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AYAT-AYAT CINTA : HEGEMONI, SUBJEKTIVIKASI, DAN BUDAYA MASSA Ramayda Akmal
LITERASI: Indonesian Journal of Humanities Vol 2 No 2 (2012)
Publisher : Faculty of Humanities, Jember University

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This article discusses the ideological aspects of the Ayat-Ayat Cinta novel. It is shown that the willingness for hegemony always goes hand in hand with the willingness for obtaining broader readership. Many interests are put in it with an assumption of the dominated subjects growing in number, but at the same time, the offered values have never been fully accepted as the dominating group expects. (Islamic group surrounding Habiburrahman El Shirazy). The text of AAC is full of tension between the two conflicting interests. On one hand, Islam is presented as universal, but on the other hand particular. Islam is also considred complete, but sometime needs the world to perfect itself. This condition is presented in the AAC for a particular reason. Islam-ness in the AAC is Islam that should be accepted by the mass. Islam-ness becomes an economic commodity. Therefore, AAC has to present a dynamic hegemony in which there is negotiation and resistance.Keywords: Islamic novel, ideology, Ayat-Ayat Cinta

KRITIK SASTRA MARXIS FREDRIC JAMESON: TEORI DAN APLIKASINYA Ramayda Akmal
POETIKA Vol 1, No 1 (2013): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v1i1.10385

AbstractThis paper is a review and preparation of concepts and ideas developed by Fredric Jameson in the realm ofliterature. From three main books, namely Marxism and Form, The Political Unconscious and Postmodern, or TheCultural Logic of Late Capitalism, Jameson this paper formulated the idea to produce a theoretical and methodologicalframework trace. With the same source as well, affecting the general idea and provide the basic foundation for thinkingJameson as Marxism, psychoanalysis and postmodernism will be presented.Keywords: Fredric Jameson, Marxism, Literary Works

SUBJEKTIVITAS PRAMUDYA ANANTA TOER DALAM NOVEL PERBURUAN KAJIAN PSIKOANALIS HISTORIS SLAVOJ ZIZEK Ramayda Akmal
JENTERA: Jurnal Kajian Sastra Vol 4, No 1 (2015): Jurnal Jentera
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v4i1.381

Penelitian ini menguraikan subjektivitas Pramoedya Ananta Toer dalam tindakannya menulis novel Perburuan. Tindakan itu bertujuan untuk membangun jarak dan melepaskan diri dari jerat Yang Simbolik. Penelitian dalam perspektif ini perlu dilakukan sebab beberapa penelitian terhadap Pram sebelumnya selalu melihat diri dan karyanya sebagai representasi dimensi simbolik tanpa memperhatikan fakta-fakta bahwa Pram juga menunjukkan penolakan frontal terhadap Yang Simbolik itu. Penelitian ini menggunakan konsep subjektivitas yang dirumuskan oleh Slavoj Zizek, di mana subjek selalu terdiri atas komponen Yang Riil, Yang Imajiner dan Yang Simbolik. Penolakan terhadap Yang Simbolik dilakukan ketika muncul kekurangan (lack) akibat Yang Simbolik berupaya untuk terus mentotalisasi. Kesadaran bahwa ada yang kurang membuat subjek terus berjalan meninggalkan Yang Simbolik menuju Yang Riil dan menjadi subjek yang otentik. Dalam perspektif inilah tindakan Pram menulis novel Perburuan akan dicermati. Untuk mengetahui berbagai dimensi simbolik yang ada dalam novel Perburuan dan bagaimana Pram menyikapinya, peneliti menggunakan metode analisis sudut pandang Tzetan Todorov. Pergerakan sudut pandang Pram sebagai narator di dalam cerita, hubungannya dengan tokoh lain, keterlibatan dan sikap-sikapnya terhadap peristiwa-peristiwa tertentu menjadi indikasi subjektivitas Pram secara menyeluruh. Apa yang ada di dalam novel Perburuan dan sikap Pram sebagai narator di dalamnya kemudian ditarik keluar dan dilihat kemungkinan homologi struktural dan kulturalnya dengan konteks historis Pram kala itu. Apa yang dapat dilihat di dalam cerita serta apa yang terjadi terhadap novel itu secara keseluruhan menjadi satu kesatuan tindakan yang dapat menunjukkan karakter subjektivitas Pram. Hasil penelitian ini menunjukkan bahwa subjektivitas Pram ketika melakukan tindakan penulisan novel Perburuan menunjukkan karakteristik yang dapat dikatakan radikal terhadap beberapa dimensi simbolik yang dominan di sekelilingnya. Dimensidimensi tersebut antara lain, dimensi familialisme, feodalisme, nasionalisme dan humanisme. Karakter radikal juga tampak dari keseluruhan proses penciptaan novel Perburuan, mulai dari aspek waktu dan tempat penciptaan, homologi cerita novel dengan kehidupan Pram, serta tema-tema yang muncul di dalamnya. Tindakan-tindakan radikal emansipatif tersebut memunculkan perubahan Yang Simbolik di sekitar Pram sekaligus dalam momen bersamaan menarik subjektivitas Pram kembali kepada Yang Simbolik.

SUBJEKTIVITAS NOMADIK DALAM NOVEL GENTAYANGAN KARYA INTAN PARAMADITHA Ramayda Akmal
20-87-2496
Publisher : Universitas Negeri Makassar

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This study aims to formulate construction of subjectivity that presented in the novel Gentayangan written by Intan Paramaditha. An analysis to the representation of the major components of subjectivity, such as the World, the Self and the Other is the mainstay of this process. Using the method of qualitative and descriptive analysis, and theoretical concepts on travel literature, subjectivity, and nomadic subject, this study concludes that the work has represented the subjectivity of nomadic woman; who is floating in the World, transcending the boundaries between the Self and the Other, and is between the desire to roam freely and to return home.

Isinga: Objectification and Abjection in Women Wafa, Abu; Akmal, Ramayda
GHANCARAN: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol. 5 No. 2 (2024)
Publisher : Tadris Bahasa Indonesia, Fakultas Tarbiyah, Institut Agama Islam Negeri Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/ghancaran.v5i2.8753

Isinga (2015) by Dorothea Rosa Herliany tells about the downturn of women so that they often become objects of the patriarchal system adopted by the local culture as well as the potential to cause abjection of female figures. This study attempts to analyze Isinga (2015) with Kristeva's perspective on abjection and Calogero's objectification of women. By using qualitative methods, this study used a feminist approach to see gender inequality in the novel. The results obtained from this study are that Irewa experienced objectification, which then continued to become an abjection. Irewa's objectification occurred because her husband, Malom, made her a sexual object. Jingi only received abjection since she was born because she was born with twins with Irewa, one of whom had to be thrown away so that the village would not be in danger.Isinga (2015) by Dorothea Rosa Herliany tells about the downturn of women so that they often become objects of the patriarchal system adopted by the local culture as well as the potential to cause abjection of female figures. This study attempts to analyze Isinga (2015) with Kristeva's perspective on abjection and Calogero's objectification of women. By using qualitative methods, this study used a feminist approach to see gender inequality in the novel. The results obtained from this study are that Irewa experienced objectification, which then continued to become an abjection. Irewa's objectification occurred because her husband, Malom, made her a sexual object. Jingi only received abjection since she was born because she was born with twins with Irewa, one of whom had to be thrown away so that the village would not be in danger.

Pelatihan Menulis Esai Destinasi Wisata sebagai Upaya Pemberdayaan Masyarakat untuk Mempromosikan Potensi Wisata di Gunung Kidul Dewojati, Cahyaningrum; Sugihastuti, Sugihastuti; Akmal, Ramayda; Kurniawati, Wira
Jurnal Pengabdian Masyarakat: Darma Bakti Teuku Umar Vol 5, No 2 (2023): Juli-Desember
Publisher : Universitas Teuku Umar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35308/baktiku.v5i2.8373

This community service activity aims to empower the community to write essays containing the introduction and promotion of tourism potential around Gunungkidul Regency. Gunungkidul is a district in the Special Region of Yogyakarta which has a lot of tourism potential, ranging from nature (such as beaches, caves, lakes, forests, hills, etc.), culture (culinary, performing arts), to historical sites, and so on, which developed by the government and private stakeholders. The target community for this workshop are members of the Pelita Gunungkidul Community whose members are educators who are also writers and literacy activists in Gunungkidul. The number of participants in this activity was 34 people. The method used is the lecture method to provide material, questions and answers, discussions, direct guidance during the writing process, both offline and in bold, and the editing process for participants' writing. The results obtained are an increase in participants' writing skills, mastery of essay material, increased understanding of tourism potential in the Gunungkidul area, and a joint anthology book with ISBN containing travel essays written by workshop participants. The book will then be distributed more widely to the people of Yogyakarta and its surroundings.

Visi Kolonial dan Mimpi Kosmopolitan: Representasi Indonesia dan Thailand dalam Catatan Perjalanan Barat Kontemporer Akmal, Ramayda
Dialektika: Jurnal Bahasa, Sastra, dan Pendidikan Bahasa dan Sastra Indonesia Vol 10, No 1 (2023)
Publisher : Department of Indonesia Language and Literature Teaching, UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/dialektika.v10i1.31617

This article investigates the representation of Indonesia and Thailand in contemporary Western travel writing, focusing primarily on how this cultural production presents the two countries temporally and spatially. Furthermore, it elaborates the rhetorics of colonial legacy and cosmopolitan vision within the representation process. To solve its research problems, this study applies several concepts, including the concept of travel writing, the concept of subjectivity, the concept of colonial legacy, and the concept of cosmopolitan vision. This research is carried out methodologically through a hermeneutic reading of the studied works by also considering the external factors that influence them. For this research, a sample of three works of western travel writing published in the past few decades and written by western travel writers from variety of backgrounds, were selected. They are Paul Theroux's The Great Railway Bazaar (1976); Pico Iyer's Video of Night at Kathmandu (1988); and Robert Kaplan's Monsoon, The Indian Ocean and the Future of American Power (2010). This study finds that Indonesia and Thailand have been represented diversely in contemporary western travel writing, creating discourses that are influenced by colonial legacy or cosmopolitan vision.

Visi Kolonial dan Mimpi Kosmopolitan: Representasi Indonesia dan Thailand dalam Catatan Perjalanan Barat Kontemporer Akmal, Ramayda
Dialektika: Jurnal Bahasa, Sastra, dan Pendidikan Bahasa dan Sastra Indonesia Vol. 10 No. 1 (2023)
Publisher : Department of Indonesia Language and Literature Teaching, UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/dialektika.v10i1.31617

This article investigates the representation of Indonesia and Thailand in contemporary Western travel writing, focusing primarily on how this cultural production presents the two countries temporally and spatially. Furthermore, it elaborates the rhetorics of colonial legacy and cosmopolitan vision within the representation process. To solve its research problems, this study applies several concepts, including the concept of travel writing, the concept of subjectivity, the concept of colonial legacy, and the concept of cosmopolitan vision. This research is carried out methodologically through a hermeneutic reading of the studied works by also considering the external factors that influence them. For this research, a sample of three works of western travel writing published in the past few decades and written by western travel writers from variety of backgrounds, were selected. They are Paul Theroux's The Great Railway Bazaar (1976); Pico Iyer's Video of Night at Kathmandu (1988); and Robert Kaplan's Monsoon, The Indian Ocean and the Future of American Power (2010). This study finds that Indonesia and Thailand have been represented diversely in contemporary western travel writing, creating discourses that are influenced by colonial legacy or cosmopolitan vision.

Expanding the Horizons of Indonesian Literary Criticism: A Review of Ruang-Ruang Kemungkinan dalam Kritik Sastra Akademik by Saeful Anwar Akmal, Ramayda
Humaniora Vol 37, No 1 (2025)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jh.103283

This book serves as a significant contribution to the discourse on literary criticism in Indonesia by effectively addressing the gaps left by existing critical works. One of its strengths lies in its balanced analysis, which considers both structure and content while engaging in a thorough dialectical exploration of internal and external elements. Anwar’s writing style stands out for its flexibility, benefiting from his unique perspective as both an academic and a literary author. This dual identity allows him to maintain intellectual rigor without succumbing to the constraints of overly formal academic language.

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