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All Journal International Journal of Interreligious and Intercultural Studies DHARMASMRTI: Jurnal Pascasarjana UNHI Pangkaja: Jurnal Agama Hindu Jurnal Yoga dan Kesehatan Jurnal Yoga Dan Kesehatan
I Putu Gede Suyoga
Institut Desain Bali
Religion Arts Humanities Education Health Professions Public Health Social Sciences

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PUDARNYA EGALITARIANISME PADA ARSITEKTUR BALI AGA Gede Suyoga, I Putu
PANGKAJA: JURNAL AGAMA HINDU Vol 21, No 1 (2018)
Publisher : Institut Hindu Dharma Negeri Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (306.49 KB)

Abstract

The architecture of Bali Aga is an artifact in Balinese civilization. The concept of social relation of kesamen as an egalitarian tradition of Bali Aga society, besides forming equality in social in- teraction, apparently also affect architectural spatial and building in Bali Aga villages. This study uses qualitative method with analytical descriptive approach and data collection with observation and documentation. Informant determination was done by purposive sampling. Data analysis is based on Gramsci?s theory of domination and hegemony, as well as the theory of adaptation. The result of the research shows the form of building, spatial arrangement pattern, building material, and circulation system, have similarities between buildings with each other, so also in the layout of village settlements is relatively the same as applying linear pattern ?straight line? kaja-kelod with the center of communal activity in the center of the village. This uniformity was established for a long time, before it finally faded due to Bali Majapahit?s cultural pressures in the Balinese period. The architectural identity struggle produces a new artifact of neo architecture Bali Aga as a Bali Aga hybrid architecture with Bali Majapahit who contribute in the area of   Bali Aga villages. The results of architectural adaptation can be observed in architecture parhyangan, pawongan, public, and village spatial.
PUDARNYA EGALITARIANISME PADA ARSITEKTUR BALI AGA Suyoga, I Putu Gede
PANGKAJA: JURNAL AGAMA HINDU Vol 21, No 1 (2018)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (306.49 KB)

Abstract

The architecture of Bali Aga is an artifact in Balinese civilization. The concept of social relation of kesamen as an egalitarian tradition of Bali Aga society, besides forming equality in social in- teraction, apparently also affect architectural spatial and building in Bali Aga villages. This study uses qualitative method with analytical descriptive approach and data collection with observation and documentation. Informant determination was done by purposive sampling. Data analysis is based on Gramsci’s theory of domination and hegemony, as well as the theory of adaptation. The result of the research shows the form of building, spatial arrangement pattern, building material, and circulation system, have similarities between buildings with each other, so also in the layout of village settlements is relatively the same as applying linear pattern ‘straight line’ kaja-kelod with the center of communal activity in the center of the village. This uniformity was established for a long time, before it finally faded due to Bali Majapahit’s cultural pressures in the Balinese period. The architectural identity struggle produces a new artifact of neo architecture Bali Aga as a Bali Aga hybrid architecture with Bali Majapahit who contribute in the area of   Bali Aga villages. The results of architectural adaptation can be observed in architecture parhyangan, pawongan, public, and village spatial.
PRAKTIK YOGA ARSITEK BADE: MEMBACA PRAKTIK YOGA PENGLUKUNAN DASA AKSARA UNDAGI BADE Suyoga, I Putu Gede
JURNAL YOGA DAN KESEHATAN Vol 1, No 2 (2018)
Publisher : Institut Hindu Dharma Negeri Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/jyk.v1i2.1574

Abstract

Every profession has the realm of yoga applications that are relevant to the practice of their profession. An undagi ?architect? in addition to equipping himself with design skills and technical skills for ?artifacts?, is also obliged to master the mind (yoga), one of which is the literacy technique ?union of ten scripts / holy letters?. This study aims to uncover the phenomenon of undagi bade which is able to capture the knowledge behind the script as a practice of yoga for spiritual practice, and manifested in the form of bade architectural artifacts. This study is a qualitative study with a descriptive analytical approach. Collecting data by observation and documentation. Determination of informants is done by purposive sampling. Data analysis was based on Michel Foucault?s knowledge power relations theory. The results of the study showed that the architecture of the bade was composed of pepalihan (parts) that compose parts of the body and roof. The shape varies there are those who are not overlapping called a container and whose roof is overlapped is called a bade, some even have no roof (open) called padma. This roof variant is the result of a deep contemplation of ?yoga? literacy. Knowledge of the dasa aksukan capturing was captured by undagi bade to be developed as power in the practice of his profession. This power of knowledge practice applies in the realm of Balinese society whose bodies have been disciplined, obedient and useful in carrying out ceremonial cultural practices of death. Personally the meaning of yoga in literacy is the practice of training the undagi self-discipline in seeking authenticity on the path of Tantra.
PUDARNYA EGALITARIANISME PADA ARSITEKTUR BALI AGA Suyoga, I Putu Gede
PANGKAJA: JURNAL AGAMA HINDU Vol 21, No 1 (2018)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pkj.v21i1.537

Abstract

The architecture of Bali Aga is an artifact in Balinese civilization. The concept of social relation of kesamen as an egalitarian tradition of Bali Aga society, besides forming equality in social in- teraction, apparently also affect architectural spatial and building in Bali Aga villages. This study uses qualitative method with analytical descriptive approach and data collection with observation and documentation. Informant determination was done by purposive sampling. Data analysis is based on Gramsci’s theory of domination and hegemony, as well as the theory of adaptation. The result of the research shows the form of building, spatial arrangement pattern, building material, and circulation system, have similarities between buildings with each other, so also in the layout of village settlements is relatively the same as applying linear pattern ‘straight line’ kaja-kelod with the center of communal activity in the center of the village. This uniformity was established for a long time, before it finally faded due to Bali Majapahit’s cultural pressures in the Balinese period. The architectural identity struggle produces a new artifact of neo architecture Bali Aga as a Bali Aga hybrid architecture with Bali Majapahit who contribute in the area of   Bali Aga villages. The results of architectural adaptation can be observed in architecture parhyangan, pawongan, public, and village spatial.
Bali Traditional Architecture: Sustainability from the Perspective of Capital Concept I Putu Gede Suyoga; Made Adi Widyatmika; Ni Ketut Ayu Juliasih
International Journal of Interreligious and Intercultural Studies Vol 3 No 2 (2020): Interreligious and Intercultural Studies
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/ijiis.vol3.iss2.2020.1090

Abstract

This study aims to reveal the sustainability of Balinese traditional residential architectural practices which are based on the provisions of traditional ethnic Balinese social stratification and refers to the capital ownership in Generative Structural Theory from Pierre Bourdieu (economic, cultural, social and symbolic). At present, there are dynamics ownership and capital conversion in the traditional social strata which affect the sustainability of traditional residential architecture practices. The traditional Balinese residential architecture in this study is understood to be the spatial layout and traditional residential buildings of the Middle Bali era. Its sustainability today is seen from the concept of capital in the perspective of Bourdieu’s theory. The basic assumption of Bourdieu’s theory is basically that humans are in the field of social struggle to emerge victorious by competing with one another. This study is a qualitative research with interpretative descriptive method. Primary data were obtained from selected informants (purposive) and from field observations, as well as secondary data from the literature. The study findings show that traditional residential architecture practices in the Middle Bali era were strongly influenced by capital ownership (economic, cultural, social, and symbolic) with various forms of conversion to traditional Balinese aristocratic (triwangsa). Development at this time has opened the opportunity to control various capital for ordinary community (jabawangsa), so that the realm of Balinese traditional housing becomes a medium of struggle as well as a symbol of success in social struggle. On the other hand, the contestation of Balinese traditional residential architectural practices is a sustainability in the arena of social struggle within Balinese society today.
RUANG IDEAL BALI DALAM TEKANAN GLOBALISASI I Putu Gede Suyoga
DHARMASMRTI: Jurnal Ilmu Agama dan Kebudayaan Vol 17 No 1 (2017): Dharmasmrti: Jurnal Ilmu Agama dan Kebudayaan
Publisher : Pascasarjana Universitas Hindu Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (291.621 KB) | DOI: 10.32795/ds.v16i01.70

Abstract

The development of space understanding in the Balinese architecture is deeply influenced by the theology, philosophy, and concepts of the Hinduism. Therefore, the real existence of the Balinese spatial layout is the grounding of the Hindu ideology. The Hindu teachings such as tat twam asi, bhuana agung - bhuana alit, panca maha bhuta, tri hita karana, tri bhuwana, purusha-pradhana, and others have been instilled in the practical principle of the Balinese architecture such as tri mandala, sanga mandala, tri angga, sukat ‘measurement’, natah, decoration, color, texture, and others. The Hindu spir- ituality in the Balinese and spatial architecture is manifested by: (1) Arrangement of the physical structure, building, landscape, anthropometry, topography, geography, and local climate, and aesthet- ics (form of yoga). (2) Various meanings and symbols on the spatial and physical layout of the building (form of yantra and tantra). (3) Procedures for building, accompanying rituals during pre-construc- tion, construction, and post-construction periods symbolize the ‘living building figures’ (mantra and mudra forms).
NGUBENG: PRAKSIS PEMANFAATAN RUANG SOSIO-RELIGIUS HINDU DIKALA PANDEMIK COVID-19 I Putu Gede Suyoga
DHARMASMRTI: Jurnal Ilmu Agama dan Kebudayaan Vol 20 No 1 (2020): Dharmasmrti: Jurnal Ilmu Agama dan Kebudayaan
Publisher : Pascasarjana Universitas Hindu Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (325.931 KB) | DOI: 10.32795/ds.v20i1.644

Abstract

Ngubeng merupakan salah satu cara berupacara umat Hindu dari tempat yang jauh dari lokasi pelaksanaan upacara. Ngubeng menjadi menarik dikaji di tengah pandemi Corona Virus Disease (Covid-19) saat ini, utamanya terkait dengan pemanfaatan ruang sosio-religius umat Hindu. Tujuan studi untuk membaca tanda simbolik praktik ngubeng sebagai solusi yang paling relevan dilakukan oleh seluruh lapisan masyarakat Hindu dalam menjalankan sradha dan bhaktinya kepada roh suci leluhur dan Tuhan dengan segala manifestasi-Nya saat ini. Studi kualitatif dengan metode deskriptif interpretatif ini melandasi analisis data dengan teori Proksemika atau Semiotika Ruang. Temuan studi menunjukkan teknik upacara ngubeng (tanda) secara tidak disadari telah membentuk struktur ruang mikro (penanda), yakni jarak sosial dan jarak publik yang sangat relevan dengan salah satu upaya pencegahan dan penanggulangan transmisi virus corona. Tanda simbolik ini bermakna mengarahkan pada physical dan social distancing yang aman bagi semua pihak dalam berinteraksi dalam ruang sosio-religius umat Hindu. Praktik ngubeng, jika dikaitkan dengan modul ukuran jarak pada tata ruang Arsitektur Tradisional Bali dan konteks pandemi Covid-19, modul kategorial jarak tersebut dapat dilipatgandakan (sekali, dua kali atau lebih), sesuai keperluan tingkat kegawatan wabah dan kewaspadaan sosial yang perlu dilakukan secara bersama-sama. Hal ini pada akhirnya akan membentuk struktur ruang makro antar teritorial desa, kecamatan, kabupaten, provinsi, pulau dan/atau negara.
Praktik Yoga Arsitek Bade: Membaca Praktik Yoga Penglukunan Dasa Aksara Undagi Bade I Putu Gede Suyoga
Jurnal Yoga dan Kesehatan Vol 1 No 2 (2018): Volume 1 No.2 Tahun 2018
Publisher : UHN IGB Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (416.064 KB) | DOI: 10.25078/jyk.v1i2.340

Abstract

Every profession has the realm of yoga applications that are relevant to the practice of their profession. An undagi “architect” in addition to equipping himself with design skills and technical skills for “artifacts”, is alsoobliged to master the mind (yoga), one of which is the literacy technique “union of ten scripts / holy letters”.This study aims to uncover the phenomenon of undagi bade which is able to capture the knowledge behind thescript as a practice of yoga for spiritual practice, and manifested in the form of bade architectural artifacts.This study is a qualitative study with a descriptive analytical approach. Collecting data by observation anddocumentation. Determination of informants is done by purposive sampling. Data analysis was based onMichel Foucault’s knowledge power relations theory. The results of the study showed that the architecture ofthe bade was composed of pepalihan (parts) that compose parts of the body and roof. The shape varies thereare those who are not overlapping called a container and whose roof is overlapped is called a bade, some evenhave no roof (open) called padma. This roof variant is the result of a deep contemplation of “yoga” literacy.Knowledge of the dasa aksukan capturing was captured by undagi bade to be developed as power in the practice of his profession. This power of knowledge practice applies in the realm of Balinese society whose bodieshave been disciplined, obedient and useful in carrying out ceremonial cultural practices of death. Personallythe meaning of yoga in literacy is the practice of training the undagi self-discipline in seeking authenticity onthe path of Tantra.
Co-Authors Dewa Ayu Putu Ratih Permata Putri I Gusti Agung Haryawan I Kadek Widiana Made Adi Widyatmika Ngurah Gede Dwi Mahadipta Ni Ketut Ayu Juliasih