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Dewojati, Cahyaningrum
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AMBIVALENSI DAN KUASA PEREMPUAN TERJAJAH DALAM KARINA ADINDA: LELAKON KOMEDIE HINDIA TIMOER DALEM TIGA BAGIAN Dewojati, Cahyaningrum
ATAVISME Vol 20, No 1 (2017): ATAVISME
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v20i1.257.1-13

Abstract

Penelitian ini bertujuan untuk mengungkap ambivalensi dan resistensi yang dipresentasikan tokoh perempuan terhadap kolonialisme Belanda dalam teks drama Karina Adinda. Adapun masalah yang dianalisis adalah ambivalensi, resistensi, dan kuasa perempuan terjajah yang terefleksi dalam teks drama Karina Adinda karya Liauw Giok Lan. Teori yang digunakan untuk menganalisis adalah teori feminisme pascakolonial yang berhubungan dengan budaya-budaya dari bangsa yang mengalami imperialisme Eropa dan cara elite pribumi dan peranakan melestarikan pola-pola kekuasaan atau dominasi kolonialisme. Metode yang digunakan dalam penelitian ini adalah metode kualitatif yang menghasilkan data deskriptif berupa kata-kata tertulis. Dari hasil analisis diketahui bahwa praktik penjajahan/kolonialisasi selalu menghasilkan kontak budaya dan interaksi antara kaum penjajah dan kaum terjajah. Dalam teks drama Karina Adinda, kontak bu-daya dan interaksi tersebut berupa hibriditas, mimikri, ambivalensi, dan resistensi yang diperlihat-kan oleh tokoh-tokoh perempuan, yakni Karina dan Raden Ajoe. [Title: Ambivalence and Power of Colonized Woman in Karina Adinda: Lelakon Komedie HindiaTimoer dalem Tiga Bagian]. This research aims to reveal the ambivalence and resistance presented by female character against colonialism in the text of Karina Adinda drama. The issues analyzed in this research are ambivalence, resistance, and the power of colonized women reflected in Liauw Giok Lan?s drama, Karina Adinda. The theory used in this study is postcolonial feminism that is associated with the cultures of people who experienced European imperialism and t he way native elite and peranakan preserved patterns of power and colonial domination. The method used in this study is the qualitative method that produces descriptive data in the form of written words. The analysis results show that the practice of colonization always produces cultural contacts and interactions between the colonizers with the colonized. In the Karina Adinda text drama, those cultural contacts and interactions are in the forms of hybridity, mimicry, ambivalence and resistance which demonstrated by figures of women, namely Karina and Raden Ajoe. 
Konsep Habitus Bourdieu dan Dinamika Masyarakat Tionghoa dalam Pendidikan Jang Kliroe dan Korban Dari Peroentoengan Dewojati, Cahyaningrum; Nadhilah Nurtalia
Arif: Jurnal Sastra dan Kearifan Lokal Vol 3 No 1 (2023): Arif: Jurnal Sastra dan Kearifan Lokal
Publisher : Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/Arif.031.01

Abstract

Sastra peranakan Tionghoa sebelum Indonesia merdeka adalah pioneer sastra modern Indonesia. Karya-karya yang dihasilkan oleh pengarang Tionghoa banyak merefleksikan dinamika sosial dan budaya masyarakat pada masa itu. Sebagian dari mereka berhasil memasuki kelas sosial baru sekaligus membangun kultur yang baru pula. Penelitian ini bertujuan mengkaji habitus, modal, serta kritik pengarang terhadap aspek gaya hidup dan pendidikan kalangan Tionghoa dalam Pendidikan Jang Kliroe karya Lauw Giok Lan dan Korban dari Peroentoengan karya Gan Tjian Lie. Metode analisis yang digunakan adalah metode deskriptif analitis. Hasil penelitian ini menunjukkan terdapat habitus tertentu yang menarik yang muncul melalui tokoh dalam novel PJK dan KDP, sementara modal yang dimiliki antara lain modal ekonomi, modal sosial, dan modal budaya. Lauw dan Gan menggunakan karya mereka sebagai sarana kritik terhadap permasalahan yang menjangkiti masyarakat kelas atas Tionghoa di Hindia Belanda, seperti perilaku konsumerisme kalangan hartawan Tionghoa dan efek-efek negatif dari pendidikan ala Barat yang diterima oleh anak-anak muda Tionghoa.
Representasi Etnis Melalui Fokalisasi Dalam Novel Peroesoehan di Koedoes Karya Tan Boen Kim (Sebuah Analisis Naratologi) Rosalita, Rosalita; Dewojati, Cahyaningrum
Metahumaniora Vol 14, No 1 (2024): METAHUMANIORA, APRIL 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v14i1.51214

Abstract

Novel Perosesoehan di Koedoes karya Tan Boen Kim merupakan catatan novelisasi sejarah perusuhan anti-Cina di Kudus tahun 1918 yang diakibatkan konflik etnis antara pribumi dan Tionghoa yang terjadi karena faktor paradigma struktural, yaitu adanya masalah ekonomi diakibatkan dari perebutan sumber daya – teritorial perekonomian dan perebutan tenaga kerja. Penelitian ini bertujuan untuk menganalisis novel Peroesoehan di Koedoes dengan menggunakan teori naratologi Gerard Genette mengenai fokalisasi. Fokalisasi berasal dari kata fokus yang berarti kancah perhatian, perspektif cerita, atau sudut pandang yang nantinya untuk melihat sudut pandang secara sosiologis mengenai keberadaan fakta, bagaimana dan dari sudut mana tokoh-tokoh dan kejadian dilihat. Selanjutnya, peneliti akan melihat bagaimana representasi etnis yang muncul dari bentuk fokalisasi yang digunakan oleh pengarang. Metode yang digunakan adalah deskriptif kualitatif dengan menganalisis teks kemudian mengaitkannya dengan teori fokalisasi Gerard Genette. Sumber data merupakan narasi dan dialog antar tokoh dalam novel Peroesoehan di Koedoes karya Tan Boen Kim. Hasil penelitian menunjukkan bahwa novel Peroesoehan di Koedoes menggunakan dua teknik fokalisasi, yaitu fokalisasi nol (zero focalization) dan fokalisasi internal (internal focalization). Fokalisasi nol yaitu narator mahatahu ditempati oleh pengarang. Ia menempatkan dirinya dalam setiap rangkaian peristiwa yang ada, bahkan Tan Boen Kim dapat mengetahui berbagai fakta tentang beberapa tokoh, bentuk fisik, gerakan, cara berpikir hingga perasaan mereka. Selanjutnya adalah fokalisasi internal di mana beberapa tokoh memfokalisasi tokoh lainnya, untuk menjelaskan sifat tokoh lainnya. Representasi etnis yang terjadi dalam novel Peroesoehan di Koedoes adalah representasi etnis pribumi dan etnis Tionghoa. Etnis pribumi digambarkan sebagai orang yang pelit dan hanya tahu di untung saja dan tidak memperhatikan nasib para kuli. Ini berbanding terbalik dengan etnis Tionghoa yang digambarkan oleh Tan Boen Kim dalam novelnya, bahwa mereka memiliki kemurahan hati, mau memberikan utang/vorschoot, jujur dalam berdagang, dan mau memperhatikan nasib para kulinya.
Pelatihan Menulis Esai Destinasi Wisata sebagai Upaya Pemberdayaan Masyarakat untuk Mempromosikan Potensi Wisata di Gunung Kidul Dewojati, Cahyaningrum; Sugihastuti, Sugihastuti; Akmal, Ramayda; Kurniawati, Wira
Jurnal Pengabdian Masyarakat: Darma Bakti Teuku Umar Vol 5, No 2 (2023): Juli-Desember
Publisher : Universitas Teuku Umar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35308/baktiku.v5i2.8373

Abstract

This community service activity aims to empower the community to write essays containing the introduction and promotion of tourism potential around Gunungkidul Regency. Gunungkidul is a district in the Special Region of Yogyakarta which has a lot of tourism potential, ranging from nature (such as beaches, caves, lakes, forests, hills, etc.), culture (culinary, performing arts), to historical sites, and so on, which developed by the government and private stakeholders. The target community for this workshop are members of the Pelita Gunungkidul Community whose members are educators who are also writers and literacy activists in Gunungkidul. The number of participants in this activity was 34 people. The method used is the lecture method to provide material, questions and answers, discussions, direct guidance during the writing process, both offline and in bold, and the editing process for participants' writing. The results obtained are an increase in participants' writing skills, mastery of essay material, increased understanding of tourism potential in the Gunungkidul area, and a joint anthology book with ISBN containing travel essays written by workshop participants. The book will then be distributed more widely to the people of Yogyakarta and its surroundings.
IDENTITAS DAN PERGERAKAN PEREMPUAN PERANAKAN TIONGHOA DALAM NOVEL BERGERAK? KARYA TAN BOEN SOAN (Peranakan Chinese Women’s Identity and Movement in Tan Boen Soan’s Bergerak?) Dewojati, Cahyaningrum; Nurtalia, Nadhilah
Kandai Vol 19, No 1 (2023): KANDAI
Publisher : Kantor Bahasa Provinsi Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jk.v19i1.4116

Abstract

The social identity of women of Chinese descent (peranakan) in Dutch East Indies was affected by numerous aspects, which later developed into their consciousness about identity and environment. In the context of the women’s movement, the diversity of social identity of these women of Chinese ancestry contributed to the dynamic development, as portrayed in a novel titled Bergerak? (Let us move?). Through social identity theory, organizational behavior and feminist literary criticism, especially Chandra Mohanty on intersection, this study aims to examine the social categories that affect the identity of women of Chinese descent and the author’s on the problems of Chinese peranakan women in a novel titled Bergerak? The result of the study shows that the social identity of women of Chinese descent is influenced by the social categorization such as social and economic status, culture representation, and ideologies that are intertwined or intersected each other. Nevertheless, the author’s criticism to the problems in the women’s movement organization is also clouded by gender bias affecting the author’s perspective on women’s contribution to the organization Identitas sosial yang dimiliki oleh perempuan peranakan Tionghoa di Hindia Belanda dipengaruhi oleh berbagai aspek. Hal ini kemudian mempengaruhi kesadaran para perempuan tersebut terhadap jati diri dan lingkungan mereka. Dalam konteks pergerakan perempuan, keragaman identitas sosial para perempuan peranakan Tionghoa ini ikut memberikan dinamika tersendiri dalam proses perjalanannya, seperti yang tertuang dalam novel Bergerak?. Melalui teori identitas sosial, perilaku organisasi dan kritik sastra feminis, khususnya Chandra Mohanty tentang intersection, penelitian ini bertujuan mengkaji kategori sosial yang mempengaruhi identitas perempuan peranakan Tionghoa serta sudut pandang pengarang terhadap permasalahan perempuan peranakan Tionghoa di dalam organisasi pergerakan perempuan dalam Bergerak?. Hasil penelitian ini menunjukkan bahwa identitas sosial dari para perempuan peranakan Tionghoa dipengaruhi oleh kategori-kategori sosial seperti status sosial dan ekonomi, representasi budaya, dan ideologi yang berkelindan atau interseksi satu sama lainnya. Di sisi lain, kritik pengarang terhadap berbagai permasalahan yang muncul dalam organisasi pergerakan perempuan juga diliputi bias gender yang mempengaruhi sudut pandang pengarang tentang keterlibatan perempuan dalam organisasi pergerakan perempuan.
PENYAKIT KULIT SEBAGAI PEMBANGUN STRUKTUR NARATIF: TINJAUAN NARATOLOGIS HIKAYAT AGUNG SAKTI KARYA MUHAMMAD BAKIR Dewojati, Cahyaningrum; Winarti, Daru; Udu, Sumiman; Windayanto, Riqko Nur Ardi
Paradigma: Jurnal Kajian Budaya
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research aims to discover the role of skin diseases in the narrative structure of M. Bakir’s Hikayat Agung Sakti as well as its surrounding ideological, social, political, and cultural contexts. Mieke Bal’s narratological theory was applied to map and analyze the elements of the fabula: event, time, actor, and location. Methodologically, this research consisted of two levels: text and context. At the first level, lingual data were collected using the note-taking technique and then explained interpretatively using relevant theoretical concepts. At the second level, data were collected through literature study on ideology and context. The text and context data were explained through dialectics and interreference. This research yielded several main results. First, skin diseases (itches, smallpox, scabs, and Tinea corporis) are attached to the elements of the fabula. These diseases change circumstances, shape events and time, infect the characters (the Gods), and change the locations (from heaven to earth). Skin diseases were found to be the building block of the narrative structure. In this role, skin diseases become a means of articulating Islamism. This narrative is linked to the development of Islam in Malay-speaking lands and political resistance to polytheistic Hinduism, which is placed in opposition to the monotheistic Islam which places Allah as the only deity. This ideology was articulated and written down as a literary work to be disseminated among local Straits-born Chinese. This is also contextually related to the issues of manuscript rental, diseases in Malay tradition, and spread of diseases in Batavia in the 19th century.
Women, Culture and Postcolonial Feminism in Siti Kartini by L. Suma Tjoe Ekaristi, Lidwina Putu Gratia; Sabrina, Renanda Putri; Dewojati, Cahyaningrum
International Journal of Multidisciplinary Sciences Vol. 3 No. 1 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ijms.v3i1.3897

Abstract

During the colonial period, bumiputera women were positioned at the lowest social strata viewed as unintelligent, powerless, and lacking value. The culture of oppression that prevailed at the time reduced these women, including those of noble lineage, to objects of service exchange among the socially inferior. This structural subjugation and marginalization are critically represented in L. Suma Tjoe Sing's novel Siti Kartini, which serves as the material object of this research. The primary objective of this study is to explore and narrate the forms of resistance shown by bumiputera female characters against colonial oppression within the novel. Utilizing the framework of postcolonial feminism, which examines the intersection of gender and colonial power structures, this study employs a qualitative descriptive method to analyze the text. The findings indicate that colonization inevitably leads to cultural contact and interaction between colonizers and the colonized, often resulting in the systemic oppression of the latter. Within this context, women become doubly marginalized—both as colonized subjects and as females prompting them to engage in various forms of resistance. The novel Siti Kartini illustrates that bumiputera women, despite being socially oppressed, possess the agency and determination to challenge colonial and patriarchal domination.
Abjection towards Women by Tribes and the State in the Niduparas Erlang’s Burung Kayu Dewojati, Cahyaningrum; Windayanto, Riqko Nur Ardi
Buletin Al-Turas Vol 31, No 1 (2025): Buletin Al-Turas
Publisher : Fakultas Adab dan Humaniora, UIN Syarif Hidayatullah Jakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/bat.v31i1.41286

Abstract

PurposeThis research aimed to reveal the process of abjection experienced by women by the tribes and the state with its developmentalism ideology in the Burung Kayu by Niduparas Erlang. It also explores the implications of these two regimes, which ultimately contribute to women’s abjection. MethodThis research employed notetaking and literature review techniques for collecting the data. Linguistic data depicting abjection in the novel were interpreted by the researcher according to Julia Kristeva’s theory of abjection. The analysis was supplemented with findings from previous research. Results/findingsThis research presented several findings. Women experienced abjection because the Mentawai tribe practiced a paternalistic culture. This culture reinforced abjection towards women, especially when state intervention with developmentalism ideology was introduced. This development did not provide opportunities for women. Women were abjected as they adhere to their husbands’ will, rather than their own desires. This research sheded light on the fact that although the tribal and state regimes might seem contradictory, they fundamentally reinforce each other in positioning women as abject. ConclusionThis research concluded that abjection was multidimensional, as gender intersected with tribal and state elements supported by developmentalism ideology.
MASKULINITAS DAN KORUPSI PADA MINIATUR: SEBUAH STUDI PENTIGRAF Harendika, Melania Shinta; Dewojati, Cahyaningrum
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8 No 2 (2024)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2024.080203

Abstract

Pentigraf is a three-paragraph short story produced by a creative writing community called Kampung Pentigraf Indonesia (the Indonesian Pentigraf Village or KPI). By composing Pentigraf, the authors can articulate the social phenomena such as corruption with greater clarity. Since the 1970s, corruption has become a problem in Indonesia. KPI published a Pentigraf anthology entitled Hanya Nol Koma Satu (Only Zero Point One) in 2020 to express concerns about corruption. KPI has more than 3,000 members on Facebook from diverse backgrounds, including female homemakers, who, in this anthology, discuss masculine dominance themes connected to corruption. This study shows how masculine norms and gendered perspectives contribute to the perpetuation of corruption, as articulated through Pentigraf, written by female homemakers. This study gathered the data from fifteen Pentigrafs written by female homemakers. Employing Bourdieu’s theory of masculine domination, this document analysis analyzes the intrinsic structure of pentigraf by homemakers in Hanya Nol Koma Satu to deconstruct how masculine standards correlate with textual representations of corruption. The results show that male characters in the Pentigrafs have the personalities of being desirous and indifferent to the suffering of others because they cling to wealth achievement and supremacy. Pentigraf is a mini-fiction that is not easy to analyze deeply. Nevertheless, it can articulate moral teachings and capture social phenomena.
Racial and Cultural Identity in Chinese Peranakan Literature: Cerita Satu Ibu Tiri yang Pinter Ajar Anak Dewojati, Cahyaningrum; Ekaristi, Lidwina Putu Gratia
Metta : Jurnal Ilmu Multidisiplin Vol. 5 No. 3 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/metta.v5i3.4747

Abstract

The diversity of Indonesia's identity and culture as a heterogeneous country cannot be separated from the character of the Indonesian nation, which has been inclusive from the start. The Chinese, Arab, Indian, and European diaspora during the colonial period made Indonesia's big cities a melting pot where various ethnicities, races, and cultures met. Authors, including Peranakan Chinese, were generally educated people. Their writing reflects the dialectics and dynamics between cultures, both from the Peranakan Chinese community and the native people, Europeans, Arabs, or other ethnic groups that form the background of the stories. This is also represented in one of the Chinese Peranakan literary works, Cerita Satu Ibu Tiri yang Pinter Ajar Anak (1913), which will be used as a material object in this research. The drama text describes the dynamics of community life, cultural friction, social conflict, and issues of ethnicity/race during the Dutch colonial period. This research aims to narrate the dynamics of multiethnic cultures that coexisted in Indonesia during the colonial period in literary works. Qualitative descriptive methods are used to explain the data found. They will describe the identity of multiethnic communities who maintained their respective identities, traditions, and cultures during the Dutch colonial period.
Co-Authors Daru Winarti, Daru Ekaristi, Lidwina Putu Gratia Harendika, Melania Shinta Nadhilah Nurtalia Nurtalia, Nadhilah Ramayda Akmal Rosalita, Rosalita Sabrina, Renanda Putri Sugihastuti Sugihastuti Sumiman Udu Windayanto, Riqko Nur Ardi Wira Kurniawati, Wira