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All Journal Humaniora Berkala Arkeologi Naditira Widya KALPATARU Jambura History and Culture Journal Jurnal Penelitian Arkeologi Papua dan Papua Barat Borobudur Proceeding International Conference on Malay Identity Berkala Arkeologi Naditira Widya
Daud Aris Tanudirjo
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Agriculture, Biological Sciences & Forestry Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Earth & Planetary Sciences Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Social Sciences Other

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Journal : Berkala Arkeologi

 1 
EPIGRAFI INDONESIA DALAM KERANGKA PIKIR PASCA - MODERNISME Daud Aris Tanudirjo
Berkala Arkeologi Vol. 14 No. 2 (1994)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v14i2.634

Abstract

The interest in studying inscriptions as a source of history in Indonesia has been ingrained since the beginning of the XIX century. This is evidenced by the publication of the book The History of Java in 1817. The author, Sir Thomas Stamford Raffles, the governor-general of England set aside two chapters of his book to discuss and classify several inscriptions, both in Old Javanese and Sanskrit. Even though Raffles' study cannot be called scientific, at least he has tried to give meaning to the traced remains that he knows. It can be said that Raffles was the first to make use of this written legacy to share the history of Java.
LUKISAN DINDING GOA SEBAGAI SALAH SATU UNSUR UPACARA KEMATIAN Daud Aris Tanudirjo
Berkala Arkeologi Vol. 6 No. 1 (1985)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v6i1.431

Abstract

Lukisan dinding gua merupakan salah satu hasil budaya Prasejarah yang menarik. Basil budaya ini terdapat di berbagai tempat di dunia, termasuk di Indonesia. Di Indonesia, lukisan dinding gua pada umumnya ditemukan di daerah Indonesia bagian timur, yaitu di Sulawesi, Maluku, Timor dan Irian Jaya. Bentuk-bentuk yang dilukiskan sangat beragam baik, yang digambar secara naturalistis, dengan garis-garis sederhana, maupun abstrak.
Arkeologi Prostitusi di Kawasan Lampu Merah Jelakeng, Batavia: Arkeologi Prostitusi di Kawasan “Lampu Merah” Jelakeng, Batavia Wantania, Christoffer; Daud Aris Tanudirjo
Berkala Arkeologi Vol. 44 No. 2 (2024)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/jba.2024.5612

Abstract

Prostitution is a social phenomenon that has long existed in many places, including Indonesia. However, this issue has hardly been studied in Indonesian archaeology. This paper discusses the results of a preliminary archaeological study of prostitution in the Jelakeng area, a “redlight district“as known as prostitution localisation in Batavia during the colonial period. This pilot study aims to reveal how archaeological remains in the Jelakeng area maintain the image of Jelakeng as a ‘’redlight district”. Should the existing remains to be preserved? This study was conducted through observations, interviews, and literature review. The archaeological remains in the Jelakeng are too limited to maintain the image of a “redlight district’’. However, the collective memory of this area is still strong enough to establish its significance as a ‘’redlight district’’ since at least the mid-18th century. The limited archaeological remains and documentation of this area is a challenge for the application of archaeology of prostitution to find more evidence of the colonial subculture that developed in this area. It can potentially to reveal various socio-cultural aspects that have been "hidden." This area needs to be preserved for further research, especially since it contains archaeological evidence of ‘’redlight districts’’, which are rare in Indonesia.
LANSKAP SPIRITUAL SITUS LIYANGAN Tanudirjo, Daud Aris; Yuwono, J.S.E.; Adi, Ari Mukti Wardoyo
Berkala Arkeologi Vol. 39 No. 2 (2019)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v39i2.474

Abstract

Abstract Liyangan archaeological site in the village of Purbasari, Residency Temanggung, Central Java, is an Old Mataram settlement predictably existed from around 8th to 10th century CE. In this site, which was buried by thick layers of pyroclastic materials of Gunung Sindoro eruption, various artefacts as well as stone structures are found including pavement, altars, retaining walls, water-temple, and remains of wooden structures. One of the most interesting aspect of this site is the orientation of the stone structures. Although the whole settlement was arranged to follow the sloping contour of the Mount Sindoro, most of the stone structures were oriented to southeast, which was not common for stone shrines built at the same period. This paper attempts to explain the reason for such an exceptional orientation using landscape archaeological approach. Our research demonstrates that the ten Liyangan stone structures were oriented to either Mount Merapi, Baka Hill, or the Prambanan temple. The orientation of the stone structures is believed as a reflection of the spatial map and the cosmology of the community lived in Liyangan centuries ago. It is suggested here that such an orientation represents the so-called “spiritual landscapeâ€of the people.
EPIGRAFI INDONESIA DALAM KERANGKA PIKIR PASCA - MODERNISME Tanudirjo, Daud Aris
Berkala Arkeologi Vol. 14 No. 2 (1994)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v14i2.634

Abstract

The interest in studying inscriptions as a source of history in Indonesia has been ingrained since the beginning of the XIX century. This is evidenced by the publication of the book The History of Java in 1817. The author, Sir Thomas Stamford Raffles, the governor-general of England set aside two chapters of his book to discuss and classify several inscriptions, both in Old Javanese and Sanskrit. Even though Raffles' study cannot be called scientific, at least he has tried to give meaning to the traced remains that he knows. It can be said that Raffles was the first to make use of this written legacy to share the history of Java.
LUKISAN DINDING GOA SEBAGAI SALAH SATU UNSUR UPACARA KEMATIAN Tanudirjo, Daud Aris
Berkala Arkeologi Vol. 6 No. 1 (1985)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v6i1.431

Abstract

Lukisan dinding gua merupakan salah satu hasil budaya Prasejarah yang menarik. Basil budaya ini terdapat di berbagai tempat di dunia, termasuk di Indonesia. Di Indonesia, lukisan dinding gua pada umumnya ditemukan di daerah Indonesia bagian timur, yaitu di Sulawesi, Maluku, Timor dan Irian Jaya. Bentuk-bentuk yang dilukiskan sangat beragam baik, yang digambar secara naturalistis, dengan garis-garis sederhana, maupun abstrak.
Co-Authors Ari Mukti Wardoyo Adi Hidayat, Romi Imam Hindarto Muhammad Wishnu Wibisono Muhammad Wishnu Wibisono Wantania, Christoffer Yuwono, J.S.E.