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All Journal Jurnal Humanitas: Katalisator Perubahan dan Inovator Pendidikan Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora (KAGANGA)
Nurul Hikmah
Universitas Hamzanwadi
Social Sciences

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Teknik Vokal pada Kesenian Burdah Hary Murcahyanto; Yuspianal Imtihan; Mohzana Mohzana; Nurul Hikmah
Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora Vol 4 No 1 (2021): Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora
Publisher : Institut Penelitian Matematika, Komputer, Keperawatan, Pendidikan dan Ekonomi (IPM2KPE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (755.748 KB) | DOI: 10.31539/kaganga.v4i1.2006

Abstract

The purpose of this study was to describe the vocal techniques used in singing Burdah's verse. This research uses descriptive qualitative method. The object of research is focused on vocal technique problems while the research subject is Jama'ah Burdah Al-Istiqlal, East Lombok. The results showed that the Burdah vocal technique had to use special lyrics or Barzanji. Not all of the vowel articulations are pronounced clearly according to the Arabic language. Burdah is sung at a slow tempo with a speed value of 60-63 (Larghetto). The dynamics at the beginning of the rhyme will sound louder and louder after which the same until the end except at the beginning again because the same rhythm is repeated. Frashering said to Burdah that he always welcomed each other so that the chanting would not break. Uses abdominal and upper resonance breathing as it is very influential on high notes. The conclusions of the study were found regarding the use of special rhymes, not all of the articulations were pronounced clearly, slow tempo, moderate dynamics, getting louder and repetitive, unbroken word decapitation, using abdominal breathing and upper resonance. Keyword: Burdah, Religious Art, Vocal Technique
Nilai-Nilai Kearifan Lokal dalam Tari Gagak Mandiq dan Relevansinya terhadap Kehidupan Sosial Masyarakat Lenek Daya Lombok Timur Nurul Hikmah; Syahrul Amar; Suhupawati Suhupawati; Lalu Wahyu Andi Purnama
Jurnal Humanitas: Katalisator Perubahan dan Inovator Pendidikan Vol 11 No 4 (2025): Desember
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/jhm.v11i4.36570

Abstract

Traditional dance is a cultural archive that preserves the knowledge, values, and life orientation of its supporting community. This study examines the history of the Gagak Mandiq Dance, identifies local wisdom represented through its performance elements, and analyzes its relevance to the social life of the Lenek Daya community in East Lombok. A qualitative field-research design was employed. Data were collected through observation, in-depth interviews with nine informants representing the village government, art studio management, performers, community leaders, residents, and youth, as well as documentation. Data analysis involved reduction, display, and conclusion drawing, while source and technique triangulation were used to strengthen credibility. The findings show that Amaq Raya created the Gagak Mandiq Dance in 1956 after observing a crow bathing. The movements of ngindang, nyengkeng, bowing, flapping, trembling, and cleansing the body form a symbolic system that communicates balance between humans and nature, ecological awareness, humility, patience, courage, physical and spiritual purity, togetherness, mutual cooperation or besiru, and proper conduct. These values remain relevant because they are connected to the practices of besiru and begibung, character education for younger generations, religiosity, communal identity, and village social activities. Preservation through the Teruna Bebadosan Art Studio, village-government support, education, digital documentation, and adaptive performance packaging is therefore necessary. Adaptation should improve accessibility and attractiveness without separating the dance from the meanings, memories, and social practices through which the Lenek Daya community recognizes it as a living cultural identity.
Co-Authors Hary Murcahyanto Lalu Wahyu Andi Purnama Mohzana Suhupawati, Suhupawati Syahrul Amar Yuspianal Imtihan