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All Journal Professional : Jurnal Komunikasi dan Administrasi Publik Jurnal Iso
Hassan Sazali
Universitas Islam Negeri Sumatera Utara
Humanities Decision Sciences, Operations Research & Management Environmental Science Social Sciences

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Analisis Semiotika Terhadap Prosesi Pernikahan Adat Jawa “Temu Manten” di Dolok Ilir I Kecamatan Dolok Batu Nanggar Sri Nurhayati; Ahmad Fadlan; Ainul Hakim Syukri; Hassan Sazali; Maulana Andinata Maulana Andinata
Professional: Jurnal Komunikasi dan Administrasi Publik Vol 9 No 1 (2022)
Publisher : UNIVED PRESS, Universitas Dehasen Bengkulu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37676/professional.v9i1.2577

Abstract

The purpose of this study was to determine and analyze the meaning of the Javanese traditional wedding "Temu Manten" in Dolok Ilir I, Kec. Dolok Batu Nagar. This type of research uses interpretive qualitative research methods, and uses semiotic research methods, namely an analytical method to examine a sign and meaning in the object being studied based on facts in the field, namely the Javanese Traditional Wedding Procession "Temu Manten" in Dolok Ilir I, Kec. Dolok Batu Nagar. Data were collected using textbooks, references related to research. Based on the discussion and results, it is known that at the Javanese Traditional Wedding Procession "Temu Manten" in Dolok Ilir I, kec. Dolok Batu Nanggar, has a very deep meaning for the bride and groom and their families. In the procession, it can be seen that men are more in the household than women, and there are myths such as what Roland Barthes said that myths exist but do not know the truth, and in the Temu Manten procession, and in this procession the myth of Roland Barthes works that according to community belief, after carrying out the "temu manten" wedding procession, they have a harmonious, peaceful and harmonious household. But at this time for ordinary people, there are not a few who do not use this procession, because the event maker does not want to be complicated with all the existing affairs and requirements. However, there are still many people who advocate and use the Temu Manten ceremony and do not abandon the traditions that have been passed down and have been preserved, especially the people outside the island of Java.
Analysis of Audience Reception Against Intercultural Communication Represented in the Film Bumi Manusia Fadilah Amelia; Firda Yulia; Natasya Asali; Hassan Sazali; Maulana Andinata Dalimunthe
Jurnal ISO: Jurnal Ilmu Sosial, Politik dan Humaniora Vol. 2 No. 2 (2022): Desember
Publisher : Penerbit ADM

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53697/iso.v2i2.823

Abstract

Bumi Manusia is a film by Pramoedya Ananta Toer which has a theme about the love story of a young man of Javanese descent with a girl of Dutch descent and his struggles in the midst of the early 20th century Indonesian movement. audience, how to interpret the message received from a media, namely from a film which is one of the mass communication media. The purpose of this study is to find out how the audience's reception of intercultural communication in the film Bumi Manusia. This research is a descriptive analytical research method using Stuart Hall reception analysis with the concept of encoding-decoding and data collection techniques using the interview method. This study succeeded in showing different audience receptions in interpreting intercultural communication in the film Bumi Manusia. The results of this study indicate, the audience perceives into three types of dominant hegemonic, negotiated reading and optional reading. Viewers who are included in this dominant hegemonic classification understand the message content as it is. Audiences who are in a negotiating position receive texts or scenes of intercultural communication in the film but are not fully accepted because there are still things to negotiate. While the audience is in an oppotional position, the audience does not accept the text or scenes of intercultural communication presented in the film.
Development of Tor Tor Dance in Batak Wedding Ceremony in Medan City Rana Salsabila; Lita Octaviani; Fia Adilla; Hassan Sazali; Maulana Adinata Dalimunthe
Jurnal ISO: Jurnal Ilmu Sosial, Politik dan Humaniora Vol. 2 No. 2 (2022): Desember
Publisher : Penerbit ADM

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53697/iso.v2i2.824

Abstract

Tortor dance for the Batak tribe is used to express feelings in any situation, one of which includes wedding ceremonial activities. Tortor dance is an important part of the Batak indigenous community, which has cultural values and spiritual values. Through the Batak indigenous Tortor dance in Medan, it conveys its hopes and prayers. The movement or demonstration of attitudes and feelings through this Tortor dance adorn the situation and conditions that are being experienced. The purpose of this study is to determine the development of Tortor dance in a brick wedding ceremony in Medan. This study uses a case study method with a qualitative approach. The data collected is primary data obtained from several speakers. From the result of research in the field that the Tortor dance in Batak wedding ceremony in Medan shows that every hand movement has meaning and significance
Co-Authors Ahmad Fadlan Ainul Hakim Syukri Fadilah Amelia Fia Adilla Firda Yulia Lita Octaviani Maulana Adinata Dalimunthe Maulana Andinata Dalimunthe Natasya Asali Rana Salsabila Sri Nurhayati