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All Journal Parafrase: Jurnal Kajian Kebahasaan dan Kesastraan Anaphora: Journal of Language. Literary and Cultural Studies ABDI MASSA: Jurnal Pengabdian Nasional TANDA: Jurnal Kajian Budaya, Bahasa dan Sastra Proceeding of Undergraduate Conference on Literature, Linguistic, and Cultural Studies Cultural Narratives
Pininta Veronika Silalahi
Universitas 17 Agustus 1945 Surabaya
Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Public Health Social Sciences Other

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Semiotics analysis of signs of virtues and vices in Si Pitung and Robin Hood Nisa, Choirun; Silalahi, Pininta Veronika
Proceeding of Undergraduate Conference on Literature, Linguistic, and Cultural Studies Vol. 3 No. 1 (2024): UNCOLLCS: PROCEEDING RESEARCH ON LITERARY, LINGUISTIC, AND CULTURAL STUDIES
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/uncollcs.v3i1.4630

Abstract

This research investigates the folktales of Si Pitung and Robin Hood to identify signs of virtue and vice. The study uses these two stories to analyze the meanings of virtues and vices through Pierce's semiotic approach. Employing a descriptive qualitative method, the research describes the signs of virtues and vices within the tales. Pierce's theory serves as the theoretical framework, illustrating the relationship between the object (referent), representamen (words), and interpretant (reference). The objects in the folktales are virtues and vices, while the representamen are the utterances of Si Pitung and Robin Hood. The findings reveal twelve interpretant signs in the folktale utterances, including faith, helpfulness, loyalty, patience, politeness, responsibility, wisdom, steadfastness, courage, greed, revenge, authoritarianism, cruelty, slander, and cunning. The study identifies 9 (nine) types of virtue, namely courage, temperate, generous, patience, friendly, modesty and truthfulness and witty. And four types of vices—surly, boastfulness, cowardice and witty. In Si Pitung, modesty is shown by students towards the teacher, whereas in Robin Hood, modesty is demonstrated by followers towards the leader. This research elucidates how values of virtue and vice are signified and comprehended, and how folktales can reflect and shape societal values. Keyword: semiotics, signs, folktales, triadic relation.
Signifying the signs of virtues, vices, and supernatural in Raksasa Penjaga Gunung Merapi and The Legend Of Sleepy Hollow Pramugita, Khoirotun Dwi; Silalahi, Pininta Veronika
Proceeding of Undergraduate Conference on Literature, Linguistic, and Cultural Studies Vol. 3 No. 1 (2024): UNCOLLCS: PROCEEDING RESEARCH ON LITERARY, LINGUISTIC, AND CULTURAL STUDIES
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/uncollcs.v3i1.4640

Abstract

This study aims to investigate the signs of virtues, vices, and supernatural that are contained in folktales Raksasa Penjaga Gunung Merapi and The Legend of Sleepy Hollow. Using Pierce's semiotics technique, the study selected two folktales Raksasa Penjaga Gunung Merapi from Indonesia and The Legend of Sleepy Hollow, from America—to complete it by means of their indications of virtue, vices, and supernatural. In this paper, from these two folktales, the semiotic events of signs of virtues, vices, and supernatural from a qualitative perspective. This paper investigates virtues and vices using Aristotle's theory. Furthermore examines the supernatural applying Jonathan C. Smith's thesis. According to the investigation, qualities were split into nine categories: courage, temperance, generous, humility, patience, truthfulness, clever, friendliness, and modesty. There are seven varieties of vices: fear, insensible, stingy, lack of spirit, understatement, surly, and shyness. At last, the supernatural is split into six: telekinesis, extrasensory perception (telepathy, clairvoyance, and precognition), psychokinesis, mediumship, astrology and fortune telling.
Empowerment in Seven Selected American Songs: The Ideational and Interpersonal Meaning Title Rohmah, Desi Lailatul; Silalahi, Pininta Veronika
Cultural Narratives Vol. 1 No. 1 (2023): August
Publisher : CV. Era Digital Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59066/cn.v1i1.443

Abstract

The recent study aims to analyse the ideational and interpersonal meaning in seven selected empowerment songs’ lyrics. The objectives of the study are to describe the characteristics and types of interpersonal meaning: mood and modality; and the types of transitivity processes. The research design applied in this study is descriptive qualitative. The data is the lyrics of seven selected songs: Brave by Sara Barelies; Fireworks, and Roar by Katy Perry; Who Says by Selena Gomez; Love Myself by Hailee Steinfeld; Fight Song by Rachel Platten; and I love Me by Demi Lovato. The finding shows the dominant mood of all the lyrics is declarative mood; and the modality are: “can” in song 1; “wouldn’t” and “would” in song 2; “don’t have to”, “cannot”, and “could” in song 3; “can’t” in song 5; “can”, “might”, and “will” in song 6; “can’t” and “should” in song 7. Further, the analysis showed that all the transitivity process found in the lyrics include: material, mental, relational, behavioural, verbal, and existential.
Co-Authors Agiel Bramantyo Apriliana, Nabila Hani CHOIRUN NISA Linusia Marsih Nidaan Khofiyaa Nurhadi, Muizzu Pariyanto Pariyanto, Pariyanto Pramugita, Khoirotun Dwi Rohmah, Desi Lailatul Shabrina Dwi Arsa