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Journal : Jurnal ASPIKOM

Interaksi Antarmanusia melalui Media Sosial Facebook Mengenai Topik Keagamaan Benedictus A Simangunsong
Jurnal ASPIKOM - Jurnal Ilmu Komunikasi Vol 3, No 1 (2016): Juli 2016
Publisher : Asosiasi Pendidikan Tinggi Ilmu Komunikasi (ASPIKOM)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1271.562 KB) | DOI: 10.24329/aspikom.v3i1.99

Abstract

Human interaction has shifted with the advent of new media, the internet, especially with the presence of social media. The keyword of social media is a medium intended to share among individuals in order to achieve a better quality of life. The resarch aims finding human interaction trend influenced by social media i.e. Facebook, by looking at the content of the message delivered in sensitive issues phenomena, such as religious belief. Data analysis has been done through descriptive qualitative based on Martin Buber. These result indicates that interaction model can be established if the content of the message delivered in accordance with the wishes of communication, often obtained a description of the interaction that can be done by users against other users so that the purpose of the use of social media can be achieved.
Konstruksi Diri dan Pengelolaan Kesan pada Ruang Riil dan Ruang Virtual Benedictus A. Simangunsong
Jurnal ASPIKOM - Jurnal Ilmu Komunikasi Vol 1, No 1 (2010): Juli 2010
Publisher : Asosiasi Pendidikan Tinggi Ilmu Komunikasi (ASPIKOM)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (528.563 KB) | DOI: 10.24329/aspikom.v1i1.6

Abstract

The development of technology, especially in media, has affected the form of self and interaction in everyday life. In real life situation, humans actually have face to face interactions and they can see others’ given and given-off behaviors. However, when the internet becomes one of the tools for interaction with others, a different forms of self and interaction emerge. It means we are doing an interaction in the mediated world which we call as interpersonal mediated communication. In this era, we do not know exactly the kind of people we communicate with, so one of ways to know about others is from the impression they give us; which is call a front stage. In this paper I introduce how the dramaturgical concept, especially the Impression Management, from Erving Goffman can be used to describe how people interact in the virtual world.
Evolusi Saluran Interaksi di Era Internet Benedictus Arnold Simangunsong
Jurnal ASPIKOM - Jurnal Ilmu Komunikasi Vol 1, No 3 (2011): Juli 2011
Publisher : Asosiasi Pendidikan Tinggi Ilmu Komunikasi (ASPIKOM)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (192.9 KB) | DOI: 10.24329/aspikom.v1i3.21

Abstract

The development and advancement of technology affects how man interacts with others. The revolution of society interaction which was proposed by Straubhaar and LaRose, from pre-farming society to a farming society, into an industrial society, which was marked by the label of industrial revolution, to the information society, which is marked by the information revolution, shifted the way and man’s attitudes both in terms of economy and interaction. In the information society, the revolution also takes place in message delivery, where face-to-face was common at first, to textual and visual delivery, which is a change in the internet era.
The meaning of universality in the Indonesian Idol television program format Benedictus Arnold Simangunsong; Gamaliel Paulus Setianugraha
Jurnal ASPIKOM - Jurnal Ilmu Komunikasi Vol 9, No 1 (2024): Jurnal ASPIKOM
Publisher : Asosiasi Pendidikan Tinggi Ilmu Komunikasi (ASPIKOM)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24329/aspikom.v9i1.1345

Abstract

Competition between television in Indonesia encourages the existence of a television program planning strategy, mainly to buy the concept of a television format that has been successful in other countries by adopting its success. Of course, the adoption that is carried out requires adaptation to the culture that exists in a country, in this case, through research on the Indonesian Idol event. When adaptation occurs and there are local factors such as the cultural, psychological, and physical factors of the audience, it is at that point that it is questionable whether it is about the meaning of the universality of an adopted show program. With case study methods and constructivism paradigms, as well as data collection through interviews with key informants from Freemantle, RCTI, and the audience. From the data processing, it was found that the meaning of universality is divided into three categories, namely, competition, narrative, and participation, and the meaning of emotion has two categories, namely, as a response and as an effect of contagion.