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All Journal Ganaya: Jurnal Ilmu Sosial dan Humaniora GENTA HREDAYA: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja JNANASIDDHÂNTA : JURNAL TEOLOGI HINDU
Ni Wayan Juli Artiningsih
Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja
Religion Arts Humanities Economics, Econometrics & Finance Education Social Sciences Other

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Pola Komunikasi Organisasi Dalam Pengembangan Program Studi Filsafat Hindu STAH Negeri Mpu Kuturan Singaraja I Putu Ariyasa Darmawan; I Made Gami Sandi Untara; Ni Wayan Juli Artiningsih
Ganaya : Jurnal Ilmu Sosial dan Humaniora Vol 4 No 2 (2021)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ganaya.v4i2.1353

Abstract

The STAH Negeri Mpu Kuturan Singaraja Hindu Philosophy Study Program is a new study program with minimal interest in prospective new students. Minimal in quantity, but the organization in the study program is currently complete, both lecturers, employees, and students. The minimum number of lecturers and students requires a form of communication that functions to unite study programs and minimize misunderstandings in interpreting orders or information. This research is a qualitative research with a phenomenological approach. Sources of data in this study were obtained by direct interviews and using several data sources that are helpful in analyzing such as books on communication. Data collection was carried out by observation, interviews with purposive sampling method, literature study, and documentation. The pattern of organizational communication in the Hindu Philosophy Study Program uses more top-down communication patterns, and bottom-up communication. The organizational communication function in the Hindu Philosophy study program STAHN Mpu Kuturan Singaraja is Informative Communication by using WhatsApp group chat Hindu Philosophy Study Programs to help lecturers and employees work on the Tri Dharma of Higher Education to be more focused, Regulatory Communication, namely the delivery of messages related to regulations in carry out the duties of the people who control the message of the organization, Persuasive Communication, namely changing attitudes and behavior as well as beliefs of a person, Integrative Communication functions and is useful for integrating all messages or information and communications that have been given by the leadership of the organization to members of the organization.
Religiusitas Sesolahan Sanghyang Grodog Pada Upacara Pengaci Sakral Di Lembongan Ni Wayan Juli Artiningsih
Genta Hredaya: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja Vol 4, No 2 (2020): Filsafat Ketuhanan
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/gentahredaya.v4i2.855

Abstract

Sanghyang Grodog is one of the traditions that is still strong today in Pakraman Lembongan Village, Nusa Penida District. Sanghyang Grodog is a “village pengaci ritual” which is performed every pinanggl tilem sasih karo, with the function of being a “village supervisor”. Nyomia Desa is a ceremony performed to neutralize negative elements so that they become positive. Sanghyang Grodog is not as common as other Sanghyang dances in general in Bali. The difference is that the Sanghyang Grodog dance is not only sacred, this dance does not stop just as a dance, but is a perfect blend of rhythmic gending (audio singing, sound / sound), visual (form, form, visual), and agem (motion, kinetic). The number is also not only one or two but at the same time there are 23 types of Sanghyang which are then offered as sacred aci at Pakraman Lembongan Village for 11 consecutive days. The problems in this writing include; 1) what is the form of the Aci Sanghyang Grodog ceremony in Lembongan, 2) The religious aspects of the Aci Sanghyang Grodog ceremony in Lembongan, 3) what are the implications of religious values in the grodog sanghyang school in Lembongan. This writing aims to determine the religiosity at the Aci Sanghyang Grodog ceremony in Lembongan. The data analysis was performed using a qualitative descriptive method.
ESTETIKA HINDU PADA PEMENTASAN TOPENG SIDAKARYA DALAM UPACARA DEWA YADNYA Ni Wayan Juli Artiningsih
Genta Hredaya: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja Vol 3, No 2 (2019)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/gentahredaya.v3i2.468

Abstract

Aesthetics is essentially a way of looking at a sense of beauty (lango) that is bound by Hindu religious values based on the teachings of the holy scriptures. One of the realization of the teachings of Hinduism in Bali is realized with the implementation of Yadnya ceremony. In Hinduism it is known as Panca Yadnya, namely five kinds of sacred sacrifices offered to Deities, Rsi, Humans, Ancestors, and Butha (lower realms), known as Deva Yadnya, Rsi Yadnya, Pitra Yadnya, Manusa Yadnya, and Butha Yadnya. The emergence of Panca Yad itself is based on human existence which is covered by Rna (debt) which has been carried out since humans were born. The form of the yadnya carried out was outlined in the order of Ceremony and Upakara presented. In the implementation of the Yadnya Dewa ceremony, it was not only poured into an offering in the form of Upakara but was also followed by an art performance in the form of Sidakarya's Mask. This is based on the existence of the Sidakarya Mask which enters the bebali art level, where the existence of the Sidakarya Mask which functions as an accompanist from a Yadnya ceremony procession. Problems at this writing include; 1) What is the form of the Sidakarya Mask performance, 2) what is the Sidakarya Mask Function in the Yadnya Dewa Ceremony, 3) What is the Hindu aesthetic (tattva, ethics, ceremony) in the Sidakarya Mask performance. The conclusion is the form of staging which consists of stories, characterizations, venues, ceremonial facilities and accompaniment accompaniment, the function of the Sidakarya Mask performance is a religious function, a spiritual function and an educational function, while Hindu aesthetics are seen from the three aspects of values contained in the staging of the Sidakarya Mask at the ceremony Dewa Yadnya is the value of Tattva, Ethics, and Ceremony
Teologi-Estetis Tari Daha Malom Kajian Filsafat Agama Hindu Putu Sri Marselinawati; Ni Wayan Juli Artiningsih
Jnanasidanta Vol 2, No 2 (2021): TEOLOGI HINDU
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/jnana.v2i2.1138

Abstract

Art is a very important component in the implementation of the yadnya ceremony, especially in Bali, without art the yadnya ceremony will feel meaningless. Daha Malom dance is a sacred dance created expressively to express the omnipotent nature of God giving salvation as a complement to ritual ceremonies at Puseh Temple, Ngis Karangasem Village. In the creation of this sacred symbol, three important elements are inseparable, namely satyam (truth), siwam (holiness) and sundaram (beauty). Daha Malom Dance in Ngis Village is an oral tradition which is the appreciation of the local community with environmental conditions, until now the truth is still believed, this method of proving the truth through oral tradition is in line with the way of proving the truth of Mimamsa Darsana. Respect for nature is one of the implementations of the Sankhya-darsana teachings which aim to remind humans of their origin, as an identity that comes from God, the harmony of Bhuana Agung and Bhuana Alit which is expressed in the Daha Malom Dance reflecting the sradha and devotion of Hindus in Ngis Karangasem Village. This study used qualitative research methods. Qualitative research is research that uses data that is stated verbally and qualifications are theoretical
Co-Authors I Made Gami Sandi Untara I Putu Ariyasa Darmawan Putu Sri Marselinawati