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Soegeng Toekio
Prodi Desain Komunikasi Visual, Universitas Sahid Surakarta
Arts Humanities

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Menyongsong Lahirnya Kompetensi Multikultural Anwar, Ahmad Khoirul; Toekio, Soegeng
KEMADHA Vol 1, No 1 (2011)
Publisher : KEMADHA

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Abstract

World Arts  is an  inherent part of human  life and  the  land  to work out any sense would think in the form of objects. Visual arts emerged as an important part  in  the  scope of material culture and continue  to grow  in  line with  the dynamics  people. Therefore much  art  work  produced  by  artists which capable of pouring creativity through various media and occurred in various areas,including  in  Indonesia.When  we  try  to  listen  to  cultural  wealth  of nations, both verbal and non verbal, either primary or secular , would look so rich source garapnya. In these cultural treasures, the source of work posted very pour , very diverse, even comes with a power generating common outside. There are charm and unique taste it bears, including the diversity of form is loaded with symbolism and value adhi. From several sources mentioned that the aspect of literacy work of art  it  is possible  to maturation media-character or moral reason which was rejected on the mores (ie, on the basis of norms of behavior habits, customs).Since  the socio-political atmosphere culminated  into a situation  that brings an update on various aspects of life, the existence of art seem slightly delayed echo nya.Dua  three decades before  the millennium,  the existence of  the art of singing was enough to inspire a lot of the hype. State-laden islands local culture, was rushed to reinvent its image in the middle of a worldwide cultural upheaval. This does not mean that whats been growing and developing is a deviation from the existing cultural roots. Many observers have even glanced at the art of cultural behaviors that tend to compromise on the aspirations of the people who heterogin and dynamics of  the  times.Similarly,  brief  exposure  can  I  convey  on  this  occasion,  and  as  a reflection of all that appears also in the works of artists on display and deliver meaningful messages for you in coverage mengapresiasikannya as the impact the  results of  the artist  / artists.
Aura Budaya dalam Polykria Junaidi, Alip Supar; Toekio, Soegeng
KEMADHA Vol 1, No 1 (2011)
Publisher : KEMADHA

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Abstract

When the mass emotions appear to be part of the social dynamics are very different  in scale, appear various opinions. There  is a kind of pressure and sudden action, when life disturbed by the policies and the ease with which it is not  considered  correlative.  Problems  and  action  seemed  to  come simultaneously into clumps in the act. Among the many problems that must be faced, whether  they are positive or negative, seems  to never go completely dibincangkan.While men have always regarded as a maker-made; initiators, actors, even users of natural resources  is very greedy; often get attitude pros and cons. Another  phenomenon;  form  reclamasi  action,  such  reforestation  or conservation plan burst like the scale of urgency. This side was the tendency of trace some aspects that characterized the presence of a work of art that cares for  the  environment.  A  moment  comes  which  depart  from  the  vigorous performance of environmental  information and  scroll  to  the art.One might define good and evil, right and wrong or something more leads  to ambivalent. Ambiguous condition was apparently also  implied  the treasures  of  art,  where  the  conventional  structure  is  confronted  with  a moderate  reform. Artistic  treasures are  faced with  two options open areas. Thats all fine. However the choice should remain grounded in the wisdom that leads  to  the  front and opened  the optimism  in entering  the global competition.
Polykria Milik Kita Toekio, Soegeng
KEMADHA Vol 3, No 3 (2012)
Publisher : KEMADHA

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Abstract

An exhibition is basically a work culture that implements a combination of creative and proficiency. The rate of development is determined by the offender, seeker, and the atmosphere of the times. When the cultural dynamics at the  center of civilization, including what came to pass that mark the interaction dynamics of the movement known as hyperexogenous. The diversity of systems and the growing competition is very influential on cultural actors. Like a vortex of endless, global culture must be faced with an optimistic attitude. But beside that, there is negligence on the toughness of their own culture. In this fast-paced atmosphere of a gap there was a group of young people who dared to display works with the image of different traditions. Serving them is the answer to the advantage of local cultural (ethnic culture). Academic base that is grounded in local culture is essential for the existence of cultural capital of the  nation. This exposure is  only a fraction  of the phenomenon of cultural work. Hopefully their enthusiasm will motivate other young people
Gema Kriya di Tengah Jagad Budaya Sugiharjanto, Asto Adi; Toekio, Soegeng
KEMADHA Vol 1, No 1 (2011)
Publisher : KEMADHA

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Abstract

Indonesia as an archipelagic country as well as a maritime nation that is rich  in  customs  and  lush  islands  in  bantangan  equator .  The  country  also recognize  the  diversity  in  cultures  and  ethnic  groups  scattered.  Indigenous culture that was born of the tribes in many cases the common feature would also imaging,  including a wealth of material culture  is very diverse. When  the concept of blown art  complements  the  realm of  science and  technology, his position became increasingly taken into account. Many efforts and tips to find novelty in the  concept  and  engineering  of  this  material.  One  phenomenon  which  is currently  less preached,  is  the existence kekriaan as one kind of  Indonesian art In  the  atmosphere  created  by  dualism mainstream  of  the  developing nations, will require many wise minds to be able to form a renewal without any cultural conflict. Negative picture of the atmosphere that can only be a source of catastrophe for the existence of cultural assets that no longer have a place to exist. However , it does not mean that the old habits that rests on peradatan was then  terluluhkan.  Actually  there  are  superior  power  of  indigenous  culture (ethnicity) and has a strong desire to keep strong in the midst of a global culture. Excellence  that  has  been  proven  true  history  has  shown  its  reputation  and acknowledged able to appear in the middle of chess world. Some of them would not even be something that is familiar , such as: batik, wayang, gamelan, keris / tosanaji, weaving, plaiting, grabah, and other kria products  that use natural ingredients.Similarly, wide opportunities to enter the constellation of global culture, but it is very unfortunate that the impact of multi-cultural arena that makes the attitude of complacent. Theres homework to explore the local idioms become a source  of  knowledge  that  was  valid  and  the  accelerated  nature  of  arena global.Dari rich repertoire of such kekriaan  it  is possible  to  tampil. Beside that, the sources of art in the barn and spread culture, still only in conditions hardly budge.Exposure is inclined to open a portion of the map kekriaan which allows to be explored to further packed into bertara information science. Like a pearl that  has  not  been  honed,  the  sources  kekriaan  will  put  the  validity  of  the archipelago  when  art  idiom  be  appointed  as  part  of  the  taxonomy  of  art.
Restruksi* Estetika dalam Wujud Kosakarya Seni Toekio, Soegeng
KEMADHA Vol 1, No 1 (2011)
Publisher : KEMADHA

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Abstract

When people looked at clouds of dark clouds, people will assume that the rain will soon arrive; cloudy become markers hujan. Like markers that deliver meaning and we agree on the truth. In the scope of visual arts, certainly  not  that  simple  to  get  the  meaning  of  a  perupaan.  Various backgrounds on the following concepts of media used to be a differentiator . Kekaryaan or even the perpetrators are often targeted for a review and make conversation material. There was dialogue about  the work & perupanya, about the work and its economic impact, and so on. Unfortunately, however , is there any dialogue  to dissect  karyarupa  tradition  for  entries art of  science? Yes maybe one or  two of  limited community can only be done, but  the portion  that  is oriented  towards more macro may need  to be our concern.In  the atmosphere created by dualism mainstream of  the developing nations, will require many wise minds to be able to form a renewal without any cultural conflict. Negative picture of the atmosphere that can only be a source of catastrophe  for  the existence of cultural assets  that no  longer have a place  to exist. However ,  it does not mean  that  the old habits  that rests on peradatan was then  terluluhkan. Actually  there  are  superior  power  of  indigenous  culture (ethnicity) and has a  strong desire  to  keep  strong  in  the midst of a global culture. Excellence that has been proven true history has shown its reputation and acknowledged able to appear in the middle of chess world. Some are even no longer something that is familiar , such as: woven, batik, wayang, gamelan, keris  /  tosanaji,  weaving,  grabah,  and  other  kria  products  using  natural ingredients.Exposure will be delivered  is actually  trying  to  look  fragments of artistic assets are spread widely  in  the country  ini.Saya believe  there are enough young researchers who explored  it and make a  review about  it. However , what  is produced is still not supported by preaching and caring for the other party can strengthen  its contribution  to  the  science of our art.
Polykria Milik Kita Toekio, Soegeng
KEMADHA Vol 3, No 3 (2012)
Publisher : KEMADHA

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (6.014 KB)

Abstract

An exhibition  is basically a work culture  that  implements a combination of  creative  and  proficiency.  The  rate  of  development  is  determined  by  the offender , seeker , and the atmosphere of the times. When the cultural dynamics at  the  center  of  civilization,  including  what  came  to  pass  that  mark  the interaction dynamics of  the movement known as hyperexogenous. The diversity of systems and the growing competition is very influential on cultural actors. Like  a  vortex  of  endless,  global  culture must  be  faced  with  an  optimistic attitude. But beside  that,  there  is negligence on  the  toughness of  their own culture. In  this  fast-paced atmosphere of a gap  there was a group of young people who  dared  to  display works with  the  image  of  different  traditions. Serving them is the answer to the advantage of local cultural (ethnic culture). Academic base that is grounded in local culture is essential for the existence of cultural  capital  of  the  nation.  This  exposure  is  only  a  fraction  of  the phenomenon of cultural work. Hopefully their enthusiasm will motivate other young people.
Co-Authors Ahmad Khoirul Anwar Alip Supar Junaidi Asto Adi Sugiharjanto