so it can be called a lyrical dance. The dancers will not be able to do perfect dance moventents only by musical accompaniment; the displacement and combination of dance movements are characterized by lyrics that accompany the songs. Thus, song lyrics have a very dominant role in the arrangement of the dance movements. Dolalak dance has approximately 64 types of movements. A one-night staging, as an illustration, usually begins with 13 types of movements, followed by a trance dance, and ends with 7 types of movements as the closing. Song lyrics in the Dolalak dance are mostly influenced by the nuances of Islamic teachings. This is proven by the presence of a lot of words and/ or terms in the song lyrics which are very close to the. Arabic words in Islamic teachings. More interestingly, as a form of folk songs used in the performance of traditional Javanese arts, the Arabic words are widely adapted to the speech or pronunciation of the local language, especially the Javanese one. As a result, the origin and meaning of certain words or terms in the lyrics are difficult to trace. However, it is understandable since sometimes words in the song lyrics are preferred to adjust particular sounds.

Tembang in Dolalak Performance Art: Structure, Meaning, and Deconstruction Santosa, Djarot Heru
Nuansa Journal of Arts and Design Vol 1, No 1 (2017): September
Publisher : Universitas Negeri Makassar

Dolalak is a type of folk performance art popular in the Purworejo Regency, Central Java Province. Its existence is often associated with another folk performance art called Angguk. Both forms of performance arts influence each other. Based on a study on a book written in 1938 by Th. Pigeaud with title on Javaanse Volksvertoningen (Javanese Folk Performance Arts), the name Angguk had been recorded at that time while Dolalak had not. Purworejoâ€™s Dolalak was initially popularized by three santris (religious students) named Rejotaruno, Duliyat, and Ronodimejo. One of the popular elements of Dolalak performance is tembang. These tembangs are a form of sung folk poetry. It takes form in the oral language, using the Javanese language and containing elements. Up to 2010, found 210 Dolalak successful song lyric documented in writing. Besides poetry, the other elements of the song is a song. Dolalak song has a number of variations of the songs are quite unique and interesting when sang his poems. Discussion of the above problems, used an umbrella approach to Performance Studies (Art Studies appearance), was the study of the use of the song in the show Dolalak used models of Jacques Derrida's theory of deconstruction. Special analysis of linguistic elements used Dolalak song lyric theory proposed formula Albert B. Lord. Analysis begins with the deconstruction reveal pre-existing construction, namely the assertion that Dolalak the nuances of Islamic arts, especially seen from the use tembangnya. Starting from the existing construction, it found kontrakdisi of actual reality. Such contradictions give rise to ideas or a new offer in the way of understanding of Dolalak seen from the song and use. This research has resulted in findings that means a new understanding of Dolalak as folk performances seen from the use of poetry tembangnya, namely that Dolalak an art form that is simple, straightforward, uncomplicated, irregular, choose words that are popular, easily understood, and choose the theme of daily life. Song lyrics Dolalak more concerned with sound rather than sense or meaning. This condition reflects populist Dolalak as performance art.

Pengkayaan Seni, Budaya dalam Mendukung Pariwisata Berkelanjutan di Kabupaten Magelang Muhamad, Muhamad; Santosa, Djarot Heru
Tourism Scientific Journal Vol. 9 No. 1 (2023): Desember 2023
Publisher : STIEPAR YAPARI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32659/tsj.v9i1.318

The main objective of this research is to assess the existence of diversity of cultural arts enrichment in order to become a sustainable tourism product with the criteria of protecting tourism, arts and culture of local communities in a directed and integrated manner to create something dynamic and selective. The enrichment of arts and culture in destinations has an assessment of the level of importance and level of quality based on indicators and supporting evidence that forms the criteria. The study method is carried out through qualitative descriptive analysis by revealing events or facts, circumstances, phenomena at the destination. The assessment is based on a systematic, factual description of the facts, characteristics and relationships between phenomena that occur at the destination which is measured through the level of importance and level of quality. Discussion of management at destinations with indicators in the form of a) natural sites. b) local culture, c) historical buildings d) rural landscapes, have varying levels of importance and quality. The rural landscape has a high level of importance and quality as an element of artistic and cultural enrichment in supporting quality tourism.

Lyrics in The Dolalak Dance Purworejo Central Java as a Form of Islamic Folk Songs Santosa, Djarot Heru; Haryono, Timbul; Soedarsono, RM
Heritage of Nusantara: International Journal of Religious Literature and Heritage Vol. 2 No. 2 (2013): HERITAGE OF NUSANTARA
Publisher : Center for Research and Development of Religious Literature and Heritage

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31291/hn.v2i2.109

Dolalak dance is highly dependent on the power of the song lyrics, so it can be called a lyrical dance. The dancers will not be able to do perfect dance moventents only by musical accompaniment; the displacement and combination of dance movements are characterized by lyrics that accompany the songs. Thus, song lyrics have a very dominant role in the arrangement of the dance movements. Dolalak dance has approximately 64 types of movements. A one-night staging, as an illustration, usually begins with 13 types of movements, followed by a trance dance, and ends with 7 types of movements as the closing. Song lyrics in the Dolalak dance are mostly influenced by the nuances of Islamic teachings. This is proven by the presence of a lot of words and/ or terms in the song lyrics which are very close to the. Arabic words in Islamic teachings. More interestingly, as a form of folk songs used in the performance of traditional Javanese arts, the Arabic words are widely adapted to the speech or pronunciation of the local language, especially the Javanese one. As a result, the origin and meaning of certain words or terms in the lyrics are difficult to trace. However, it is understandable since sometimes words in the song lyrics are preferred to adjust particular sounds.

Mapping Above-Ground Mangrove Ecosystems for Nature Tourism Routes to Support Sustainable Tourism Development in South Lembar Village, West Nusa Tenggara Muhamad, Muhamad; Santosa, Djarot Heru; Kardiyati, Endah Nurhawaeny; Putra, Mohammad Alief Rizky
Jurnal Pengabdian kepada Masyarakat (Indonesian Journal of Community Engagement) Vol 11, No 2 (2025): June
Publisher : Direktorat Pengabdian kepada Masyarakat Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jpkm.100828

This study employed a multifaceted approach to map and quantify the above-ground carbon (AGC) content of mangrove forests using multispectral data analysis. The scoring method involved assigning values to various parameters based on their landscape characteristics. The research was conducted at beach locations in South Lembar Village and Lembar Village. Fieldwork took place in mangrove areas from July to August 2024. Sampling locations were determined using a purposive sampling method, in which samples were selected based on specific landscape criteria. The study incorporated both primary and secondary data sources. Primary data were collected through in-situ measurements and sampling, while secondary data were obtained from literature reviews and relevant institutional databases. The Random Forest (RF) classification method demonstrated high efficacy in identifying mangrove ecosystems, achieving an overall accuracy (OA) of 0.968 and a Kappa coefficient of 0.918. These metrics indicate strong agreement between the classification results and ground truth data. The analysis revealed that mangrove ecosystems covered approximately 50.08 hectares in the study area, indicating significant potential for ecotourism development, particularly for trekking routes. This study contributes to the understanding of mangrove ecosystem distribution and its potential for sustainable tourism development, particularly as climate change adaptation initiatives. The high accuracy of the mapping results provides a reliable basis for informed decision-making in environmental management and ecotourism planning. Further studies may be needed to assess the carrying capacity of these ecosystems and to develop strategies for their conservation alongside sustainable tourism practices. The mangrove area still requires overall landscape development, with assessment results showing an average score of 6.3, indicating moderate conditions and a need for improvement.

Pendampingan Masyarakat Desa Ponjong, Kecamatan Ponjong, Kabupaten Gunungkidul dalam Menghidupkan Kembali Wisata Desa Pascapandemi COVID-19 Tahun 2020 Hendrokumoro , Hendrokumoro; Santosa, Djarot Heru
Bakti Budaya: Jurnal Pengabdian kepada masyarakat Vol 5 No 2 (2022): 2022: Edisi 2
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/bakti.2464

Ponjong Village, particularly natural tourism, owns quite a tourism potential. One of them is Umbul Ponjong, a kind of natural water source developed to be Ponjong Water Byur, equipped with various playgrounds for children. It has been a favorite tourism object in Ponjong. In its surrounding, there is an orchard that is being developed and rice fields. Previously, the tourism destination was growing until the Covid-19 pandemic stroked by March 2020. As a result, it was almost closed due to its inability to generate income for its operational cost. On the contrary, the Ponjong Water Byur was the rural economic center. To the facts, there is a need to get a party outside the local community to collaborate in developing the Ponjong Water Byur particularly. The development actions can be any support in terms of encouragement and innovations to raise the rural economy in Ponjong from the tourism sector. As a follow-up, the Javanese Literature Study Program of Universitas Gadjah Mada was eager to support the Ponjong Village, particularly Ponjong Water Byur tourism actors and the Muda Karya Raya farmer group through Community Engagement Activities. ==== Desa Ponjong sebenarnya memiliki potensi wisata yang menarik, khususnya di bidang sumber daya alam. Salah satu contoh wisata di bidang sumber daya alam berupa sumber air atau yang lebih dikenal dengan Umbul Ponjong (sekarang sudah dikembangkan menjadi Water Byur Ponjong), yakni kolam renang dengan aneka permainannya yang menjadi objek wisata unggulan di Desa Ponjong. Lokasi ini juga memiliki kebun buah yang sedang dalam tahap pengembangan serta area persawahan. Potensi-potensi wisata tersebut sudah mulai berkembang, tetapi adanya pandemi COVID-19 di Indonesia sejak Maret 2020 mengakibatkan kunjungan wisata ke lokasi ini menurun drastis, bahkan objek wisata tersebut nyaris ditutup. Padahal, sektor wisata ini merupakan salah satu penggerak perekonomian di Desa Ponjong. Berdasarkan fakta tersebut, diperlukan “sentuhan tangan” dari pihak lain di luar masyarakat desa untuk membantu. Bantuan yang diberikan dapat dilakukan dengan cara memberi semangat dan inovasi bagi perkembangan sektor ekonomi desa, khususnya di bidang wisata, seperti Water Byur dan sekitarnya. Program pengabdian kepada masyarakat Program Studi Sastra Jawa hadir untuk memberi pancingan inovasi dalam membantu kebangkitan kembali potensi Desa Ponjong. Sasaran dari pelaksanaan program ini adalah masyarakat atau komunitas di Desa Ponjong, khususnya komunitas pelaku wisata Water Byur Desa Ponjong dan kelompok tani Muda Karya Raya.

Title

Found 7 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 7 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 7 Documents
Search