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All Journal Kamaya: Jurnal Ilmu Agama GENTA HREDAYA: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja JNANASIDDHÂNTA : JURNAL TEOLOGI HINDU
Putu Sri Marselinawati
Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja
Religion Arts Humanities

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KOSMOLOGI HINDU DALAM SANKHYA-YOGA Putu Sri Marselinawati
Genta Hredaya: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja Vol 2, No 2 (2018)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/gentahredaya.v2i2.456

Abstract

Cosmology is the science of the creation of the universe. Hindu cosmology is different from the common Cosmology studied by Western scientists, Hindu cosmology deliberately and consciously placing God as the beginning, middle, and end of cosmic existence, whereas Cosmology in general (the West) is not very important to locate and engage God, or if any, then God is only placed in a position that is not too central, and also only as the end to cover the impasse and confusion of his mind. Hindu cosmology explains that the universe is maintained over a period of time before it is melted. At the beginning of every cycle of the creation of the universe, Brahma-the first cosmic creature created. In the teachings of Sa?khya-Yoga states the existence of 25 elements in the process of creation, namely 5 Panca karmendriya, 5 PancaBudhindriya, 5 Panca Maha Bhuta, 5 Panca Tan Matra, Budhi, Ahamkara, Manah, citta, andkala. Hindu cosmology sees the creation of the universe or the cosmos beginning with God.From within the body or the content of God (hiranyah garbha) the universe is born, and theninto the womb of God (hence the garbha) also the universe will be restored. These 25 elementsalso reveal the process of creating bhuana alit or living organism one of the examples is human.
FILSAFAT KETUHANAN DALAM BHAGAVAD GITA Putu Sri Marselinawati
Genta Hredaya: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja Vol 3, No 1 (2019)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/gentahredaya.v3i1.450

Abstract

In the Hindu literature the Bhagavad Gita is one of the books that discusses the conception of God, which is in harmony with the philosophy of the Process or Philosophy of the Organizations of A.N.Whitehead. Etymologically, Bhagavad Gita is said to come from the words Bhagavad and Gita, Bhagavad means God and Gita means singing, So Bhagavad Gita is the song of God. In the discussion of God according to the Philosophy of Organisms or Process Philosophy, it will explain 4 processes, first God and creativity which means God as creator, this is mentioned in the Bhagavad Gita, "God the creator of everything", the second, God as the actual entity, mentioned that God is the source and animates every creation, as stated in the Bhagavad Gita "He is the seed of everything", the third in the framework of the philosophical concept of God concerning the nature and relevance of God in contemporary life, referred to in the Transcendent Bhagavad Gita, God remains spiritual and inaccessible to useless minds but is also immanent which means that it exists in every creation and has a versatile form of brahman, fourth is aboutGod and manisfestation called eternal objects.
TEOLOGI PEMBEBASAN DALAM TEKS WRSPATI TATTWA Putu Sri Marselinawati
Jnanasidanta Vol 1, No 2 (2020): Teologi Hindu
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/jnana.v1i2.497

Abstract

The Wrspati Tattwa text is the core teachings of the Sang Hyang Isvara and Rsi Wrspati dialogue. Wrspati Tattwa texts are Sanskrit and Old Javanese The Wrspati Tattwa text is the result of an adaptation of the Sankhya teachings and Yoga Sutra and some of the concepts of the Shiva siddhanta teachings that originally developed in South India. In this article, 5 basic concepts of Hindu liberation theology are derived from the concept of Panca Sradha, the concept of God or Widhi Tattwa mentions in the Wrspati Tattwa text God as the creator is dwaita 'dualistic' which means there are two principles that cause everything. Namely Cetana and Acetana. Cetana is a conscious principle called Shiva Tattwa, which consists of Tri Purusha. Atma Tattwadalam Wrspati Tattwa text comes from Siwatma. The element of thought contained in creation influences karma and reincarnation. Prayogasandi's path on how to connect with God through sense knowledge and control,yoga as a way of liberation to achieve happiness and authenticity. Sad angga Yoga is one of the paths of Yoga that was delivered by Sang Hyng Isvara to Rsi Wrspati as a way to achieve liberation. The parts of sad angga yoga are pratyahara, dhyana, pranayama, dharana, tarka, and samadhi.
Teologi-Estetis Tari Daha Malom Kajian Filsafat Agama Hindu Putu Sri Marselinawati; Ni Wayan Juli Artiningsih
Jnanasidanta Vol 2, No 2 (2021): TEOLOGI HINDU
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/jnana.v2i2.1138

Abstract

Art is a very important component in the implementation of the yadnya ceremony, especially in Bali, without art the yadnya ceremony will feel meaningless. Daha Malom dance is a sacred dance created expressively to express the omnipotent nature of God giving salvation as a complement to ritual ceremonies at Puseh Temple, Ngis Karangasem Village. In the creation of this sacred symbol, three important elements are inseparable, namely satyam (truth), siwam (holiness) and sundaram (beauty). Daha Malom Dance in Ngis Village is an oral tradition which is the appreciation of the local community with environmental conditions, until now the truth is still believed, this method of proving the truth through oral tradition is in line with the way of proving the truth of Mimamsa Darsana. Respect for nature is one of the implementations of the Sankhya-darsana teachings which aim to remind humans of their origin, as an identity that comes from God, the harmony of Bhuana Agung and Bhuana Alit which is expressed in the Daha Malom Dance reflecting the sradha and devotion of Hindus in Ngis Karangasem Village. This study used qualitative research methods. Qualitative research is research that uses data that is stated verbally and qualifications are theoretical
Kajian Nilai Sosio Religius Pada Upacara Nyakap Uma Di Subak Umalas Desa Canggu Kecamatan Kuta Utara Kabupaten Badung Ni Wayan Murniti; Putu Sri Marselinawati
Kamaya: Jurnal Ilmu Agama Vol 6 No 2 (2023)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/kamaya.v6i2.1977

Abstract

Land conversion in tourism areas such as Canggu Village has an impact on soil fertility. The subak system, which always involves a ceremony in every agricultural activity, often carries out the nyakap uma ceremony. The nyakap uma ceremony is a ceremony to ask Dewi Sri to live on agricultural land so that everything that is planted can grow well. The purpose of this study was to determine the socio-religious values ​​contained in the nyakap uma ceremony, religiously the nyakap uma ceremony is based on Hindu literature and socially the nyakap uma ceremony prioritizes mutual cooperation involving social interaction. This type of research is a qualitative research with a phenomenological approach. The primary data sources in this study were interviews with members of the Umalas subak, Canggu Village, Badung Regency, and secondary data sources in this study were research results and books related to agricultural activities. Data collection techniques in this study were observation, interviews, and literature study. The stages of the Nyakap uma ceremony procession in Subak Umalas Canggu Village are the stage of preparing the ceremony facilities and infrastructure, the place and time of the Nyakap uma ceremony, and the day before the ceremony, the land owner circles his farm with a piglet that will be used as a suckling pig during the ceremony. The function of the nyakap uma ceremony is a religious function, a function of social interaction, a function of fertility, and a function of nature conservation. Socio-religious values ​​in the implementation of the nyakap uma ceremony, namely, divine values, namely the nyakap uma ceremony as an expression of gratitude to God, social values, namely the nyakap uma ceremony as social media between communities in Canggu village, and aesthetic values, namely the value of beauty or art in ceremonies say umma. From the results of the study it can be concluded that the nyakap uma ceremony contains socio-religious values ​​as seen from its religious values and social interaction.
Co-Authors Ni Wayan Juli Artiningsih Ni Wayan Murniti