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All Journal NALARs Jurnal Populasi ARTEKS : Jurnal Teknik Arsitektur Atrium : Jurnal Arsitektur Jurnal Arsitektur Pendapa Jurnal Teknologi dan Desain IJODASI : International Journal of Disabilities and Social Inclusion Journal of Built Environment Studies Arsir: Jurnal Arsitektur Jurnal Arsitektur ARCADE

T. Yoyok Wahyu Subroto

Professor Of Architecture And Planning, Universitas Gadjah Mada

Author-ID : 3785503

Arts Humanities Civil Engineering, Building, Construction & Architecture Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Social Sciences Other

Published : 11 Documents Claim Missing Document

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PERLUASAN KOTA DALAM REALITAS SOSIAL DAN KULTURAL MASYARAKAT T. Yoyok Wahyu Subroto
Populasi Vol 13, No 1 (2002): Juni
Publisher : Pusat Studi Kependudukan dan Kebijakan, Universitas Gadjah Mada

The expansion of cities is one of the most interesting issues, especially in the backdrop of increasing scarcity of space for the burgeoning population as well as environmental concerns, which among other things, advocate for the preservation of conservation areas on the city’s outskirts. The expansion of cities has resulted into the spatial, social, and cultural transformation of suburban areas. The importance of adopting spatial development pattern for areas on city fringes should foster the formulation of development that should take cognizance of the social and spatial aspects of such areas. Upon implementation, spatial development pattern will facilitate the proper phasing, and direction of the transformation process. Proper urban /city development and expansion should be conducted through five phases, which entail: 1) determining the goal, 2) creating the development and conservation pattern, 3) identifying the area of focus, 4) planning, 5) and implementation. If city development is based on the five phases aforementioned, it should evolve into a controllable expansion pattern, which is known as accretion expansion.

Faktor Penentu Setting Ruang Destinasi Wisata terhadap Spending Rate Wisatawan di Pantai Baron Yogyakarta Wastuwedha Kidung Dwi Satria; Tarcicius Yoyok Wahyu Subroto
ATRIUM: Jurnal Arsitektur Vol. 7 No. 2 (2021): ATRIUM: Jurnal Arsitektur
Publisher : Lembaga Penelitian dan Pengabdian pada Masyarakat (LPPM) Universitas Kristen Duta Wacana Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21460/atrium.v7i2.154

Title: Determinant Factors of Tourism Destination Space Setting to Tourist Spending Rate at Baron Beach Yogyakarta Gunungkidul Regency is popular for a beach tourist destination, committed for improving tourist’s arrival. However, for the past few years, the Original Local Government (OLG) of the tourism sector decreased by 2017, 2018, and 2019. Beach tourism provides the biggest percentage of The Original Local Government Revenue compared to other tourism destinations. One of the indicators that affects revenue from the tourism sector is the tourist spending rate. Therefore, it requires significant effort to identify the determinant factors of space settings that affect spending rates in Baron Beach. The research method used is mix method with the data collection technique used Behavioral Mapping that consist of Place Centered Mapping, Person Centered Mapping, and Time Budget. The conclusion of this research is the space setting of the Baron beach tourist destination is determined by 2 aspects of space and time. (a) The aspect of space is divided into 3 categories. They are high, medium, and low. (b) The aspect of time is divided into 3 categories. They are long, medium, and short. The determinant factors of space settings that affect spending rates in tourism destinations of Baron Beach are (a) spatial factor, (b) amenity factor (c) time factor.

Pola Invasi Ruang sebagai Penentu Hierarki Kegiatan di Masjid Pathok Negara Babadan, Bantul, D. I. Yogyakarta Denny Huldiansyah; T. Yoyok Wahyu Subroto
Jurnal Teknologi dan Desain Vol. 1 No. 2 (2020): Jurnal Teknologi dan Desain
Publisher : Pradita University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51170/jtd.v1i2.5

Masjid Pathok Negara Babadan merupakan salah satu dari empat masjid pathok negara di wilayah Kasultanan Yogyakarta. Masjid merupakan bentuk representatif dari masjid tradisional Jawa dan difungsikan sebagai sarana untuk melakukan kegiatan yang bersifat keagamaan. Meningkatnya jumlah jamaah yang menggunakan masjid tidak sebanding dengan dimensi ruang yang dimiliki oleh masjid. Hal ini memunculkan fenomena adanya kegiatan-kegiatanyang menggunakan lebih dari satu ruang sebagai area perluasannya. Penelitian ini bertujuan untuk mengetahui kegiatan-kegiatan yang terindikasi melakukan proses invasi ruang, serta pola spasial yang tercipta dari invasi ruang tersebut. Penelitian ini menggunakan metode kualitatif-deskriptif dengan paradigma rasionalistik. Pengumpulan data dilakukan melalui teknik observasi lapangan, wawancara, serta dokumentasi. Analisis menggunakan abstraksi morfologi guna melihat proses arah invasi ruang secara spasial. Hasil penelitian ini mengungkapkan bahwa proses invasi ruang ditemukan pada delapan kasus kegiatan di dalam Masjid Pathok Negara Babadan dengan pola invasi ruang yang beragam. Berdasarkan pola-pola tersebut ditemukan tiga pola dominan yang masing-masing mewakili kegiatan ritual, kegiatan seremonial, dan kegiatan sosial. Ketiga pola ini membentuk suatu hierarki kegiatan yang mengatur batasan arah invasi serta penggunaan ruang. Kegiatan ritual memiliki arah invasi ke segala arah (tanpa batas) dan kegiatan seremonial dan sosial memiliki arah invasi yang terbatas.

A Bornean Longhouse in Kahayan and Kapuas River Basin: The Process of Metamorphosis Architecture Tari Budayanti Usop; T. Yoyok Wahyu Subroto; Sudaryono Sudaryono; Muhammad Sany Roychansyah
International Journal of Disabilities and Social Inclusion Vol. 1 No. 01 (2021): March 2021
Publisher : Pedulidisabilitas Center

This paper analyzes the process of changing living space in the Dayak tribes in Central Kalimantan, which is a complex phenomenon. The process of spatial discussion in Dayak settlements is useful in the planning and design process relating to housing and settlements, among others concerning environmental aspects, relocation, resettlement, urban renewal, and preserving local wisdom. This research is trying to develop the concept of change in living space that starts from a Dayak community value at the level of transition by using local material as a reference. The Dayak tribes in Central Kalimantan as the object of this study, specifically those in the large and small watersheds of Central Kalimantan as a reference, and field research as a research method. Asking research questions that arise is like asking whether the spatial discussion process is carried out on Dayak tribes in Central Kalimantan. The steps undertaken to answer the research questions are: first, finding the initial process of the Dayak concept of settling; second, to find the concept of changing space from non-permanent (nomadic) to semi-permanent (settled) and settlement. The results of this study contributed to the development of a revised architectural methamorphosis theory, such as questioning the settlement process of the evolving of Dayak tribes.

Konsep livabilitas sebagai dasar optimalisasi ruang publik Studi kasus: Solo City Walk, Jalan Slamet Riyadi, Surakarta Padmana Grady Prabasmara; T Yoyok Wahyu Subroto; M Sani rochyansah
JURNAL ARSITEKTUR PENDAPA Vol. 1 No. 2 (2018)
Publisher : Universitas Widya Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37631/pendapa.v1i2.110

Ruang publik yang terbentuk dari ruang jalan di kota berfungsi sebagai tempat untuk bertemu, berkumpul, dan berinteraksi satu sama lain untuk keperluan agama, perdagangan, dan pemerintahan untuk berbagi aspirasi kepada masyarakat. Selain fungsi tradisionalnya sebagai titik pertemuan, ruang publik juga mencerminkan identitas kota. Dengan demikian, banyak kota menggunakan ruang publik sebagai simbol atas interaksi sosial yang terjadi. Terletak di koridor Jalan Slamet Riyadi Surakarta, jalur pejalan kaki Solo City Walk dianggap mewakili karakter lingkungan ruang publik yang hidup. Optimalnya Solo City Walk sebagai ruang publik berkaitan dengan kehidupan yang ada di jalur pejalan kaki. Makalah ini bertujuan untuk mengevaluasi konsep yang diterapkan di Solo City Walk sebagai proyek yang dirancang untuk menciptakan ruang publik yang optimal. Proyek ini menggunakan konsep mengajak warga untuk pergi keluar dan melakukan aktivitas mereka di ruang publik. Penelitian ini menggunakan metode observasi lapangan dengan memetakan penumpukan pengguna dan kegiatan yang dilakukan di jalur pejalan kaki Solo City Walk. Pemetaan ini menunjukkan beberapa titik memiliki tingkat aktivitas tinggi atau rendah. Hasil penelitian memberikan evaluasi terhadap persebaran livabilitas yang ada di Solo City Walk. Bagian memiliki livabilitas yang tinggi menunjukkan banyaknya pengguna yang terkonsentrasi, berbagai aktivitas dan fungsi yang menarik. Dengan demikian, penggal atau bagian tersebut akan digunakan sebagai pedoman dalam mengoptimalkan bagian lain yang dianggap kurang hidup.

DETERMINANTS OF THE OPTICAL ILLUSIONS EFFECT ON THE DALEM AGENG PRABAYEKSA ROOF, DALEM MANGKUBUMEN AREA, YOGYAKARTA Muhammad Riyan Subastian; Tarcicius Yoyok Wahyu Subroto
Built Environment Studies Vol 4 No 2 (2023)
Publisher : Department of Architecture and Planning, Faculty of Engineering, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/best.v4i2.6840

Javanese buildings can be understood both physically and non-physically, one of them is the Dalem Ageng Prabayeksa which is in the Dalem Mangkubumen complex. This building has the most important and sacred position in the complex with the uniqueness of the hip roof (limasan), which cannot be found in other hip roof buildings. This study focuses on optical illusions that occur on the roof of the building in front (south) and rear (north) views using explorative descriptive methods. Optical illusions that affect visual perception occur because of the imaginary perspective lines formed from the diagonals of the roof of the building so that an illusion is created that make the roof of the building look wider and taller than it should be. The roof of the building is also formed from proportions that are in accordance with the reference for the building as a house and the building as a place of worship (temples) which supports how optical illusions can occur so that a visual perspective and meaning behind the design of the roof appears which makes sense and is in line with the position of the Dalem Ageng Prabayeksa building as the most important and sacred building in the Dalem Mangkubumen complex.

FLOOR ELEVATION SHAPE MEANING WITH VASTU AS CONTEXT IN WITANA WARD, YOGYAKARTA PALACE Ajeng Kusuma; Tarcicius Yoyok Wahyu Subroto
Built Environment Studies Vol 4 No 2 (2023)
Publisher : Department of Architecture and Planning, Faculty of Engineering, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/best.v4i2.6913

The fact that the Yogyakarta Palace is a centre and means of embodying cultural values that are still maintained and exist is proven through two aspects intangibles and tangibles. The distribution of local values reality, such as philosophy increasingly being threatened among the younger generation. From the physical revitalisation, we can understand the symbolic meaning of the Yogyakarta Palace through buildings because they contain complete symbolic meanings, especially in Witana Ward's floor elevation. What is the floor elevation shape with the steps? How is the relationship process between geometric shapes and symbolic meanings? What is the symbolic meaning of the floor elevation shape with steps? The research questions align with the urgency to formulate floor elevation shapes with the steps, formulate a relationship process between geometric shapes and symbolic meanings, and formulate the symbolic meaning of the floor elevation shape. The semiotic method with Peirce and Chandler's analytical model will be applied to study the floor elevation forms to uncover latent factors that are produced by truths under local knowledge. The result is a system consisting of three sign components, built from floor elevation shape with the steps objects that have a relationship with Vastu as context.

UNSUR-UNSUR POLA BENTUK LANTAI BANGSAL WITANA DALAM KONTEKS VASTUSASTRA Ajeng Kusuma; T Yoyok Wahyu Subroto
NALARs Vol 23, No 1 (2024): NALARs Vol 23 No 1 Januari 2024
Publisher : Universitas Muhammadiyah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24853/nalars.23.1.29-38

Ngayogyakarta Hadiningrat Palace means realizing values based on local knowledge as a civilization indicator. Fact Yogyakarta palace, as the center of Javanese culture, is maintained and exists through intangible and tangible aspects. The reality of the distribution of local Javanese values, such as Javanese philosophy and way of life, is threatened among the younger generation. The physical revitalization of the Yogyakarta Palace on public crisis awareness of understanding philosophical meaning circulating. Understanding that Yogyakarta Palace's symbolic meaning can be learned through buildings, especially in the Witana ward, is vital. Witana has complete ornaments full of symbolic meaning by focusing on the floor as one of the architectural building's elements. What does the floor look like in Witana Ward? What is the process of the relationship between geometric shapes and meaning? What is the symbolic meaning of the Witana Ward floor pattern? Consider Witana's architectural symbol to invite all people to remember God Almighty. The research is urgent to formulate floor shapes in Witana Ward to formulate the relation between geometric shapes and meanings and formulate the symbolic meaning of floor patterns in Witana Ward, Yogyakarta Palace. The semiotic method with Peirce and Chandler's analytical model examines Ward Witana architectural forms, namely icons, indexes, and symbols, in a triadic system. The application of this method in the study of the elements of the Witana Ward floor pattern is to uncover latent factors to produce truths through local knowledge. The result is a system consisting of three sign components, built from floor pattern objects that have a relationship with Vastusastra as context. Keraton Ngayogyakarta Hadiningrat adalah salah satu sarana perwujudan nilai (value) berdasarkan pengetahuan lokal yang dapat menjadi indikator perkembangan peradaban. Fakta bahwa Keraton Yogyakarta sebagai centrum kebudayaan Jawa yang masih terjaga dan eksis, dibuktikan melalui dua aspek yakni intangible serta tangible. Realitanya distribusi nilai lokal Jawa seperti filosofi kejawaan hingga pandangan hidup semakin terancam di kalangan generasi muda. Revitalisasi fisik Keraton Yogyakarta tentunya didasari kesadaran terhadap krisis pemahaman makna filosofis yang beredar di lingkungan publik. Vitalnya pemahaman mengenai makna simbolik di Keraton Yogyakarta dapat dipelajari melalui bangunan sebab memuat makna simbolik lengkap, khususnya di Bangsal Witana. Bangsal Witana memiliki kelengkapan ornamen sarat makna simbolik dengan berfokus pada lantai sebagai salah satu elemen penting pembangun Arsitektur. Seperti apa bentuk lantai di Bangsal Witana? Bagaimana proses relasi antar bentuk geometri dengan makna? Apa makna simbolik pola lantai Bangsal Witana? mengingat Bangsal Witana merupakan simbol Arsitektural guna mengajak seluruh rakyat untuk mengingat Tuhan Yang Maha Esa. Hal ini sejalan dengan urgensi penelitian untuk merumuskan bentuk lantai di Bangsal Witana, merumuskan proses relasi antar bentuk geometri dengan makna, serta merumuskan makna simbolik pola lantai di Bangsal Witana, Keraton Yogyakarta. Metode semiotika dengan model analisis milik Peirce dan Chandler, dimana mengkaji bentuk Arsitektur Bangsal Witana dalam sistem triadik yaitu ikon, indeks, dan simbol. Aplikasi metode tersebut dalam kajian unsur pola bentuk lantai Bangsal Witana guna mengungkap faktor laten sehingga menghasilkan kebenaran sesuai dengan pengetahuan lokal. Hasilnya berupa sistem yang terdiri dari tiga komponen tanda, terbangun dari objek pola lantai yang memiliki relasi dengan Vastusastra sebagai konteks.

Sistem Pembentuk Struktur Ruang Rumah Masyarakat Adat Suku Moronene Kampo Laea Hukaea, Kabupaten Bombana,Sulawesi Tenggara Adriyawan Jarsul Hamasi; T. Yoyok Wahyu Subroto
Arsir: Jurnal Arsitektur Vol 9 No 2 (2025): Arsir
Publisher : Universitas Muhammadiyah Palembang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32502/arsir.v9i2.352

Kampo Laea Hukaea is the indigenous territory of the Moronene tribe, one of the native tribes of Southeast Sulawesi Province. Within this area, there are traditional buildings of the Moronene tribe that have not been studied, and their quality has been deteriorating according to the local community. This threatens the authenticity and identity of the Moronene tribe. This research aims to identify the spatial structure formation system of the Moronene people's houses in Kampo Laea Hukaea. Using a descriptive qualitative method, with direct field observation and in-depth interviews, data was collected and analyzed through triangulation. The research findings reveal that the Moronene people's houses have a spatial structure divided both horizontally and vertically. Horizontally, there are the patande space (included in laica irai or front house), botono space (the core of the house), and the dapura space (included in laica ibungku or back house). Vertically, there are the tonto space (lower section), botono space (middle section), and pea space (upper section). These spaces, both horizontally and vertically, are consistently found in the cases, thus forming the spatial structure system in the houses of the Moronene people, which is an authentic identity of the Moronene tribe's culture in Kampo Laea Hukaea. This study contributes to uncovering the identity of the traditional houses of the Moronene people, thereby enhancing the sense of responsibility toward preserving ancestral heritage and maintaining the Kampo Laea Hukaea environment.

TIPOLOGI DAN POSISI KERUANGAN ORNAMEN KACA DI RUMAH KALANG DI KAMPUNG KOTAGEDE YOGYAKARTA Vanya Putri Damayanti; Tarcicius Yoyok Wahyu Subroto
Jurnal Arsitektur ARCADE Vol 10 No 3 (2026): Jurnal Arsitektur ARCADE September 2026
Publisher : KBK Perancangan Kota dan Perumahan Permukiman, Prodi Arsitektur, Fakultas Teknik Sipil dan Perencanaan, Universitas Kebangsaan Republik Indonesia (UKRI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31848/arcade.v10i3.4587

Rumah Kalang in Kotagede, Yogyakarta, is a historic residential architecture characterized by the integration of Javanese spatial traditions and European decorative influences, including stained glass ornaments. However, studies on the typology and spatial placement of stained glass in Rumah Kalang remain limited. This study aims to identify the typology of stained glass ornaments, analyze their spatial positions, and explain the rationale underlying their placement. A qualitative descriptive approach was employed through field observations, visual documentation, interviews, literature review, and access graph analysis. Five Rumah Kalang buildings were selected as research objects. The findings reveal five ornament typologies, namely floral, faunal, geometric, emblematic, and identity. Floral and geometric motifs are the most dominant, reflecting the influence of Art Nouveau and Art Deco styles. Spatial analysis indicates that stained glass ornaments are primarily located in spaces with low depth levels and high visibility, such as façades, pendhapa, pringgitan, and guest rooms. These findings suggest that stained glass functions not only as a decorative element but also as a medium that reinforces visual identity, social representation, and spatial hierarchy within Rumah Kalang.

Co-Authors Adriyawan Jarsul Hamasi Ajeng Kusuma Denny Huldiansyah M Sani rochyansah Muhammad Riyan Subastian Muhammad Sany Roychansyah Padmana Grady Prabasmara Sudaryono Sastrosasmito Usop, Tari Budayanti Vanya Putri Damayanti Wastuwedha Kidung Dwi Satria

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