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AMBIVALENSI DAN KUASA PEREMPUAN TERJAJAH DALAM KARINA ADINDA: LELAKON KOMEDIE HINDIA TIMOER DALEM TIGA BAGIAN Dewojati, Cahyaningrum
ATAVISME Vol 20, No 1 (2017): ATAVISME
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v20i1.257.1-13

Penelitian ini bertujuan untuk mengungkap ambivalensi dan resistensi yang dipresentasikan tokoh perempuan terhadap kolonialisme Belanda dalam teks drama Karina Adinda. Adapun masalah yang dianalisis adalah ambivalensi, resistensi, dan kuasa perempuan terjajah yang terefleksi dalam teks drama Karina Adinda karya Liauw Giok Lan. Teori yang digunakan untuk menganalisis adalah teori feminisme pascakolonial yang berhubungan dengan budaya-budaya dari bangsa yang mengalami imperialisme Eropa dan cara elite pribumi dan peranakan melestarikan pola-pola kekuasaan atau dominasi kolonialisme. Metode yang digunakan dalam penelitian ini adalah metode kualitatif yang menghasilkan data deskriptif berupa kata-kata tertulis. Dari hasil analisis diketahui bahwa praktik penjajahan/kolonialisasi selalu menghasilkan kontak budaya dan interaksi antara kaum penjajah dan kaum terjajah. Dalam teks drama Karina Adinda, kontak bu-daya dan interaksi tersebut berupa hibriditas, mimikri, ambivalensi, dan resistensi yang diperlihat-kan oleh tokoh-tokoh perempuan, yakni Karina dan Raden Ajoe. [Title: Ambivalence and Power of Colonized Woman in Karina Adinda: Lelakon Komedie HindiaTimoer dalem Tiga Bagian]. This research aims to reveal the ambivalence and resistance presented by female character against colonialism in the text of Karina Adinda drama. The issues analyzed in this research are ambivalence, resistance, and the power of colonized women reflected in Liauw Giok Lan?s drama, Karina Adinda. The theory used in this study is postcolonial feminism that is associated with the cultures of people who experienced European imperialism and t he way native elite and peranakan preserved patterns of power and colonial domination. The method used in this study is the qualitative method that produces descriptive data in the form of written words. The analysis results show that the practice of colonization always produces cultural contacts and interactions between the colonizers with the colonized. In the Karina Adinda text drama, those cultural contacts and interactions are in the forms of hybridity, mimicry, ambivalence and resistance which demonstrated by figures of women, namely Karina and Raden Ajoe.

Konsep Habitus Bourdieu dan Dinamika Masyarakat Tionghoa dalam Pendidikan Jang Kliroe dan Korban Dari Peroentoengan Dewojati, Cahyaningrum; Nadhilah Nurtalia
Arif: Jurnal Sastra dan Kearifan Lokal Vol. 3 No. 1 (2023): Arif: Jurnal Sastra dan Kearifan Lokal
Publisher : Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/Arif.031.01

Sastra peranakan Tionghoa sebelum Indonesia merdeka adalah pioneer sastra modern Indonesia. Karya-karya yang dihasilkan oleh pengarang Tionghoa banyak merefleksikan dinamika sosial dan budaya masyarakat pada masa itu. Sebagian dari mereka berhasil memasuki kelas sosial baru sekaligus membangun kultur yang baru pula. Penelitian ini bertujuan mengkaji habitus, modal, serta kritik pengarang terhadap aspek gaya hidup dan pendidikan kalangan Tionghoa dalam Pendidikan Jang Kliroe karya Lauw Giok Lan dan Korban dari Peroentoengan karya Gan Tjian Lie. Metode analisis yang digunakan adalah metode deskriptif analitis. Hasil penelitian ini menunjukkan terdapat habitus tertentu yang menarik yang muncul melalui tokoh dalam novel PJK dan KDP, sementara modal yang dimiliki antara lain modal ekonomi, modal sosial, dan modal budaya. Lauw dan Gan menggunakan karya mereka sebagai sarana kritik terhadap permasalahan yang menjangkiti masyarakat kelas atas Tionghoa di Hindia Belanda, seperti perilaku konsumerisme kalangan hartawan Tionghoa dan efek-efek negatif dari pendidikan ala Barat yang diterima oleh anak-anak muda Tionghoa.

Representasi Etnis Melalui Fokalisasi Dalam Novel Peroesoehan di Koedoes Karya Tan Boen Kim (Sebuah Analisis Naratologi) Rosalita, Rosalita; Dewojati, Cahyaningrum
Metahumaniora Vol 14, No 1 (2024): METAHUMANIORA, APRIL 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v14i1.51214

Novel Perosesoehan di Koedoes karya Tan Boen Kim merupakan catatan novelisasi sejarah perusuhan anti-Cina di Kudus tahun 1918 yang diakibatkan konflik etnis antara pribumi dan Tionghoa yang terjadi karena faktor paradigma struktural, yaitu adanya masalah ekonomi diakibatkan dari perebutan sumber daya – teritorial perekonomian dan perebutan tenaga kerja. Penelitian ini bertujuan untuk menganalisis novel Peroesoehan di Koedoes dengan menggunakan teori naratologi Gerard Genette mengenai fokalisasi. Fokalisasi berasal dari kata fokus yang berarti kancah perhatian, perspektif cerita, atau sudut pandang yang nantinya untuk melihat sudut pandang secara sosiologis mengenai keberadaan fakta, bagaimana dan dari sudut mana tokoh-tokoh dan kejadian dilihat. Selanjutnya, peneliti akan melihat bagaimana representasi etnis yang muncul dari bentuk fokalisasi yang digunakan oleh pengarang. Metode yang digunakan adalah deskriptif kualitatif dengan menganalisis teks kemudian mengaitkannya dengan teori fokalisasi Gerard Genette. Sumber data merupakan narasi dan dialog antar tokoh dalam novel Peroesoehan di Koedoes karya Tan Boen Kim. Hasil penelitian menunjukkan bahwa novel Peroesoehan di Koedoes menggunakan dua teknik fokalisasi, yaitu fokalisasi nol (zero focalization) dan fokalisasi internal (internal focalization). Fokalisasi nol yaitu narator mahatahu ditempati oleh pengarang. Ia menempatkan dirinya dalam setiap rangkaian peristiwa yang ada, bahkan Tan Boen Kim dapat mengetahui berbagai fakta tentang beberapa tokoh, bentuk fisik, gerakan, cara berpikir hingga perasaan mereka. Selanjutnya adalah fokalisasi internal di mana beberapa tokoh memfokalisasi tokoh lainnya, untuk menjelaskan sifat tokoh lainnya. Representasi etnis yang terjadi dalam novel Peroesoehan di Koedoes adalah representasi etnis pribumi dan etnis Tionghoa. Etnis pribumi digambarkan sebagai orang yang pelit dan hanya tahu di untung saja dan tidak memperhatikan nasib para kuli. Ini berbanding terbalik dengan etnis Tionghoa yang digambarkan oleh Tan Boen Kim dalam novelnya, bahwa mereka memiliki kemurahan hati, mau memberikan utang/vorschoot, jujur dalam berdagang, dan mau memperhatikan nasib para kulinya.

IDENTITAS DAN PERGERAKAN PEREMPUAN PERANAKAN TIONGHOA DALAM NOVEL BERGERAK? KARYA TAN BOEN SOAN (Peranakan Chinese Women’s Identity and Movement in Tan Boen Soan’s Bergerak?) Dewojati, Cahyaningrum; Nurtalia, Nadhilah
Kandai Vol 19, No 1 (2023): KANDAI
Publisher : Kantor Bahasa Provinsi Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jk.v19i1.4116

The social identity of women of Chinese descent (peranakan) in Dutch East Indies was affected by numerous aspects, which later developed into their consciousness about identity and environment. In the context of the women’s movement, the diversity of social identity of these women of Chinese ancestry contributed to the dynamic development, as portrayed in a novel titled Bergerak? (Let us move?). Through social identity theory, organizational behavior and feminist literary criticism, especially Chandra Mohanty on intersection, this study aims to examine the social categories that affect the identity of women of Chinese descent and the author’s on the problems of Chinese peranakan women in a novel titled Bergerak? The result of the study shows that the social identity of women of Chinese descent is influenced by the social categorization such as social and economic status, culture representation, and ideologies that are intertwined or intersected each other. Nevertheless, the author’s criticism to the problems in the women’s movement organization is also clouded by gender bias affecting the author’s perspective on women’s contribution to the organization Identitas sosial yang dimiliki oleh perempuan peranakan Tionghoa di Hindia Belanda dipengaruhi oleh berbagai aspek. Hal ini kemudian mempengaruhi kesadaran para perempuan tersebut terhadap jati diri dan lingkungan mereka. Dalam konteks pergerakan perempuan, keragaman identitas sosial para perempuan peranakan Tionghoa ini ikut memberikan dinamika tersendiri dalam proses perjalanannya, seperti yang tertuang dalam novel Bergerak?. Melalui teori identitas sosial, perilaku organisasi dan kritik sastra feminis, khususnya Chandra Mohanty tentang intersection, penelitian ini bertujuan mengkaji kategori sosial yang mempengaruhi identitas perempuan peranakan Tionghoa serta sudut pandang pengarang terhadap permasalahan perempuan peranakan Tionghoa di dalam organisasi pergerakan perempuan dalam Bergerak?. Hasil penelitian ini menunjukkan bahwa identitas sosial dari para perempuan peranakan Tionghoa dipengaruhi oleh kategori-kategori sosial seperti status sosial dan ekonomi, representasi budaya, dan ideologi yang berkelindan atau interseksi satu sama lainnya. Di sisi lain, kritik pengarang terhadap berbagai permasalahan yang muncul dalam organisasi pergerakan perempuan juga diliputi bias gender yang mempengaruhi sudut pandang pengarang tentang keterlibatan perempuan dalam organisasi pergerakan perempuan.

PENYAKIT KULIT SEBAGAI PEMBANGUN STRUKTUR NARATIF: TINJAUAN NARATOLOGIS HIKAYAT AGUNG SAKTI KARYA MUHAMMAD BAKIR Dewojati, Cahyaningrum; Winarti, Daru; Udu, Sumiman; Windayanto, Riqko Nur Ardi
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

This research aims to discover the role of skin diseases in the narrative structure of M. Bakir’s Hikayat Agung Sakti as well as its surrounding ideological, social, political, and cultural contexts. Mieke Bal’s narratological theory was applied to map and analyze the elements of the fabula: event, time, actor, and location. Methodologically, this research consisted of two levels: text and context. At the first level, lingual data were collected using the note-taking technique and then explained interpretatively using relevant theoretical concepts. At the second level, data were collected through literature study on ideology and context. The text and context data were explained through dialectics and interreference. This research yielded several main results. First, skin diseases (itches, smallpox, scabs, and Tinea corporis) are attached to the elements of the fabula. These diseases change circumstances, shape events and time, infect the characters (the Gods), and change the locations (from heaven to earth). Skin diseases were found to be the building block of the narrative structure. In this role, skin diseases become a means of articulating Islamism. This narrative is linked to the development of Islam in Malay-speaking lands and political resistance to polytheistic Hinduism, which is placed in opposition to the monotheistic Islam which places Allah as the only deity. This ideology was articulated and written down as a literary work to be disseminated among local Straits-born Chinese. This is also contextually related to the issues of manuscript rental, diseases in Malay tradition, and spread of diseases in Batavia in the 19th century.

Women, Culture and Postcolonial Feminism in Siti Kartini by L. Suma Tjoe Ekaristi, Lidwina Putu Gratia; Sabrina, Renanda Putri; Dewojati, Cahyaningrum
International Journal of Multidisciplinary Sciences Vol. 3 No. 1 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ijms.v3i1.3897

During the colonial period, bumiputera women were positioned at the lowest social strata viewed as unintelligent, powerless, and lacking value. The culture of oppression that prevailed at the time reduced these women, including those of noble lineage, to objects of service exchange among the socially inferior. This structural subjugation and marginalization are critically represented in L. Suma Tjoe Sing's novel Siti Kartini, which serves as the material object of this research. The primary objective of this study is to explore and narrate the forms of resistance shown by bumiputera female characters against colonial oppression within the novel. Utilizing the framework of postcolonial feminism, which examines the intersection of gender and colonial power structures, this study employs a qualitative descriptive method to analyze the text. The findings indicate that colonization inevitably leads to cultural contact and interaction between colonizers and the colonized, often resulting in the systemic oppression of the latter. Within this context, women become doubly marginalized—both as colonized subjects and as females prompting them to engage in various forms of resistance. The novel Siti Kartini illustrates that bumiputera women, despite being socially oppressed, possess the agency and determination to challenge colonial and patriarchal domination.

Abjection towards Women by Tribes and the State in the Niduparas Erlang’s Burung Kayu Dewojati, Cahyaningrum; Windayanto, Riqko Nur Ardi
Buletin Al-Turas Vol 31, No 1 (2025): Buletin Al-Turas
Publisher : Fakultas Adab dan Humaniora, UIN Syarif Hidayatullah Jakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/bat.v31i1.41286

PurposeThis research aimed to reveal the process of abjection experienced by women by the tribes and the state with its developmentalism ideology in the Burung Kayu by Niduparas Erlang. It also explores the implications of these two regimes, which ultimately contribute to women’s abjection. MethodThis research employed notetaking and literature review techniques for collecting the data. Linguistic data depicting abjection in the novel were interpreted by the researcher according to Julia Kristeva’s theory of abjection. The analysis was supplemented with findings from previous research. Results/findingsThis research presented several findings. Women experienced abjection because the Mentawai tribe practiced a paternalistic culture. This culture reinforced abjection towards women, especially when state intervention with developmentalism ideology was introduced. This development did not provide opportunities for women. Women were abjected as they adhere to their husbands’ will, rather than their own desires. This research sheded light on the fact that although the tribal and state regimes might seem contradictory, they fundamentally reinforce each other in positioning women as abject. ConclusionThis research concluded that abjection was multidimensional, as gender intersected with tribal and state elements supported by developmentalism ideology.

Racial and Cultural Identity in Chinese Peranakan Literature: Cerita Satu Ibu Tiri yang Pinter Ajar Anak Dewojati, Cahyaningrum; Ekaristi, Lidwina Putu Gratia
Metta : Jurnal Ilmu Multidisiplin Vol. 5 No. 3 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/metta.v5i3.4747

The diversity of Indonesia's identity and culture as a heterogeneous country cannot be separated from the character of the Indonesian nation, which has been inclusive from the start. The Chinese, Arab, Indian, and European diaspora during the colonial period made Indonesia's big cities a melting pot where various ethnicities, races, and cultures met. Authors, including Peranakan Chinese, were generally educated people. Their writing reflects the dialectics and dynamics between cultures, both from the Peranakan Chinese community and the native people, Europeans, Arabs, or other ethnic groups that form the background of the stories. This is also represented in one of the Chinese Peranakan literary works, Cerita Satu Ibu Tiri yang Pinter Ajar Anak (1913), which will be used as a material object in this research. The drama text describes the dynamics of community life, cultural friction, social conflict, and issues of ethnicity/race during the Dutch colonial period. This research aims to narrate the dynamics of multiethnic cultures that coexisted in Indonesia during the colonial period in literary works. Qualitative descriptive methods are used to explain the data found. They will describe the identity of multiethnic communities who maintained their respective identities, traditions, and cultures during the Dutch colonial period.

Korona dalam Ruang Politik dan Poetik Sastra: Arena Diskursif Karya-karya Fiksi Komunitas Jejak Imaji Yogyakarta Di Era Pandemi Sudibyo, Sudibyo; Dewojati, Cahyaningrum; Indrastuti, Novi Siti Kussuji; Zuliana, Rina
Bakti Budaya: Jurnal Pengabdian kepada masyarakat Vol 4 No 1 (2021): 2021: Edisi 1
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This article departs from the findings of the implementation of the community service program of Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada in the form of providing workshop and assistance in writing fiction works for the Komunitas Jejak Imaji (KJI). KJI is a space of community for writers, poets, and students who carry out the routine of gathering, discussing, and producing literary works. This community is located in Yogyakarta — which culturally has a social climate that supports the existence of literary development and the literary community. In the midst of a pandemic, the demands for innovation on the formation of new habits and new knowledge provide a new field for communities to continue to exist in producing literary works. This service was initiated to spark community awareness to revive its literary space amid the pandemic. The implementation of the service program uses lecture, discussion, and practice methods to produce works about Covid-19 that are ready to be published through the application of research and processing of historical data, as well as social facts in literary works. Even though the story ideas from the 14 works of fiction they wrote were a response to the Covid-19 pandemic, the tendency of their works is not far from the social problems surrounding them. The conceptual framework used to see the tendency of KJI's fiction is Laclau and Mouffe's discourse theory which is to answer the question of how the corona is received and responded to in a political space as well as a literary poetic space. The results of these activities show that the entire works of fiction written by the Imaji Literature Community, tend to put the discourse of globality clashed with various social problems experienced by the Indonesian people in general and local communities in particular during the pandemic. ===== Tulisan ini berangkat dari temuan pelaksanaan program pengabdian kepada masyarakat Magister Sastra, Fakultas Ilmu Budaya, Universitas Gadjah Mada berupa pemberian pelatihan (workshop) dan pendampingan penulisan karya fiksi untuk Komunitas Jejak Imaji (KJI). KJI merupakan salah satu ruang sastrawan, penyair, dan mahasiswa yang ‘menggemari sastra’ melaksanakan rutinitas berkumpul, berdiskusi, dan memproduksi karya sastra. Komunitas ini berlokasi di Yogyakarta—yang secara kultural memiliki iklim pergaulan yang mendukung eksistensi perkembangan sastra dan komunitas sastra di dalamnya. Di tengah pandemi, tuntutan inovasi atas terbentuknya kebiasaan baru dan pengetahuan baru memberikan medan baru bagi komunitas untuk tetap eksis dalam memproduksi karya sastra. Pengabdian ini diinisiasi untuk memantik kesadaran komunitas untuk menghidupi ruang sastranya kembali di tengah pandemi. Pelaksanaan program pengabdian menggunakan metode ceramah, diskusi, dan praktik hingga menghasilkan karya tentang covid-19 yang siap publis melalui penerapan riset dan pengolahan data sejarah, serta fakta sosial dalam karya sastra. Meskipun ide cerita dari 14 karya fiksi yang mereka tulis merupakan respon atas pandemi covid-19, kecenderungan karya-karya mereka tidak jauh dari persoalan sosial di sekitarnya. Kerangka konseptual yang digunakan untuk melihat kecenderungan karya fiksi KJI adalah konsepsi wacana Laclau dan Mouffe yang untuk menjawab pertanyaan bagaimana korona diterima dan direspon dalam ruang politik sekaligus ruang poetik sastra. Dari hasil kegiatan tersebut menunjukkan bahwa keseluruhan karya fiksi yang ditulis oleh Komunitas Sastra Jejak Imaji cenderung meletakkan wacana global yang dibenturkan dengan berbagai persoalan sosial yang dialami masyarakat Indonesia pada umumnya dan masyarakat lokal pada khususnya selama pandemi.

Abjection towards Women by Tribes and the State in the Niduparas Erlang’s Burung Kayu Dewojati, Cahyaningrum; Windayanto, Riqko Nur Ardi
Buletin Al-Turas Vol. 31 No. 1 (2025): Buletin Al-Turas
Publisher : Fakultas Adab and Humaniora, Universitas Islam Negeri (UIN) Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/bat.v31i1.41286

PurposeThis research aimed to reveal the process of abjection experienced by women by the tribes and the state with its developmentalism ideology in the Burung Kayu by Niduparas Erlang. It also explores the implications of these two regimes, which ultimately contribute to women’s abjection. MethodThis research employed notetaking and literature review techniques for collecting the data. Linguistic data depicting abjection in the novel were interpreted by the researcher according to Julia Kristeva’s theory of abjection. The analysis was supplemented with findings from previous research. Results/findingsThis research presented several findings. Women experienced abjection because the Mentawai tribe practiced a paternalistic culture. This culture reinforced abjection towards women, especially when state intervention with developmentalism ideology was introduced. This development did not provide opportunities for women. Women were abjected as they adhere to their husbands’ will, rather than their own desires. This research sheded light on the fact that although the tribal and state regimes might seem contradictory, they fundamentally reinforce each other in positioning women as abject. ConclusionThis research concluded that abjection was multidimensional, as gender intersected with tribal and state elements supported by developmentalism ideology.

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